The above are all the same, let me try something new
Lao She (1899～1966)
Chinese writer. His original name was Shu Qingchun, with the courtesy name Sheyu. Lao She is his most commonly used pen name. Manchu. Pekingese. Born into a poor urban family.
Life and Creation He graduated from Beijing Normal School in 1918 and served as principal of a primary school and student counselor in the suburbs of North District. The ideological trend of democracy, science, and individual liberation set off by the May 4th New Culture Movement awakened him from his life creed of "running a primary school diligently, serving his mother submissively, getting married and having children in an orderly manner"; the rise of the literary revolution also awakened him He became "infatuated with new literature and art" and thus began a new starting point in his life and career.
In 1924, Lao She went to the Oriental College of the University of London to teach Chinese and Chinese literature. Since 1925, he has written three novels: "Lao Zhang's Philosophy" vividly exposes the smoky education world; "Zhao Zi said" is aimed at young students who claim to be a new school but are actually intoxicated; The protagonist of "Two Horses" is a Beijinger living in the UK. The irony is still the abnormal mentality of "getting old after leaving the nest" cultivated in the social soil of feudal small-scale production - all with crisp Beijing colloquialisms and playful humor. , exaggerate the folk customs of Beijing, express the worries about the fate of the motherland through the analysis of the closed-minded and contented national psychology, and show the unique artistic personality and ideological perspective. After the three works were serialized in "Novel Monthly" one after another, they attracted the attention of the literary world. In 1926, Lao She joined the Literary Research Association. In the summer of 1929, he returned to China via Europe and Asia. During his stay in Singapore, he was inspired by the rising local demands for national liberation and wrote the novella "Xiaopo's Birthday", which reflects the awakening of the oppressed nation. From July 1930, he taught at Qilu University in Jinan. In the autumn of 1934, he was appointed professor at Shandong University in Qingdao. At these two universities, courses such as Introduction to Literature, History of Foreign Literature, European Literary Trends of Thought, and Novel Practice have been offered. He continued to engage in creative work after school. Following the original artistic direction, there are novels such as "Divorce" and "The Biography of Niu Tianci", both of which are full of life interest and comedy effect. Compared with his earlier works, the descriptions have shifted from explicit to subtle, which has quite maturely formed his unique artistic style as a humorist, a genre painter of Beijing's human world, and an expressor and critic of civil society. Faced with the increasingly harsh social reality, two new trends have emerged in creation: First, there is increasing concern for national affairs, which triggers inspiration for writing. For example, inspired by the May 3rd massacre caused by the Japanese invaders, he wrote "Da Ming Lake". ", the September 18th Incident caused him to be "disappointed with national affairs", so the allegorical novel "Cat City" was published; first, he was more concerned about the suffering of the urban poor, using this as the main description object, "Crescent Moon" narrates the mother and daughter Two generations have become prostitutes. "My Life" tells the rough experiences of lower-level police officers. In "Camel Xiangzi", a painful social tragedy is written based on the personal destruction of Xiangzi, who came to the city from the countryside to pull a cart. Introducing the dark life at the bottom of the city into the art world of modern literature is a major achievement of Lao She. "Camel Xiangzi" is his personal and important work in the history of modern Chinese literature. He began to write short stories in the early 1930s, and his works are included in "Going to the Market", "The Collection of Yinghai", "The Collection of Clam Algae", etc. Among them, chapters such as "Liu Family Courtyard", "Taking the Appointment", "Time-honored Brand", and "Soul-Destroying Gun" are rich in variety, exquisite and complete, and are rare masterpieces.
