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Looking for a song "Lend me a pair of eyes"

Seeing Flowers in the Smoke

Singer: Na Ying

Lyrics: Yan Su?

Music: Sun Chuan

Looking at the flowers in the mist and the moon in the water, you can distinguish this unpredictable world

The clouds are flying, the flowers are blooming, and you can grasp this swaying season

Trouble is the most ruthless Can laughter and joy be said to be affectionate

Tenderness may not necessarily mean consideration. You know which sentence is true and which sentence is false

Which sentence is the condensation of love? Lend me a pair of wise eyes

Let me see this chaos clearly and clearly

Lend me a pair of eyes and let me see this chaos clearly

Clearly and truly, looking at the flowers in the mist and the moon in the water

Can you distinguish this unpredictable world? Lend me a pair of wise eyes

Let me see this chaos clearly and clearly

Lend me a pair of wise eyes and let me see this chaos

Let me see clearly, clearly, clearly, really clearly. Lend me a pair of eyes

Let me see this chaos clearly, clearly, clearly, really clearly

Lend me a pair of wise eyes, let me see this chaos clearly

It's really clear, it's really clear, let me see this chaos clearly

It's really clear, it's really clear Please lend me a pair of eyes

Let me see this chaos clearly and clearly

Extended information:

"In the Fog" "Looking at Flowers" is a song written by Yan Su and Sun Chuan, composed by Sun Chuan, and sung by Na Ying. It is included in the album "Looking at Flowers in the Mist". In 1995, the song won the top ten golden songs of the Second Oriental Chart.

"Seeing Flowers in the Smoke" is a song specially written by Mr. Yan Su for the CCTV "3.15" party in 1993. Because the party songs must serve the party theme, most of the songs written for the party have a clear theme. In order to hold a party to commemorate the 10th anniversary of the promulgation of the Trademark Law, CCTV asked Yan Su to write an "anti-counterfeiting song".

At that time, the most counterfeit products were chemical fertilizers and pesticides. Yan Su thought, he couldn’t write “fertilizers are fake and pesticides are fake”, right? You can’t include watches, leather shoes, woolen sweaters, and water heaters in your songs. After thinking about it, I feel that I can't go straight to the point and write too plainly. Be a little more vague, and turn those fake, bad, and deceptive things into a "noisy" world, which needs to be carefully identified. Suddenly I thought of the "intelligent eye" in the Sichuan Opera "The Legend of White Snake", and my inspiration flashed, so I said, "Lend me a pair of wise eyes, so I can see this chaos clearly?" It was done in one go.

"See flowers in the mist, watch the moon in the water" to express the "unpredictability" of counterfeit and shoddy products. Words such as "consumption" and "product" do not appear directly, making this song even if it is separated from " 3.15" will also give the audience space for understanding and imagination of broader life and things. The song has a regular structure and is a typical two-section song. Section A is a question about the troubled world, section B "Lend me a pair of eyes" is a call, and the following part "Let me see this chaos clearly." The use of overlapping words in "baibaizhenqie" strengthens the desire to "distinguish this unpredictable world".

Na Ying, born on November 27, 1967 in Shenyang, Liaoning Province, is a Chinese pop singer and film and television actress.

After Na Ying signed a contract with a Taiwanese record company, she put away her bold voice when singing "Shangougou", combed her smooth and lovely straight hair, and started singing in "Missing You Day and Night". Love songs, until "The Day Does Not Know the Darkness of the Night" perfectly combine the atmosphere and delicacy.

In the album "So What", it shows a completely different Na Ying from before. Her hoarse voice sounds quite restrained when singing, without any hint of a party singer, but rather Using the rich experience of the human voice as a basis, Tanya Tanya's style of profound inner drama is interpreted. Na Ying is no longer the loud voice everyone remembers, but Na Ying who has erased his previous accent and tells music stories in simple and profound terms (reviewed by "Morning News").