Help: Problems with students who specialize in saxophone art

Original key of the instrument: bB (tenor\treble), bE (super treble\alto\alto)

Applicable clef: treble clef, according to the instrument’s original key Transposition notation

Practical range: about two and a half octaves (there will be differences when transposing)

Structural composition: Metal parabolic conical tube body, whistle similar to clarinet Head, Boehm system tone key system. Except for the bB soprano saxophone, all are bent into a pipe shape.

Instrument category: alto saxophone (bE), tenor saxophone (bB), baritone saxophone Saxophone (bE), soprano saxophone (bB), super soprano saxophone (bE)

Materials used: copper, aluminum (but it belongs to woodwind music)

Instrument features: Rich timbre , the treble range is between the clarinet and the French horn, the midrange range is like the voice and cello, and the low range is like the tuba and double bass.

Typical applications: widely used in jazz, modern pop light music, Rawai Er (France), there is a variation in "Bolero"

Performance characteristics: The saxophone is made of metal, with a wide range of strengths and weaknesses, and its sound intensity is comparable to other brass instruments. It is also unmatched by other woodwind instruments. Its sound quality has the characteristics of woodwind instruments and has the brightness of metal.

In terms of performance, because its structure is designed based on the scientific principles of Boehm flute, its mechanical system is relatively reasonable and the parts can be used flexibly. Therefore, it can play difficult music just like the flute and clarinet. At the same time, compared with other woodwind instruments, it has its own unique features in playing portamento, vibrato, voicing, and overblowing

History of invention: The saxophone was invented by the Belgian Adolf Sax (Antoine Saxophone) -Joseph Sax, 1814-1894) invented in 1840 [1]. Adolf was a keen instrument maker, specializing in clarinet and flute playing. His original idea was to design a bass instrument for orchestras that was more flexible than the Ophicleide and could be adapted to outdoor performances. He combined and improved the mouthpiece of the bass clarinet with the body of the Orpheus Clyde horn, and named this new instrument after himself.

In 1841, the first bass C saxophone was exhibited to the public in Brussels. Some say that the saxophone was maliciously kicked and could not be exhibited, while others say that it was displayed under a curtain to prevent plagiarism.

In 1842, Adolf's friend Berlioz, who was very influential in the Paris musician circle, admired the saxophone very much and introduced this "transformed instrument" at La Revue et gazette musicale on March 13. The opening of the tuba". On June 12th, he once again wrote an article in La Journal des Débats to promote Saxophone to the world.

Later, Adolf was personally attacked by competitors, and the saxophone was boycotted and not widely used. At that time, composers mostly adopted a cautious approach and rarely incorporated the saxophone into the orchestra. It is said that the saxophone was once exported abroad with its trademark wiped off, and was later introduced anonymously to France. In 1845, the French Military Ministry planned to improve the outdated military band. Under Adolf's recommendation, a competition between Adolf's band and the traditional band led by Carafa was held on April 22 at the Champ de Mars under the Eiffel Tower in Paris. Decide the outcome. What was dramatic was that several musicians supporting Adolf were absent that day. Adolf filled in the gaps and played two saxophones alternately. The new band's musical effect was completely better than that of the traditional band, and the audience completely turned to Adolf's side. So the saxophone first emerged in the military band.

On June 29, 1846, the saxophone family obtained a French patent.

In 1928, French classical saxophonist Marcel Mule established the first saxophone quartet.

After 1910, jazz emerged in the United States, and the saxophone played an indispensable role in it.

[Edit this paragraph] The reputation of the saxophone

This instrument is played with a single reed. The structure of the opening and closing sound holes is similar to that of the oboe. The sound range is similar to that of the oboe. It should be a woodwind instrument. But the pipe body is made of copper and it can be classified as a brass instrument. It has a thin upper part and a thick lower part with an upward opening, much like a bass clarinet. There are many kinds of saxophones, from bass to treble, and they are all pitch-shifting instruments. The saxophone has an exceptionally rich and charming timbre. It resembles a brass pipe when played strongly, and resembles a woodwind when played weakly. It is the best partner for wind instruments.

French composers such as Bizet and Saint-Sa?ns all used the saxophone in their works. The saxophone is an indispensable instrument in the trumpet band of the jazz band.

There are four types of saxophones commonly used today: B-flat soprano saxophone (Soprano saxophone). E flat alto saxophone (Alto saxophone). B flat tenor saxophone (Tenor saxophone). E flat baritone saxophone (Baritone saxophone).