After the outbreak of the Anti-Japanese War, on the eve of the fall of Jinan in November 1937, he rushed to Wuhan alone. In March 1938, he joined the All-China Literary and Art Circles Anti-Enemy Association and served as director of the General Affairs Department. During the eight years of the Anti-Japanese War, he made many contributions to the unity of the literary and art circles against Japan. Most of his works written during the Anti-Japanese War had the theme of directly serving national liberation. At the beginning of the war, he enthusiastically promoted popular literature and art, writing small works such as drum lyrics, cross talk, and pendants to promote the anti-Japanese war for artists to sing. Later, he turned to the creation of dramas that were directly promoted to the masses, and wrote more than 10 scripts in succession, such as "Remnant Fog", "Zhang Zizhong", and "Country First", praising national righteousness, commending patriots, and criticizing social ills that are not conducive to unity in the fight against Japan. , played a positive propaganda role at the time. Starting from the beginning of 1944, he entered into the creation of the novel "Four Generations Under One Roof", returning to the familiar Beijing civil society and the art of humor and satire that he was good at. The novel depicts the inner conflicts of ordinary people who are deeply bound by traditional concepts at the critical moment of national life and death, and their awakening and resistance arising from suffering. Naturally, there are also passive escapes and shameless depravity.
"Four Generations Under One Roof" is his masterpiece during the Anti-Japanese War and an important achievement of Anti-Japanese War literature and art. In March 1946, Lao She went to the United States to give lectures at the invitation of the U.S. State Department. After the one-year period expired, he continued to live in the United States, engaged in creation and translated his works into English.
New Achievements in the New Era Upon learning of the establishment of the People's Republic of China, Lao She immediately set off to return to China. He was extremely excited by the new atmosphere of the new society, and soon published the play "Fang Zhenzhu" based on the life of an artist. The drama "Longxugou" created in early 1951 was staged and achieved great success. Through the joys and sorrows of several families in the courtyard, the script describes the earth-shaking changes that are taking place in Beijing and the urban poor who have endured hardships. It is an ode to New China. "Longxugou" is a new milestone in Lao She's creation, for which he won the honorary title of People's Artist. From the 1950s to the 1960s, he held various positions in literature, art, politics, society, and foreign cultural exchanges, but he still worked diligently on creation. The works are mainly dramas, including "Spring Flowers and Autumn Facts", "Looking West to Chang'an", "The Red Courtyard", "Shopgirl", etc. The works that depict the spiritual journey of Beijing citizens bidding farewell to the old life and welcoming the new era are relatively successful. He also wrote the prose "I Love New Beijing". Since the second half of the 1950s, Lao She has turned to depicting the historical events of modern Beijing in his plays "Teahouse", "The Boxers" (also known as "The Fist of God") and the novel "Under the Red Flag" (unfinished). "Teahouse" uses a teahouse as the stage to unfold the life scenes and historical trends in three eras: the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period when the Beiyang warlords took hold in the early years of the Republic of China, and the eve of the collapse of the Kuomintang regime. It writes about the decline of old China and reveals the need to find another alternative. The truth of the way out. Lao She's drama art made a major breakthrough in this script. "Teahouse" is the most famous repertoire on the contemporary Chinese drama stage. After "Camel Xiangzi", it once again won Lao She international reputation.
In his creative career of more than 40 years, Lao She has continuously made important progress and breakthroughs in ideology and art. He writes diligently and tirelessly explores various fields of literary creation. He is a prolific writer and has written more than 1,000 works in his life. He suffered persecution in the early days of the Cultural Revolution and drowned himself in Taiping Lake in Beijing on August 24, 1966.
Answer: suiyueanli - Jinshi origin level 8 6-21 18:16
Lao She, Chinese novelist and playwright. Born in 1899 and died in 1966, he was a Manchu and his ancestral home was Beijing. His original name was Shu Qingchun, with the courtesy name Sheyu. Lao She is his most commonly used pen name.
Lao She's main works include: the novels "Camel Xiangzi", "Zhao Ziri", "Lao Zhang's Philosophy", "Four Generations Under One Roof", "Two Horses", "Xiaopo's Birthday" ", "Divorce", "Cat City", "Under the Red Flag", scripts "Remnant Fog", "Fang Zhenzhu", "Face Problem", "Longxugou", "Spring and Autumn Reality", "Youth Commando", "Drama Collection", "Willow Well", "Shopgirl", "Family Portrait", "Teahouse", reportage "The Nameless Highland Has a Famous", novella "Crescent Moon", "My Life", "Exit" , short story collections "Going to the Market", "Sakura Sea Collection", "Clam Algae Collection", "Train Collection", "Anemia Collection" and collection of works "Collected Works of Lao She" (16 volumes), etc.
