Question 1: What color is the facial makeup? What does it mean? Red face symbolizes loyalty, uprightness, and bloody spirit, such as Guan Yu in "Three Kingdoms Opera" and Wu Han in "Zhan Jing Tang".
Others: It has an ironic meaning and means a fake good person.
Guan Yu (whole face is red)
Black face not only expresses a serious character and is unsmiling, such as Bao Zheng in "Bao Gong Opera"; it also symbolizes power, rudeness and boldness, such as: " Zhang Fei in "Three Kingdoms Opera", Li Kui in "Water Margin Opera", and Hua Jiaozan in "Yang Paifeng".
Others: Indicates the yin in yin and yang, used for ghosts. Dark skin or ugly appearance.
Zhang Fei (Black Cross Butterfly Face)
White face shows cunning and suspicion, such as Cao Cao in "Three Kingdoms Opera" and Yan Song in "The Fighting of Yan Song".
Cao Cao (white face)
Blue face expresses upright character, arrogance and rebelliousness, such as: Ma Wu in "Up to the Rooftop", Dou in "Luan Tao" Erdun.
Dou Erdun (blue flower three-tile face)
The purple face expresses solemnity, stability and a sense of justice, such as: Xu Yanzhao in "Second Entry into the Palace", "Fish Intestine" Zhuan Zhu in "Sword".
Others: bad complexion, ugly.
Zhang A (purple three-tile face)
The golden face symbolizes power and solemnity and expresses the role of gods. For example: Tathagata Buddha and Erlang God in "Havoc in Heaven".
Dapeng (golden elephant face)
Green face, brave and reckless. Such as: Xu Shiying in "White Water Beach"
Others: Green Forest Hero.
Yellow: generally shows a violent personality. Such as Lian Po in "Nanyang Tian".
Brown and pink: Old people who behave more uprightly.
Gold and silver: used for figures such as Buddha and gods, such as Tathagata Buddha and Erlang God. Sometimes it is also used for some more powerful spirits.
Purple face with clear angle: Purple is between black and red. Upright and majestic characters and loyal and kind characters often use purple faces. For example, Zhuan Zhu in "Yuchang Sword", Chang Yuchun in "Martial Arts Field", Xu Yanzhao in "Dabaoguo", some characters are described as having purple faces in novels or folk oral literature, so they use purple faces, Such as Pu Tiandiao in "Evil Tiger Village", Fei Degong in "Recruiting Town", and Wei Yan in "Battle of Changsha". Some characters use purple faces to distinguish themselves from other characters on the same stage. For example, the Big Dipper in "Hundred Years of Life" is opposite to the South Dipper of Laosheng, which looks majestic, while Pang Tong in "Chaisangkou" uses purple. The face means that the person is ugly.
Net corner pink face: Pink face generally symbolizes old red-faced characters, such as Su Xian in "Taking Luoyang", Yuan Shao in "The Battle of Panhe", and Hua Zhen in "The Village of Four Heroes" Fang et al.
Green face with a clean angle: Green face generally means bravery and irritability, and has a similar meaning to black face. Some grass bandits who dominate the mountains use green faces. Such as the green-faced tiger in "White Water Beach", Ni Rong in "Qing Ding Zhu", the golden-eyed leopard in "The Lost Child", Cheng Yaojin in "The Legend of the Thieves", etc.
Blue face with clear angle: Blue generally means strong and sinister. In facial makeup, blue and green have similar meanings. They are both extensions of black and represent characters with strong personalities, such as in "Taking Luoyang" Ma Wu represents the sinister character of the characters, such as Xie Hu in "Xue Jia Wo", Jiao Zhenyuan in "Jianfeng Mountain", Dou Erdun in "Luan Tao", etc.
Net angle yellow face: Yellow face means that the character is brave, fierce or cruel, such as Yuwen Chengdu in "Wagon War" and Yang Mo in "Dongting Lake". Ji Liao in "Sword", Dian Wei in "War at Wancheng", etc.
Net-angle gold and silver face: Gold and silver are widely used in facial makeup of gods and monsters, showing the golden face of gods and the green-faced fangs of ghosts, such as "An Tianhui", "Bottomless Pit", "Peach Club" Yang Jian (Erlang God) in "Red Plum Mountain", Golden Leopard in "Red Plum Mountain", Jin Zhajun in "Attack Tongguan" have a golden face, and Mu Zha in "Attack Tongguan" has a silver face.