The fingerings of several saxophones are exactly the same. They are all transposed instruments and notated with treble clef.

The French composer Berlioz once wrote: "The main characteristic of the saxophone is the beautiful change of timbre, deep and calm, full of emotion, soft and sad, like an echo within an echo, in a silent moment, No other instrument can produce such a wonderful sound."

The saxophone is also known as "the unparalleled romantic instrument."

The saxophone can not only play classical music well, but is also better at playing jazz music and light music. When people mention jazz, the first instrument that comes to mind is the saxophone. The biggest feature of jazz is improvisation, in which strong and weak beats are inverted and continuous syncopation is used to make the rhythm endlessly changing and the timbre dramatic. It is both intense and deep, funny and sad. . In terms of timbre, the saxophone adapts to the needs of the greatest characteristics of jazz improvisation in terms of its characteristics of playing portamento, vibrato, spitting, and overblowing. Therefore, improvisation has also become a performance characteristic pursued by saxophone players.

[Edit this paragraph] Performance method

Wind instrument playing technique depends on the coordinated movements of lips, tongue, breathing and fingers. Therefore, the use of tongue pronunciation is an important part of playing technique. Many experts and scholars also say that articulation is the "worst enemy" of wind players. Practice has also proved that due to problems in the use of articulation, works cannot be perfectly expressed. Several questions about using tongue pronunciation:

1. Tongue and air speed: When using the tongue to pronounce sounds, it is necessary to form a stable and aggressive high-pressure air speed, and the sound effect will be improved. On the contrary, if the air speed is unstable and the breathing is loose, unfocused, and uncontrolled, it is not correct chest and abdominal breathing, and the correct breath is not used to play, even if the tongue is used to make sounds, it will not work. Therefore, students must practice breathing carefully and develop appropriate, accurate, stable and aggressive high-pressure air speed for each sound by practicing long sounds.

2. The tongue state, position, movement and pronunciation principle when pronouncing the sound: the tongue state when pronouncing the sound - relaxed and natural, slightly raised; the position - the "tip" is slightly raised upwards, touching the reed; the "tip" The lower edge of the reed should be small and less in contact with the "two tips"; the action - the tip of the front half of the tongue is shrinking slightly, and the lower edge of the reed tip is slightly touched while working, making a "sudden" sound. " or the "du" syllable. The state, position, and movement of the tongue must be repeatedly pondered and practiced hard, so that the sound head can be relaxed, comfortable and natural during pronunciation, and the pronunciation effect can be clean, clear and pure.

The pronunciation should start slowly and gradually reach fast pronunciation. The principle of pronunciation of fire is that the breath cannot be stopped when the pronunciation is made, and the air pressure is always maintained around the tip of the sound. When the tongue touches the lower edge of the tip of the reed, the airflow cannot pass through. The air outlet between the mouthpiece and the reed enters the flute tube, and the tip of the tongue blocks the airflow so that the reed cannot vibrate, and the pronunciation is terminated; when the tip of the tongue leaves the lower edge of the tip of the reed, the airflow passes between the mouthpiece and the reed. The air outlet in between is vibrated by the reed and the pronunciation is produced; the shorter the time the tip of the tongue touches the lower edge of the reed tip and the longer the separation, the longer the pronunciation; the longer the time the tip of the tongue touches the lower edge of the reed tip and the shorter the separation, the longer the pronunciation. The shorter it is, the tip of the tongue acts like a piston or valve.

3. The main problems during pronunciation:

First, the tip of the tongue drives the base of the tongue to move forward and backward, which not only delays the movement of the sound, but also interferes with the neck, larynx, lips, and facial muscles. All are moving, and the overtone effect produces "diu ou" or "dai", as well as other mixed sounds, which destroys the music style. This is a very bad vocal sound.

Second, the area where the tongue touches the reed is too much, tight, heavy, and violent, and the sound produced is rigid, making the sound abnormal and destroying the musical effect.

Thirdly, in the continuous articulation, each time you blow a sound and stop breathing, you will inhale again. This unnecessary action will cause lip problems. The cheeks and neck also move, which makes the sound of the blowing sound rough and unpleasant, destroying the musical effect. The above pronunciation problems must be corrected according to the two problems described above.