He graduated from Beijing Normal School in 1918 and served as principal of a primary school and student counselor in the suburban North District. The ideological trend of democracy, science, and individual liberation set off by the May 4th New Culture Movement awakened him from his life creed of "run a primary school conscientiously, serve his mother submissively, get married and have children in an orderly manner"; the rise of the literary revolution also awakened him He became "infatuated with new literature and art" and thus began a new starting point in his life and career.
In 1924, Lao She went to the Oriental College of the University of London to teach Chinese and Chinese literature. Since 1925, he has written three novels: "Lao Zhang's Philosophy" vividly exposes the smoky education world; "Zhao Zi said" is aimed at young students who claim to be a new school but are actually intoxicated; The protagonist of "Two Horses" is a Beijinger living in the UK. The irony is still the abnormal mentality of "getting old after leaving the nest" cultivated in the social soil of feudal small-scale production - all with crisp Beijing colloquialisms and playful humor. , exaggerate the folk customs of Beijing, express the worries about the fate of the motherland through the analysis of the closed-minded and contented national psychology, and show the unique artistic personality and ideological perspective. After the three works were serialized in "Novel Monthly" one after another, they attracted the attention of the literary world.
In 1926, Lao She joined the Literary Research Association. In the summer of 1929, he returned to China via Europe and Asia. During his stay in Singapore, he was inspired by the rising local demands for national liberation and wrote the novella "Xiaopo's Birthday", which reflects the awakening of the oppressed nation. From July 1930, he taught at Qilu University in Jinan. In the autumn of 1934, he was appointed professor at Shandong University in Qingdao. At these two universities, courses such as Introduction to Literature, History of Foreign Literature, European Literary Trends of Thought, and Novel Practice have been offered. He continued to engage in creative work after school. Following the original artistic direction, there are novels such as "Divorce" and "The Biography of Niu Tianci", both of which are full of life interest and comedy effect. Compared with his earlier works, the descriptions have shifted from explicit to subtle, which has quite maturely formed his unique artistic style as a humorist, a genre painter of Beijing's human world, and an expressor and critic of civil society. Facing the increasingly harsh social reality, two new trends have emerged in creation: First, there is increasing concern for national affairs, which triggers inspiration for writing. For example, inspired by the May 3rd massacre caused by the Japanese invaders, he wrote "Da Ming Lake". ", the September 18th Incident caused him to be "disappointed with national affairs", so the allegorical novel "Cat City" was published; first, he was more concerned about the suffering of the urban poor, using this as the main description object, "Crescent Moon" narrates the mother and daughter Two generations have become prostitutes. "My Life" tells the rough experiences of lower-level police officers. In "Camel Xiangzi", a painful social tragedy is written based on the personal destruction of Xiangzi, who came to the city from the countryside to pull a cart. Introducing the dark life at the bottom of the city into the art world of modern literature is a major achievement of Lao She.
"Camel Xiangzi" is his personal and important work in the history of modern Chinese literature. He began to write short stories in the early 1930s, and his works are included in "Going to the Market", "The Collection of Yinghai", "The Collection of Clam Algae", etc. Among them, chapters such as "Liu Family Courtyard", "Shang
Ren", "Time-honored Brand", and "Soul-Breaking Spear" are all graceful, exquisite and complete, making them rare masterpieces.
After the outbreak of the Anti-Japanese War, on the eve of the fall of Jinan in November 1937, he rushed to Wuhan alone. In March 1938, he joined the All-China Literary and Art Circles Anti-Enemy Association and served as director of the General Affairs Department. During the eight years of the Anti-Japanese War, he made many contributions to the unity of the literary and art circles against Japan. Most of his works written during the Anti-Japanese War had the theme of directly serving national liberation. At the beginning of the war, he enthusiastically promoted popular literature and art, and wrote small works such as drum lyrics, cross talk, and pendants to promote the anti-Japanese war for artists to sing. Later, he turned to the creation of dramas that were directly promoted to the masses, and wrote more than 10 scripts in succession, such as "Remnant Fog", "Zhang Zizhong", and "Country First", praising national righteousness, commending patriots, and criticizing social ills that are not conducive to unity in the fight against Japan. , played a positive propaganda role at the time. Starting from the beginning of 1944, he entered into the creation of the novel "Four Generations Under One Roof", returning to the familiar Beijing civil society and the art of humor and satire that he was good at. The novel depicts the inner conflicts of ordinary people who are deeply bound by traditional concepts at the critical moment of national life and death, and their awakening and resistance arising from suffering. Naturally, there are also passive escapes and shameless depravity. "Four Generations Under One Roof" is his masterpiece during the Anti-Japanese War and an important harvest of Anti-Japanese War literature and art. In March 1946, Lao She went to the United States to give lectures at the invitation of the U.S. State Department. After the one-year period expired, he continued to live in the United States, engaged in creation and translated his works into English.