Some generals also use gold to express their bravery and invincibility, which is used to increase the majesty of their facial makeup, such as Jin Wushu in "The Pulley" and Li Yuanba in "Siping Mountain". When it comes to magical facial makeup, it should be emphasized here that the famous predecessors Actors are opposed to the weird or spooky outlines of the facial makeup of gods and monsters. They are not in favor of realistically painting snakes, scorpions and centipedes on the face. They are also opposed to the painting of ghastly shapes such as skulls in the facial makeup. They believe that this not only undermines the artistic principle of stage beauty, but It also makes people tremble when looking at it, and is harmful to stage performances. It is a superficial approach with low artistic attainments. Even though it is a miraculous mask, it should be similar to a human face.
Net angle tile gray face and ocher face: tile gray and blue have similar meanings in facial makeup application, tile gray face is like Uli Black in "Luhua River", ocher and purple have similar meanings , such as the old man under the moon in "Colorful Houses" and Mi Dang in "Iron Cage Mountain".
Net angle light cyan face: light cyan between blue and green...>>
Question 2: What are the meanings of Peking Opera facial makeup? Red represents a loyal and brave person, and when used as an auxiliary color, it implies the fate of the character; black facial makeup represents staunchness, integrity, bravery, roughness, and recklessness; yellow facial makeup represents toughness, insidiousness, ferocity, and cruelty; white facial makeup generally symbolizes insidious and cunning villains; Blue or green facial makeup represents some strong, brave, rough, unruly characters, and sometimes some elves. It was mentioned in the music textbook, but I can’t remember clearly...
Question 3: What do the Chinese Peking Opera masks mean? Red face symbolizes loyalty, uprightness, and bloody spirit, such as Guan Yu in "Three Kingdoms Opera" and Wu Han in "Zhan Jing Tang".
Others: It has an ironic meaning and means a fake good person.
Guan Yu (whole face is red)
Black face not only expresses a serious character and is unsmiling, such as Bao Zheng in "Bao Gong Opera"; it also symbolizes power, rudeness and boldness, such as: " Zhang Fei in "Three Kingdoms Opera", Li Kui in "Water Margin Opera", and Jiao Zan in "Yang Paifeng".
Others: Indicates the yin in yin and yang, used for ghosts. Dark skin or ugly appearance.
Zhang Fei (Black Cross Butterfly Face)
White face shows cunning and suspicion, such as Cao Cao in "Three Kingdoms Opera" and Yan Song in "The Fighting of Yan Song".
Cao Cao (white face)
Blue face expresses upright character, arrogance and rebelliousness, such as: Ma Wu in "Up to the Rooftop", Dou in "Luan Tao" Erdun.
Dou Erdun (blue flower three-tile face)
The purple face expresses solemnity, stability, and a sense of justice, such as: Xu Yanzhao in "Second Entry into the Palace", "Fish Intestine" Zhuan Zhu in "Sword".
Others: bad complexion, ugly.
Zhang A (purple three-tile face)
The golden face symbolizes power and solemnity, and expresses the role of gods. For example: Tathagata Buddha and Erlang God in "Havoc in Heaven".
Dapeng (golden elephant face)
Green face, brave and reckless. Such as: Xu Shiying in "White Water Beach"
Others: Green Forest Hero.
Others include yellow face, pink face, silver face, etc.
Facial makeup patterns
Facial makeup patterns are very rich, generally divided into forehead pictures, eyebrow shapes, eye orbit pictures, nasal fossa pictures, mouth cross pictures, and mouth lower pictures. The patterns of each part are varied, regular but inconclusive, such as:
Bao Zheng has a white crescent on his black forehead, which means he is honest and upright.
Meng Liang has a red gourd on his forehead, indicating that he likes drinking.
Wen Zhong, Yang Jian’s painting with three eyes comes from classical legend.
Giant spirits, evil spirits, and golden leopards have many faces, highlighting their characteristics of gods, ghosts, and demons.
Yang Qilang has a traditional Chinese character "Tiger" on his forehead, which shows his bravery and invincibility.