4． Five forms of pronunciation:

First, single pronunciation method - using three syllables: "tu" (tu), "du" (du), "la" (1a) . "Sudden" pronunciation is often used to play crisp and fast passages. This syllable can improve the stability of the tongue movement when the note is pronounced, and the movement is simple, so this syllable is called the "basic ton". Make each performer produce various expression changes and distinctive musical effects. Such as long, short, fast, slow, strong, weak, but the principle of making "tu" syllables remains unchanged. "Yin" style articulation, also known as "soft overtone", the position and movement of the tongue are roughly the same as the basic articulation method. The head of the note can be slightly flatter, the tip of the tongue can be slightly rounded, and the attack movement should be gentle. , making the sound softer and more coherent. This kind of spitting is often used in the performance of lyrical melody sections and the performance of legato-staccato. The "la" type of articulation is rarely used, but it is very effective. The tongue is lightly swept along the lower edge of the tip of the reed, and the staccato is very soft and soft, so that you can feel it and it is practical. The inaudible effect is handled with extreme dexterity and subtlety. This kind of spitting fully demonstrates the artistic expertise of a superb performer.

The second double-vomiting method (also known as abdominal vomiting method)-double vomiting method uses two syllables: tu-ku" (tu-ku) or "tc-ka" (tc-ka). Double spitting requires the alternate use of two different attack and closing methods. Generally, the two methods of stopping the reed and cutting off the airflow with the pharynx are used alternately. The double spitting method is good at playing fast phrases and requires single spitting. Only if you have a good foundation in other methods and have good quality in the control of pronunciation intensity and musical performance, so that the sound rhythm is stable, the volume is balanced, the starting and blowing sounds are unified, and the mastery is very proficient, then you can perform the music well.

Third, the three spitting methods - use "tu-tu-ku" (tu-tu-ku) or "te-te-ka" (te-tc- ka) three syllables. This method of spitting can produce extremely fast music like the double spitting method, and is especially suitable for music hook structures in the form of triplet or three different notes. A repeated "tu" seems too prominent, so some performers use other syllable transitions of the pronunciation, such as: tu-ku-tu or ku-tu---Kuo

Fourth, Qi Breathing method - using the "fu" (fu) or "dufu" (du fu) syllable mouth shape. This kind of spitting method is commonly used when playing light music on the saxophone.

When practicing, keep the flute head as little as possible, keep the upper teeth close to the front of the flute head, and relax the lower teeth as much as possible, so that the upper teeth are tight and the lower teeth are loose. "husband" (dufu), this kind of overtone is mostly used in slower lyrical music.

Fifth, the playing method (also known as rolling) - the notation term Frullato, the playing method is "tululu..." (tululu...), which is a method of rapid trembling of the tongue. This kind of vocalization is rarely used in band performances and is used for special musical effects.

5． Single voicing method (also called basic voicing method) - the performer can produce various blowing effects such as light, heavy, long and short according to the changing characteristics of the music expression, but the pronunciation principle of the "tu" (tu) syllable remains unchanged. .

First, in Legato notation, when playing several notes in a legato line, except for the first note, which is pronounced according to the musical style, the other notes in the line do not need to be tongued. To pronounce the sound, by changing the relaxation of the labial muscles and the energy of breathing as well as the conversion of fingering, one breath can be used continuously to make the sounds coherent and smooth.

Secondly, the soft blowing (gluing) Portato notation is played in the same way as the secondary legato, but with the "Zheng" (du) syllable, and the tongue is gently stretched and stretched continuously and very coherently. Blow every note and use it in expressive, beautiful and lyrical music.

Thirdly, the sub-legato (broken legato) mczzo staccato notation is in the performance, which is between legato IJeSato and staccato Staccat. The playing method between them is to use the basic pronunciation method of "tu" (tu) to play each note. The duration of playing each cypress accounts for about three-quarters of the cypress. Fourth, maintain Tenuto notation during performance. The duration of the note must be played to the fullest, and the effect is similar to that of legato legato. The connection between the notes must be smooth, and the basic pronunciation method "tu" (tu) syllable should be used to play each note. This is the difference between legato legato and legato legato. And the soft super blown portato place. The emphasis is on blowing

Fifth. In the performance of Accent Chun method accent notation, the basic pronunciation method "tu" (tu) syllable is used to start and blow, and the effect from strong to weak is played within the duration of one beat, mainly the sound and the elastic abdominal muscles Action control.

Short sound blowing

Sixth, the hammer sound method martele (staccatissimo) notation is used in the performance, and the basic articulation method is used to blow the "tu" (tu) syllable, just Each note should be played short and powerfully, and the timing effect should be one-quarter of the notated beat.