After learning that the People's Republic of China was established, Lao She immediately set off to return to China. He was extremely excited by the new atmosphere of the new society, and soon published the play "Fang Zhenzhu" based on the life of an artist. The drama "Longxugou" created in early 1951 was staged and achieved great success. Through the joys and sorrows of several families in the courtyard, the script describes the earth-shaking changes that are taking place in Beijing and the urban poor who have endured hardships. It is an ode to New China. "Longxugou" is a new milestone in Lao She's creation, for which he won the honorary title of People's Artist. From the 1950s to the 1960s, he held various positions in literature, art, politics, society, and foreign cultural exchanges, but he still worked diligently on creation. The works are mainly dramas, including "Spring Flowers and Autumn Facts", "Looking West to Chang'an", "The Red Courtyard", "Shopgirl", etc. The works that depict the spiritual journey of Beijing citizens bidding farewell to the old life and welcoming the new era are relatively successful. He also wrote the prose "I Love New Beijing". Since the second half of the 1950s, Lao She has turned to depicting the historical events of modern Beijing in his plays "Teahouse", "The Boxers" (also known as "The Fist of God") and the novel "Under the Red Flag" (unfinished).
"Teahouse" uses a teahouse as the stage to unfold the life scenes and historical trends in three eras: the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period when the Beiyang warlords took hold in the early years of the Republic of China, and the eve of the collapse of the Kuomintang regime. It writes about the decline of old China and reveals the need to find another alternative. The truth of the way out. Lao She's drama art made a major breakthrough in this script. "Teahouse" is the most famous repertoire on the contemporary Chinese drama stage. After "Camel Xiangzi", it once again won Lao She international reputation.
In his creative career of more than 40 years, Lao She has continuously made important progress and breakthroughs in ideology and art. He writes diligently and tirelessly explores various fields of literary creation. He is a prolific writer and has written more than 1,000 works in his life. He suffered persecution in the early days of the Cultural Revolution and drowned himself in Taiping Lake in Beijing on August 24, 1966.
Answer: zhxm1206 - Scholar Level 3 6-21 18:22
Lao She (l899.2.3-1966.8.24), Manchu, original name Shu Qingchun, courtesy name She Yu was born in Beijing. His father was a Manchu guard who was killed in the artillery fire of the Eight-Power Allied Forces attacking Beijing. My mother is also a Banner person. He supported his family by doing laundry for others. In the summer of 1918, he graduated from Beijing Normal School with excellent grades and was sent to Beijing No. 17 Primary School to be the principal. In the summer of 1924, he applied to be a Chinese lecturer at the Oriental College of the University of London, England. He began literary creation while in England. The novel "Lao Zhang's Philosophy" was his first work. It was serialized in the "Novel Monthly" magazine from July 1926 and immediately shocked the literary world. Later, he published the novels "Zhao Ziyue" and "Er Horses" one after another. It established Lao She's status as one of the pioneers of new literature. After Lao She returned to China in 1930, he served as professor at Qilu University and Shandong University. During this period, he created novels such as "Cat City", "Divorce" and "Camel Look", novellas such as "Crescent Moon" and "My Life", and short stories such as "Micro God". Beginning in 1944, he wrote the masterpiece "Four Generations Under One Roof" with nearly one million words. He serves as vice chairman of the All-China Federation of Literary and Art Circles and the National Writers' Association and chairman of the Beijing Federation of Literary and Art Circles. He is a deputy to the National People's Congress and a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference. In 1966, during the "Cultural Revolution", he could not bear the humiliation and committed suicide by throwing himself into a lake.