Zhao Kuangyin’s dragon eyebrows represent the real dragon emperor.
There is a thunder pattern in Lei Gong’s facial makeup.
Jiang Wei has a yin and yang diagram painted on his forehead, which represents magical calculations.
Xiahou Dun suffered an arrow wound in his eye socket, so he drew a red dot to indicate it.
The faces of Dou Erdun, Dian Wei and others have the patterns of their best weapons.
Wang Yanzhang painted a toad on his head, indicating that he was the reincarnation of a water beast.
Zhao Gongming painted money on his face to show that he is the God of Wealth.
Mr. Big Dipper draws a seven-star picture on his forehead.
Generally speaking, red represents loyalty and integrity; black represents bravery and straightforwardness; white represents cunning, viciousness, and insidiousness; oily white represents arrogance and domineering; blue represents strength and bravery; green represents It represents tenacity and chivalry; yellow represents ferocity and calmness; gray represents old heroes; purple represents wisdom, courage, justice, uprightness and majesty; gold and silver represent gods, Buddhas, ghosts and elves.
The color used in Peking Opera facial makeup is not absolute and is flexible. For example: when red represents the character Guan Yu in the Three Kingdoms drama, it represents his loyalty. However, in "Famen Temple", although the eunuch Liu Jin has a red face, it means that he is pampered and has power over the courtiers; for example, although the character Chao Gai in "Water Margin" has a "yellow three-tile face", it does not mean that he is violent and calm. , but represents that the skin color of his face is yellow, and Yintang outlines an elliptical red light. At a glance, you can tell that he is an old hero who has uprightly revolted; for example: the gold used in Jin Wushu in "Eight Hammers" is not that of gods or elves. But it represents his surname Jin.
Question 4: What does Peking Opera facial makeup mean? Please attach a picture description, thank you! 1. Classification of Peking Opera facial makeup. Facial makeup is unique to Chinese opera and is different from any drama makeup in other countries. Opera masks have unique charm. What is the relationship between facial makeup and opera characters? Does every character in the opera need to have facial makeup? The answer is no. Not every character needs to draw facial makeup. The facial makeup must be drawn according to the classification of the characters. According to traditional customs, there are two ways to classify the roles of characters in Chinese opera: "Sheng, Dan, Jing, Chou" and "Sheng, Dan, Jing, Mo, Chou". In modern times, due to the "mo" of many operas, "Xing has gradually been classified into the "Sheng" Xing, and "Sheng, Dan, Jing and Chou" are usually regarded as the four basic types of Xing. Each profession has several branches, each with its own basically fixed characters and performance characteristics. Among them, "Dan" is the collective name for female characters: "Sheng" and "Jing", and the two lines are male characters: "Chou" line is mostly male characters, except sometimes they play Chou Dan and Lao Dan. Generally speaking, the make-up of "Sheng" and "Dan" is to apply a little makeup to achieve a beautifying effect. This kind of make-up is called "Junmei", also called "Simple face" or "Clean face". It is characterized by "a thousand faces", which means that the facial makeup of all characters in the "生" line is roughly the same. No matter how many characters there are, they all have the same face from the facial makeup. The facial makeup of the characters in the "Dan" line is also the same no matter how many characters there are. There are many characters with similar facial makeup. The personalities of "Sheng" and "Dan" characters are mainly expressed through performances and costumes. Facial makeup is used for various characters in the "clean" and "ugly" professions. It uses exaggerated and strong colors and endlessly changing lines to change the actor's true appearance. It is formed with the "sheng" and "dan" makeup of "plain face" contrast. The hooked faces of the "Jing" and "Chou" characters are based on the person's profile, and each person has one profile. Although it is composed of various stylized profiles, it is a kind of character makeup that directly expresses the character's personality. How many " There are many different types of roles for "clean" and "ugly" characters. Therefore, the characteristics of facial makeup are "ever-changing" and "pure", commonly known as painted faces. The patterned facial makeup outlined in various colors is the prominent symbol, showing a rough, majestic and heroic character in character and temperament. In performance, this type of character should have a broad and resonant tone, a strong and vigorous singing, thick and distinct movement lines, large "color blocks", wide openings and closings, and a magnificent bearing. For example, Guan Yu, Zhang Fei, Cao Cao, Bao Zheng, Lian Po, etc. are all in pure disguise. Jingxing characters can be roughly divided into Zhengjing (commonly known as Dahualian), Fujing (commonly known as Erhualian) and Wujing (commonly known as Wuerhua) according to their different identities, personalities and artistic and technical characteristics. There are also two painted faces and two painted faces in the auxiliary net. The common name for ugliness is small face or three-faced face. "Chou" (little painted face or three-faced face) is a comedy character, with facial makeup drawn between the bridge of the nose and the eye sockets, and often plays a funny and teasing character. In performances, there is generally no heavy singing, and the main focus is on clear and fluent speech. It can be divided into two branches: Wen Chou and Wu Chou. 2. The coloring method of Peking Opera facial makeup. "Face makeup" refers to the colorful makeup on the faces of male actors in traditional Chinese dramas. This kind of facial makeup is mainly used for Jing (painted face) and Chou (clown). It has a certain format in form, color and type. Expert viewers can tell from facial makeup whether the character is a hero or a villain, smart or stupid, loved or hated.