Seventh, in the performance of Staccato notation, the basic pronunciation method of "tu" (tu) syllables is used, but it is more elastic and granular, and the effect is better than notation. One-half of the spectrum.

Eighth, in the performance of tremolo notation using the timpani method, the basic pronunciation method "tu" (tu) syllables should be used to start blowing, and the playing should be played back and forth alternately and repeatedly quickly, cleanly, smoothly and evenly.

Ninth, during the performance of Trill notation, start from the original note of the notation to the note above it and then back to the original note, and play repeatedly and quickly according to the needs of the music. In the performance of the saxophone, the natural vibrato of the jaw is used to pronounce the syllables "ya-ya-ya-ya...". The reason for the natural vibrato of the saxophone is The style of music and the emotional characteristics of specific phrases are determined by pure and pure pronunciation based on the performer's extremely subtle control of the instrument and his own musical artistic accomplishment, so that the music played sounds smooth. Soft, plump, full and pleasant. We need to learn to study and imitate the natural vibrato of various best artists.

Tenth, Glissando notation of portamento. In performance, portamento is the sound from low to high or high. In the process of changing from high to low, the lower teeth drive the lower lip to change the moving area and length of the reed to obtain the sliding tone and the upward sliding tone: Use the lower teeth to drive the lower lip to control the movement of the reed. At the same time, it extends outward to increase the vibration area of ??the reed; upward portamento: You must practice upward portamento on the basis of practicing down pitch.

The practice method of upward glide is opposite to the process of downward glide. First, the lower teeth drive the lower lip, and then return to the normal pronunciation and shape from a state of stretch, relaxation and control. The use of portamento depends on the style and emotional characteristics of the music. Listen to more good jazz and light music to master and improve the skills of portamento.

The above are commonly used blowing methods, not all players use hand blowing. The more playing methods a player actually uses, the more accurate and proficient he is, the higher his playing skills will be.

[Edit this paragraph] Selection, assembly and maintenance of saxophone

Selection of musical instruments

In order to master the correct playing method faster and better To learn the saxophone smoothly and normally, the choice of instrument is very important. Therefore, it is better to seek the advice of professional teachers on which manufacturer of musical instruments to buy. At present, there are many saxophone manufacturers in the market without raw materials, or they may be marked with factory and brand, but they are not the products of their own factory, but the products of branch factories or related factories. Therefore, when buying musical instruments, you should pay special attention to the following points:

First, check whether the metal used in the manufacturing of the musical instruments is too soft. The thickness and strength of some instruments are not guaranteed, and the mechanical system is not strong, and even if you use your thumb, You can press out dimples on the instrument, and the keys and key guards can be deformed and bent under normal pressure. Not long after I purchased this instrument, due to inherent deficiencies, problems often occurred, and no matter how hard I repaired it, it didn't work.

Second, check whether the mark on the soft pad of each key, whether the buckle on the pad's buzzer accurately contacts the center of the sound hole, and whether the key pad is tight. After lightly pressing the pad, check that no gaps can be seen around the pad, and there must be no air leakage at all. At the same time, it is also necessary to carefully check that the other linked keys that press the pad are installed equally well. If there is a key pad that is not inspected well and there is air leakage somewhere, it will cause great difficulties to the player. I also pay special attention to a neglected but important professional issue, check whether all key pads are at the appropriate and the same height from the sound hole. If a key pad is raised too high, the pronunciation of the key will be rough and the pitch will be high. If it is raised low, , the pronunciation of this key is suppressed and the pitch is low. If the height of all keys is not uniform, the consistency and pitch of the instrument's sound quality will be poor, which will definitely affect the performance and is not conducive to the improvement of students' hearing and professional skills.

Third, check whether the tension of each key spring is appropriate. If the spring is too soft, the keys will rise and fall slowly. If the spring is too hard, the fingers will use too much force, which will easily make the fingers stiff and affect the performance.

Fourth, check whether there is a gap between the key post and the connecting rod. If there is a gap, the key pad cannot be seated flatly and accurately on the sound hole.

Fifth, check whether the welding joints are strong, whether the screws are installed reasonably, and whether the workmanship is rough. The saxophones produced by some manufacturers are of poor quality and rough workmanship, and even the maintenance department refuses to repair them.