Bibliography of works:
"Lao Zhang's Philosophy" (novel) 1928, business
"Zhao Ziyue" (novel) 1928, business< /p>
"Two Horses" (Novel) 1931, Business
"Introduction to Literature Lecture Notes" (Theory) 1931, College of Literature, Qilu University
"Xiaopo's Birthday " (Novel) 1934, Life
"Cat City" (Novel) 1933, Modern
"Divorce" (Novel) 1933, Good Friends
"Collection of Lao She's Humorous Poems"
1934, "Ganji" (short story collection) 1934's Generation
"Yinghai Collection" (short story collection of good friends
Collection of Novels) 19Z9, Human World
"Collection of Clams" (Collection of Short Stories), 1936, Enlightenment
"Lao Niu Broken Car" (Creative Experience), 1937, Human World
"Three Groups and One" (Collection of Folk Art), 1938, Chongqing Independent Publishing Company
"The Look of a Camel" (novel), 1939, Human World; revised version, 1955, humanities
"Train Collection" (short story collection) 1939, Shanghai Magazine
"Remnant Fog" (drama) 1940, Business
"Doctor Wen" (full novel, also known as "The Chosen" )1940, Hong Kong Author Books
"Zhang Zizhong" (drama) 1941, Huazhong Book Company
"Earth Dragon and Snake" (drama) 1941, National Books Publishing House
< p>"Jianbei Chapter" (Collection of Poems) 1942, Publication Department of the Literary and Art Prize Management Committee"Going Back" (Drama) 1943, Writer's Bookstore
"Country First" ( Drama) and Song Zhi's co-author, 1943, Southern Press
"Who Arrives in Chongqing First" (drama) 1943, Chongqing Lianyou Publishing House
"Peach and Plum Spring Breeze" (drama) , also known as "Jin Sheng Yu Bao") and Zhao Qingge,
l943, Zhongxi Book Company
"Anemia Collection" (short story collection) 1944. Wenyu Publishing House
"Cremation" (novel) 1944, Morning Light
"Confusion" (novel, also known as "Four Generations Under One Roof" Part 1) 1944, Liangyou
"Stealing Life" (novel, also known as "Four Generations Under One Roof" Part 2), 1946, Morning Light
"East China Sea Bashan Collection" (short story collection), 1946, Xinfeng Publisher
"Weishen Collection" (short story collection), 1947, Morning Light
"Crescent Moon Collection" (short story collection)
l948, Morning Light
p>"Fang Zhenzhu" (drama) 1950: Morning Light
"Longxugou" (drama) 1951, public
"Selected Works of Lao She"
1951, Enlightenment
"Spring Flowers and Autumn Facts" (drama) 1953, Humanities
"Selected Short Stories by Lao She"
19567, Humanities
"Collection of Lucky Stars" (collection of essays), 1958, Beijing
"Teahouse" (drama), 1958, drama
"Taking office" (short story), 1958, writer
"Four Generations Under One Roof" (a novel, also known as the trilogy "Confusion", "Stealing Life" and "Famine"), Volume 1 and 2,
1959, Hundred Flowers; 1-3, Sichuan People< /p>
"Under the Red Flag" (novel), Humanities
"Other Collection of Lao She's Novels"
1982, Beijing
"Lao She "Collection of Literary Criticisms"
1982, Anhui People's
"Selected Works of Lao She" (Volume 1-4) 1982, Sichuan People's
"The Complete Works of Lao She's Dramas" (1 1 (4 volumes) 1982, Drama
"Lao She's New Selected Poems"
1983, Huashan
"Four Generations Under One Roof" (Novel) 1983 , Hundred Flowers
"Selected Prose by Lao She"
1984, Hundred Flowers
Reference: /01-author/l/01
-lao-she/lao_se.htm
Answer: smiller - Juren Level 5 6-21 18:30
Lao She (l899.2.3-1966.8.24) , Manchu, formerly known as Shu Qingchun, courtesy name Sheyu, born in Beijing. His father was a Manchu guard who was killed in the artillery fire of the Eight-Power Allied Forces attacking Beijing. My mother is also a Banner person. He supported his family by doing laundry for others. In the summer of 1918, he graduated from Beijing Normal School with excellent grades and was sent to Beijing No. 17 Primary School to be the principal. In the summer of 1924, he applied to be a Chinese lecturer at the Oriental College of the University of London, England. He began literary creation while in England. The novel "Lao Zhang's Philosophy" was his first work. It was serialized in the "Novel Monthly" magazine from July 1926 and immediately shocked the literary world. Later, he published the novels "Zhao Ziyue" and "Er Horses" one after another. It established Lao She's status as one of the pioneers of new literature. After Lao She returned to China in 1930, he served as professor at Qilu University and Shandong University. During this period, he created novels such as "Cat City", "Divorce" and "The Look of a Camel", novellas such as "Crescent Moon" and "My Life", and short stories such as "Micro God". Beginning in 1944, he wrote the masterpiece "Four Generations Under One Roof" with nearly one million words. He serves as vice chairman of the All-China Federation of Literary and Art Circles and the National Writers' Association and chairman of the Beijing Federation of Literary and Art Circles. He is a deputy to the National People's Congress and a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference. In 1966, during the "Cultural Revolution", he could not bear the humiliation and committed suicide by throwing himself into a lake.
Bibliography of works:
"Lao Zhang's Philosophy" (novel) 1928, business
"Zhao Ziyue" (novel) 1928, business< /p>
"Two Horses" (Novel) 1931, Business
"Introduction to Literature Lecture Notes" (Theory) 1931, College of Literature, Qilu University
"Xiaopo's Birthday " (Novel) 1934, Life
"Cat City" (Novel) 1933, Modern
"Divorce" (Novel) 1933, Good Friends
"Collection of Lao She's Humorous Poems"
1934, "Ganji" (short story collection) 1934's generation
"Yinghai Collection" (short story collection of good friends
Collection of Novels) 19Z9, Human World
"Collection of Clams" (Collection of Short Stories), 1936, Enlightenment
"Lao Niu Broken Car" (Creative Experience), 1937, Human World
"Three Groups and One" (Collection of Folk Art), 1938, Chongqing Independent Publishing Company
"The Look of a Camel" (novel), 1939, Human World; revised version, 1955, humanities
"Train Collection" (short story collection) 1939, Shanghai Magazine
"Remnant Fog" (drama) 1940, Business
"Doctor Wen" (full novel, also known as "The Chosen" )1940, Hong Kong Author Books
"Zhang Zizhong" (drama) 1941, Huazhong Book Company
"Earth Dragon and Snake" (drama) 1941, National Books Publishing House
< p>"Jianbei Chapter" (Collection of Poems) 1942, Publication Department of the Literary and Art Prize Management Committee"Going Back" (Drama) 1943, Writer's Bookstore
"Country First" ( Drama) co-authored with Song Zhi, 1943, Southern Press
"Who Arrives in Chongqing First" (drama) 1943, Chongqing Lianyou Publishing House
"Peach and Plum Spring Breeze" (drama) , also known as "Jin Sheng Yu Bao") and Zhao Qingge,
l943, Zhongxi Book Company
"Anemia Collection" (short story collection) 1944. Wenyu Publishing House
"Cremation" (novel) 1944, Morning Light
"Confusion" (novel, also known as "Four Generations Under One Roof" Part 1) 1944, Liangyou
"Stealing Life" (novel, also known as "Four Generations Under One Roof" Part 2), 1946, Morning Light
"East China Sea Bashan Collection" (short story collection), 1946, Xinfeng Publisher
"Weishen Collection" (short story collection) 1947, Morning Light
"Crescent Moon Collection" (short story collection)
l948, Morning Light
p>"Fang Zhenzhu" (drama) 1950: Morning Light
"Longxugou" (drama) 1951, public
"Selected Works of Lao She"
1951, Enlightenment
"Spring Flowers and Autumn Facts" (drama) 1953, Humanities
"Selected Short Stories by Lao She"
19567, Humanities
"Collection of Lucky Stars" (collection of essays), 1958, Beijing
"Teahouse" (drama), 1958, drama
"Taking office" (short story), 1958, writer
"Four Generations Under One Roof" (a novel, also known as the trilogy "Confusion", "Stealing Life" and "Famine"), Volume 1 and 2,
1959, Hundred Flowers; 1-3, Sichuan People< /p>
"Under the Red Flag" (novel), Humanities
"Other Collection of Lao She's Novels"
1982, Beijing
"Lao She "Collection of Literary Criticisms"
1982, Anhui People's