The charming facial makeup of Peking Opera holds a special place among the countless facial makeups in Chinese dramas. Peking Opera facial makeup is famous for its "symbolism" and "exaggeration". It uses exaggerated and deformed graphics to demonstrate the character's personality traits. The eyes, forehead and cheeks are often painted in the shape of bat, butterfly or swallow wings, together with an exaggerated mouth and nose, to create the desired facial effect. The painting and coloring methods of Peking Opera facial makeup include four basic types: rubbing, hooking, wiping and breaking. Face rubbing: Use your fingers to rub the color all over the face, and then emphasize the eyebrows and facial texture. It is a kind of facial makeup that looks like real face. The red face of Guan Yu in the Peking Opera "Romance of the Three Kingdoms" is designed according to the face of Guan Yu described in novels and storytelling. It means that Guan Yu's face is like heavy jujubes, silkworm eyebrows, single phoenix eyes and seven-star hemorrhoids. Face hooking: Use a brush dipped in color to outline the eyebrows and facial lines, filling the face with color to create a colorful pattern. Some are covered with gold and silver, which are gorgeous and dazzling. The golden leopard in the Peking Opera "Journey to the West: The Golden Leopard" has a face painted with gold, a leopard head-shaped pattern on the forehead, and money graphics on the face, forming a complex painted face to express the ferocity of the leopard. Face smearing: Use a brush dipped in white powder to smear all or part of the face white, indicating that this type of person does not show their true colors to others. It is a kind of fake facial makeup, also known as pink face. Cao Cao in "The Romance of the Three Kingdoms" is a traitor in Peking Opera, and he wears a white face... >>
Question 5: What do the colors of Peking Opera facial makeup represent? The colors of Peking Opera facial makeup are very rich, and the main colors generally symbolize The quality, character, and bearing of a certain character.
Red—shows loyalty and bravery, such as Guan Yu.
Blue—shows strength, bravery, and scheming Character character, such as: Dou Erdun.
Black - represents integrity, selflessness, and upright character, such as: Bao Gong.
White - represents insidiousness, suspicion, deceit, A high-spirited and solemn character. Such as: Cao Cao.
Green - represents a tenacious and violent character. Such as: Wu Tianqiu.
Yellow - represents a brave and fierce character. Characters, such as: Yuwen Chengdu.
Purple - shows upright, steady and calm characters.
Gold, silver - shows various images of gods and monsters
Red, bold and loyal, Guan Yu and Jiang Wei
Purple, wise, brave, just and righteous, Jing Ke Zhuanzhu
Black, upright and strong, Bao Zheng and Wei Chigong
White, treacherous and arrogant, Cao Cao, Sima Yi, blue, green and yellow Brave and violent, green-faced, green-faced, tiger-yellow-faced, Dian Wei, blue-faced, Shan Xiongxin
Gold and silver gods and monsters, such as Sun Wukong, Yang Jian, etc.
Question 6: What are the four colors represented in Peking Opera facial makeup? The meaning of Peking Opera facial makeup is very rich in color, and the main color generally symbolizes the quality, character, and bearing of a certain character.
Red--shows loyalty and heroic character, such as: Guan Yu.