Sixth, the performance check should be tested from the bass area B flat, base B, C, C sharp, D, E, F, G sharp. Be sure to play with the weakest intensity to make the bass area Also capable of sensitive pronunciation. Finally, test whether the sounds produced in all ranges have accurate sound quality and whether the volume is uniform. Seventh, if economic conditions permit, purchasing a higher-grade musical instrument will undoubtedly play a very positive role in learning the saxophone well.

Assembly of the musical instrument

1. Assembly steps and methods:

Take the reed out of the reed clip or box, and align the flat surface of the reed with the flute The planes of the heads coincide with each other, and the top of the reed is flush with the top of the flute. Use the left thumb to press the reed to the ground on the flute head.

Second, put the whistle hoop on the mouthpiece with your right hand, and the upper edge of the whistle hoop should cross the indicator line on the mouthpiece. Then, align the seam line of the whistle hoop with the center of the reed, and tighten the upper and lower screws of the whistle hoop appropriately to secure the reed. The upper edge of the hoop should not cross the mouthpiece indicator line. Tightening the whistle hoop screws too tight will affect the vibration of the reed.

Third, install the reed, insert the mouthpiece into the neck tube, and align the center of the mouthpiece of the mouthpiece with the overtone hole key on the neck tube.

Fourth, insert the installed neck tube into the main body of the instrument. Then, tighten the connecting screws. When not playing, carefully place the cap on the flute head.

Fifth, before the band joins together, the standard A note is generally used for the duet. During the duet, the alto saxophone plays the F sharp note and the tenor saxophone plays the B note. If the saxophone has a low pitch, the flute head should be inserted into the cork of the barrel; if the saxophone has a high pitch, the flute head should be pulled up until the standard note is reached.

Maintenance

First, when holding or placing the instrument, hold the bell mouth and not the keys and linking rods to avoid bending and deformation of the keys and linking rods and damaging the instrument. After playing, install the guard rod plug on the upper end of the main tube, and then put the instrument into the box.

Second, after each practice, clean and dry the mouthpiece and reed with clean water. Carefully put the reed into the whistle box. Do not continue to get stuck on the mouthpiece to prevent the reed from becoming stuck. Deterioration and deformation, affecting vibration.

Third, connect a piece of cloth to the main body of the instrument and the inner hall with a drawstring, put it in from one end, and pull it out from the other end to clean away the stolen goods and clean water in the inner chamber. Dust accumulated on the instrument's surface and mechanical system can be removed with a soft brush.

Fourth, after the instrument has been used for a period of time, you should check whether the screws of the mechanical system are loose and add a little lubricant.

Fifth, the instrument should not be exposed to the sun for a long time or placed in a humid place to prevent the mat from deforming and the mechanical system from rusting; when taking a temporary break or pausing to play, place the instrument keys upward and place it in a safe place , to prevent damage.

[Edit this paragraph] Saxophone master

Kenny G

Original name: Kenneth Gorelick

Chinese translation: Kenny G, Kelly ·Jin

Translated from Hong Kong and Taiwan: Kenji

Birthday June 5, 1956

Height: CM Birthplace: Seattle, USA

Representative works: Songbird, Theme From Dying Young, Going Home, Jasmine Flower, Forever in Love,

My Heart Will Go On (My Heart Will Go On), Morning (Morning)

Awards: Grammy Award, American Music Award, World Music Award in 1992, Best Artist in the American Recording Industry in 1994

[Edit this paragraph] Detailed introduction

●1956

Kenny Kee was born in Seattle, Washington, USA. He began studying music as a child and became the leader of the middle school jazz band in high school. After entering university, he studied economics and joined an orchestra with well-known musicians and achieved outstanding results.

●1982

Kenny G became an independent saxophonist and released "Kenny G" (album of the same name in 1982) and "G Force" (1984). and "Gravity" (1985) and three other albums, which initially established his status as an emerging saxophone player. After the release of his fourth album, Kenny Kee's elegant saxophone not only flew on black and jazz radio stations, but also received great response on pop radio stations.

●1986

He broke into the top 100 singles on the Billboard (Bill-board) chart with "Songbird" and became the fourth best-selling single. song. This single was the most successful performance song of the 1980s and propelled Kenny to stardom. The success of "Songbird" also boosted album sales, becoming the first platinum album of performance music to sell more than one million copies.

●In 1988

Kenny Key released the album "Sillhouette" and won another platinum album.

●1990

He released his first live concert album "Kenny G Live", followed by the collection "Montage" (1991) and the album "Breathless" "(1992) were both huge successes.