"Selected Works of Lao She" (Volume 1-4) 1982, Sichuan People's
"The Complete Works of Lao She's Dramas" (1 1 (4 volumes) 1982, Drama
"Lao She's New Selected Poems"
1983, Huashan
"Four Generations Under One Roof" (Novel) 1983 , Baihua
"Selected Prose by Lao She"
1984, Baihua
Answer: Zhao Yun 88888888 - Apprentice Demon
Master Level 3 6-21 18:31
Lao She (1899～1966)
Modern and contemporary writer. His original name was Shu Qingchun, with the courtesy name Sheyu, and his pen names were Xu Qing, Honglai, Feiwo, etc. Manchu, native of Beijing. Born in a poor family. After graduating from Beijing Normal School in 1918, he served as a primary school principal and a middle school teacher. In 1924, he went to the UK to serve as a Chinese lecturer at the Oriental College of the University of London. He read a large number of English works and engaged in novel creation. In 1926, he joined the Literary Research Association. After returning to China in 1930, he served as professor at Qilu University in Jinan and Shandong University in Qingdao. After the outbreak of the Anti-Japanese War, he went south to Hankou and Chongqing. In 1938, the All-China Literary and Art Circles Anti-Enemy Association was established. He was elected as a director and director of the General Affairs Department, presiding over the daily work of the Association. In terms of creation, he wrote various forms of literary and artistic works with the theme of resisting the war and saving the nation. In 1946, he was invited to give lectures in the United States for one year. After expiration, he lived in the United States and engaged in creative writing. Shortly after the founding of the People's Republic of China, he was recalled to the country and served as Vice Chairman of the China Federation of Literary and Art Circles, Vice Chairman of the Chinese Writers Association, and Vice Chairman of the Chinese Folk Literature and Art Research Association. Participated in political, social, cultural and friendly foreign exchange activities, paid attention to the training and guidance of young literary workers, and was awarded the title of "People's Artist" for creating the excellent drama "Longxugou". He died due to persecution in the early days of the "Cultural Revolution".
Lao She wrote about 8 million words of works in his life. His main works include: novels "Lao Zhang's Philosophy", "Zhao Zi Yue", "Two Horses", "Cat City", "Divorce", "The Biography of Niu Tianci", "Doctor Wen", "The Look of a Camel", "Cremation", "Four Generations Under One Roof", "Drum Calligraphy Artist", "Under the Red Flag" (unfinished), novella "Crescent Moon", "My Life", short story collections "Going to Market", "Sea of ??Cherry Blossoms" "Collection", "Collection of Clams", "Collection of Train", "Collection of Anemia", scripts "Longxugou", "Teahouse", "Complete Collection of Lao She's Plays", "Collection of Lao She's Prose", "Selected Poems of Lao She" , "Collection of Lao She's Literary Criticisms" and "Collected Works of Lao She", etc. Lao She is famous for his novels and plays. Most of his works are based on citizens' lives, opening up important subject areas for modern Chinese literature. The natural scenery, human conditions, customs and fashions he describes, as well as the spoken language he uses, all present a strong "Beijing flavor". The excellent novels "Looking Like a Camel" and "Four Generations Under One Roof" are representative works describing the lives of Beijing citizens. His short stories are exquisite in conception and use a wide range of materials. Among them, "Liu Family Courtyard", "Taking Office", "Soul-Breaking Gun" and other chapters have their own characteristics and are worth chewing. His works have been translated into more than 20 languages ??and published, and have won a large number of readers for their unique humorous style, strong national color, and appreciation of both elegance and vulgarity from content to form
Yes
Please accept my answer, please, please