< p> Blue--shows strong, brave, and scheming characters, such as Dou Erdun.Black--shows integrity, selflessness, and upright characters, such as Bao Gong.
White - represents the insidious, deceitful, soaring and solemn character. Such as: Cao Cao.
Green - represents the tenacious and violent character. Such as: Wu Tianqiu.
Yellow - represents brave and fierce characters, such as: Yuwen Chengdu.
Purple - represents upright, steady and calm characters.
Gold, silver --Representing various images of gods and monsters
Question 7: Peking Opera facial makeup has a very rich pattern. The facial makeup patterns can be roughly divided into forehead pictures, eyebrow shapes, eye sockets, nose fossa pictures, and mouth cross pictures. Picture below the mouth. The patterns of each part are varied, regular but inconclusive. For example: Bao Zheng has a white crescent on his black forehead, which means he is honest and upright. Meng Liang has a red gourd on his forehead, indicating that he likes drinking. Wen Zhong, Yang Jian's painting has three eyes, which comes from classical legend. Giant spirits, evil spirits, and golden leopards have many faces, highlighting their characteristics of gods, ghosts, and demons. Yang Qilang has a traditional character "tiger" on his forehead, which shows his bravery and invincibility. Zhao Kuangyin's dragon eyebrows represent the real dragon emperor. There is a thunder pattern in the Lei Gong facial makeup. There is a yin and yang diagram painted on Jiang Wei's forehead, which represents magical calculations. Xiahou suffered an arrow wound in his eye socket, so he drew a red dot to indicate it.
Dou Erdun, Dian Wei and others have their favorite weapons on their faces. Wang Yanzhang painted a toad on his head, indicating that he was the reincarnation of a water beast. Zhao Gongming painted money on his face to show that he is the God of Wealth. Sun Wukong (monkey face), a character in "The Palace of Heaven". It has fiery eyes and golden clear eyes, and can change seventy-two times. Because he stole the fairy peach and caused trouble in the heavenly palace, the Jade Emperor sent the heavenly soldiers to arrest him, but he failed. Later, he was crushed by Tathagata Buddha under the Five Elements Mountain. The story can be found in Chapter 5 of "Journey to the West". Sun Wukong is a monkey god, naughty and witty, so he uses a monkey face. Fire eyes and golden eyes, the eye rims should be gold or yellow. There are Buddhist beads on the forehead. Zhao Tianjun (black sextant face), one of the four heavenly kings in "Havoc in Heaven". Taoist god general. He once captured Sun Wukong with all the heavenly soldiers and generals. Because he is the god of wealth and fire, he has gold lines on his cheeks and fire lines on his eyebrows. Yintang has divine eyes. Wen Tianjun (green floral face), one of the four heavenly kings in "Havoc in Heaven". Taoist god general, Dongyue Emperor's subordinate, Big Dipper Lord of Mount Tai painted a seven-star picture on his forehead.
Question 8: What does the color yellow in Peking Opera facial makeup mean? The yellow face represents the bravery and ferocity of the character; (contains a derogatory connotation)
The blue color represents the strong and sinister character;; (contains a derogatory connotation)
The green face indicates the character’s violent and violent character. ; (Contains a derogatory connotation)
A red face indicates the character’s decisiveness, loyalty and bravery, (contains a complimentary connotation)
A black face indicates the character’s fierceness, wisdom and bravery (neutral category)
The colors of Peking Opera facial makeup are closely related to the character's personality, destiny and quality.
Question 9: What do the colors of Peking Opera facial makeup mean and who do they represent? The colors of Peking Opera facial makeup are very rich, and the main color generally symbolizes the quality, character, and bearing of a certain character.
< p> Red--shows loyalty and bravery, such as Guan Yu.Blue--shows strong, brave, and scheming characters, such as Dou Erdun.
< p> Black - represents the image of an upright, selfless and upright character, such as: Bao Gong.White - represents the image of an insidious, suspicious, soaring and solemn character. Such as: Cao Cao.
Green - represents a tenacious and violent character. Such as: Wu Tianqiu.
Yellow - represents a brave and fierce character, such as: Yuwen Chengdu.
Purple --Showing upright, steady and calm characters.
Gold and silver--Showing various images of gods and monsters