Current location - Trademark Inquiry Complete Network - Trademark registration - What are the three categories of Chinese painting?
What are the three categories of Chinese painting?

Chinese painting can be divided into three major categories: figure painting, landscape painting and flower and bird painting.

Figure painting is a major category of Chinese painting, which mainly depicts the image and temperament of characters. Landscape painting is another major category of traditional Chinese painting, which mainly depicts landscapes and natural environments. Bird painting is the third category of traditional Chinese painting, which mainly depicts flowers, birds, animals and creatures in nature. Traditional Chinese painting is an important part of traditional Chinese art and has a long history and cultural background.

Traditional Chinese painting is a traditional painting form in my country. It is painted on silk or paper with a brush dipped in water, ink and color. Tools and materials include brushes, ink, Chinese painting pigments, rice paper, silk, etc. The themes can be divided into figures, landscapes, flowers and birds. From the perspective of art history, all paintings before the Republic of China are collectively called ancient paintings. Traditional Chinese painting had no definite name in ancient times, but was generally called Danqing.

The origin of Chinese painting can be traced back to the Pre-Qin period. It has experienced long-term development and evolution and formed many schools and styles. Overall. The subjects of figure paintings are wide ranging, including historical figures, literati, ordinary people, etc.

Characteristics of art works

1. Originality

The so-called originality means that the work must be created independently by the author and not plagiarized or copied from others. Originality is different from creativity under patent law and distinctiveness under trademark law. Theoretically, even if two works are very similar in content and form, if they are indeed created independently by the authors, they will be regarded as original.

2. Reproducibility

That is, the work must be perceived by others and can be copied. A work that constitutes copyright protection must be perceivable by others. Ideas or storylines that are still in the writer's mind do not constitute a work because they cannot be perceivable by others. Can be perceived by others, including direct perception through the human body's senses, and also including being perceived by others with the help of machinery, equipment, etc. The work must also be fixed on a certain material carrier.

Oral creations such as impromptu speeches, lectures, court debates, etc., works that are not fixed in any carrier. However, in order for oral works to be protected, they must still be in a certain material form, such as being recorded or recorded by others. Without being fixed, oral works have no practical protection. The law recognizes the copyright of oral works, and the author is the dictator, not the recorder or copyer who fixes it.