●In 1991,

Kenny Gee produced the soundtrack for the film "Dying Young" starring Julia Roberts, giving birth to

●1992

Grammy Award, American Music Award, World Music Award

●1994

The "Mirackes" album became the best-selling performance album in history, pushing Kenny Key to the peak of the saxophone king to this day. His album "Breathless" has sold more than 10 million copies. At the same time, the album also set a record of topping the Billboard charts for four consecutive years. He also has four albums that have topped the charts. No. 1 on the Billboard Contemporary Jazz Chart. His achievements are unparalleled. Kenny Key and his saxophone transcend national boundaries and age groups. He plays jazz, R&B and Latin-style music. He has made outstanding achievements in all of them, and he can be said to be the most successful saxophone master in history

●The best artist in the American recording industry in 1994

[Edited version. Section] Kenny G album list

1 "Kenny G" (1982) 2 "G Force" (1984) 3 "Grarity" (1985) 4 "Duotones" (1986) One of the songs is called "Little "Song bird" was written for his girlfriend, now his wife.

5 "Silhouette" (1988) 6 "Live" (1989) 7 "The Collection" (1990) 8 "Montage" (1990) 9 "Dying Young" (1991) 10 "Breathless" (1992) 11 "Miracles, the Wolidy" Album" (1994) 12 "The Moment" (1996) 13 "Kenny G's Greatest Hits" (1997) 14 "My Heart Will go on (EP)" 15 "Classic in the Key of G" (1999) 16 "Faith" (1999) 17 "Paradise" (2002) 18 "Wishes" (2002) 19 "At Last The Duets Album" (2004) 20 "the Greatest Holiday Classics" (2005)

Rhythm And Romance 2008

Album tracks:

01. Sax-O-Loco

02. Ritmo Y Romance (Rhythm amp; Romance)

03. Sabor A Mi

04. Tango

05. Mirame Bailar (Featuring Barbara Muoz)

06. Peruvian Nights

07. Brasilia

08. Besame Mucho

09. Fiesta Loca

10. Es Hora De Decir (Featuring Camilia)

11. Copa De Amor

12. Salsa Kenny

I'm In The Mood For Love 2006

Album tracks:

01. You're Beautiful Beautiful You (the beauty and sorrow of Captain James Blunt who conquered 12 national championships around the world)

02. The Way We Were (starring Barbra Streisand and Robert Redford) "The Last Day" championship theme song)

03. Yesterday (The rock legend The Beatles was selected by "Rolling Stone Magazine" as the best pop song in history since 1963)

04. I'm In The Mood For Love (Rosteward and Barbra Streisand's cover of the 1935 film "Eight O'Clock" episode, an immortal classic)

05. If (70s Rock Classic group Bread Choir's 3-week lyrical chart champion charming classic)

06. The Way You Look Tonight (Theme song of Oscar-winning movie "Swing Era", romantic comedy "The Bride Is Not" "I" episode)

07. If I Ain't Got You (Super Perfect Piano Queen Alicia Keys Ramp; No. 1 on the B Chart for Five Weeks)

08. Love Theme From "Romeo & Juliet" "Romeo and Juliet" movie theme song (movie adaptation of Shakespeare's famous play "Romeo and Juliet")

The poignant theme song of "The Love Story")

09. It Had To Be You (the theme song of the "When Harry Met Sally" Fantastic Love movie)

10. The Shadow of Your Smile (theme song of the movie "Spring Breeze" starring Elizabeth Taylor and Richard Burton, 1965 Academy Award for Best Film Song)

11. Fly Me To The Moon/ You Make Me Feel So Young (Medley) You Make Me Feel So Young (Suite) (The moon love song of jazz giant Frank Sinatra from the 1950s to this day)

12. As Time Goes By 流Golden Years (1942 theme song of the classic movie "The Spies" starring Humphrey Bogart and Ingrid Bergman, episode of the movie "Sleepless in Seattle")

13. You Raise Me Up True Love Waiting (Good Will Hunting Josh and the boy group Westlife compete to cover love classics)

The Greatest Holiday Classics 2005

The Greatest Hoilday Classics album tracks:

01. We Wish You A Merry Christmas

02. Deck The HallsThe Twelve Days Of Christmas

03. Joy To The World

04. Have Yourself A Merry Little Christmas

05. Sleigh Ride

06. Miracles

07. Jingle Bell Rock

08. White Christmas

09. Winter Wonderland