Li Bai
Li Bai (701~762), also known as Taibai, also known as Qinglian Jushi. His ancestral home was Chengji, Longxi (now Qin'an County near Tianshui City, Gansu Province). At the end of the Sui Dynasty, he lived in Central Asia due to his crime. Li Bai's family background and birthplace are still a mystery, and academic circles have different opinions. Li Bai was born in Suiye City under the jurisdiction of the Anxi Protectorate. When he was five years old, he moved with his father to Qinglian Township, Changlong County, Mianzhou.
Li Bai has a bold and unrestrained temperament. He likes the style of a political strategist, loves to do chivalrous things, and despises wealth. He spent his early years in Shu. His father is a wealthy businessman. At the age of twenty-five, Li Bai began to roam the country and visited Hubei, Jiangxi, Henan, Shandong and other places.
Li Bai despised the powerful. It is said that he was drunk and once asked Gao Lishi to take off his boots in front of Xuanzong. Gao Lishi thought this was a great shame, so he excerpted Li Bai's poems to anger Concubine Yang. Every time Xuanzong asked Li Bai to become an official, Concubine Yang would stop him. Li Bai knew that Xuanzong's cronies had objections to him, so he begged to return home. Xuanzong gave him property and let him go.
Li Bai was a great romantic poet in the Tang Dynasty of my country and was known as the "Immortal of Poetry". His poems are heroic and magnificent, containing fantasies that break through reality, as well as reflections on the suffering of the people's livelihood at that time and criticism of political darkness. His prose is fresh, clear, unrestrained and smooth.
He is the author of "The Complete Works of Li Taibai".
Li Bai was a great romantic poet in the Tang Dynasty of my country, but his birthplace has always been a mystery. Now it is generally believed to be in the broken leaf area of ??Central Asia. However, according to the latest research by many scholars and judging from some of Li Bai's poems, Li Bai was born in Luoyang, Henan. He spent all his time in Luoyang before he was 15 years old. However, when he was 15 years old, he had a lot of trouble because of fighting with others. Contradictory, he moved to Sichuan after he was 15 years old.
At the age of 15, Li Bai visited Chang'an twice and Luoyang four times. Therefore, Li Bai and Luoyang have a deep relationship.
"Exploration and Discovery" will be broadcast on Luoyang TV Station 4 at 20:00 on May 31.
The autumn colors of Luoshui are unparalleled,
There is no longer the fragrance of fireworks in the capital.
I am forced to smile when I am tired of living in a guest place,
I sigh at the white horse Dream center.
I was once a guest of Luoyang flowers. Although the wild fragrance is late, there is no need to complain
Spring is coming to Wu Yuanheng.
The willows are overcast, drizzle is clear, and the remaining flowers have fallen. All the wandering warblers can be seen.
The spring breeze blows the dream of hometown all night, and then the spring breeze comes to Luocheng.
Climb the ancient city of Luoyang
Xu Hun
The grains and millet are separated from half of the wild wormwood. How could the people of the past work in this city?
The sound of water comes from the east to the city, and the mountains rise from the north to the palace.
The crows are noisy and dusk clouds return to the ancient battlements, and the wild geese are lost in the cold rain in the empty trenches.
Poor Fairy Gouling Deng, she is still drunk with peach while playing her sheng.
Era: Tang Dynasty
Author: Li Bai
Work: Tiger Journey
Content:
Chao Zuo Tiger OK, let’s make a tiger roar at dusk. The broken heart is not connected to Longtou water, and the tears are not related to Yongmen Qin. The two rivers are filled with colorful banners, and the war drums are shaking the mountains to the point of turning them upside down.
The people of Qin were half prisoners of Yan, and the horses turned over Luoyang grass. When one loses and the other fails, he sends down troops, and rebels against Youji City in the morning and evening. The sea is turbulent before the huge turtle cuts it off, and the fish and dragons run around peacefully.
It is quite similar to the Chu and Han Dynasties, with no end in sight, passing Bolangsha in the morning, and entering Huaiyin City at dusk.
Zhang Liang did not meet Han Xinpo, and Liu Xiang's life and death depended on his two ministers. For the time being, I went to Xiapi to receive the military strategy.
I came to take Piao Mu as my master. Sages lived like this in ancient times, but now they also abandon Qingyun scholars.
If you have a plan, you don’t dare to offend the dragon scales, so you run to the southern country to avoid Hu Chen. Treasure books and jade swords hang in high pavilions,
Golden saddles and horses disperse old friends. Yesterday, I was a guest from Xuancheng. I rang the bell and transported 2,000 shi.
Sometimes Liu Bo is so exciting that he goes around the bed three times and throws. Every Chu person talks about Zhang Xuqi,
His heart is hidden in the wind and clouds that the world does not know. The three uncles of Wu Bang looked forward to it, and the heroes from all over the world followed him.
Xiao Cao once served as an official in Peizhong, and there was a time when he climbed the dragon and attached himself to the phoenix. In the spring of March in Liyang Restaurant,
The poplar flowers are full of worries about killing people. Hu Chu's green eyes are playing the jade flute, and Wu Ge's white hair is flying to Liang Chen.
The husbands meet each other and enjoy themselves. They beat cows and drums to gather the guests. From then on I went fishing in the East China Sea, and the fish smiled and fell in love with me.
Daughter's trip to Luoyang
At the age of sixteen, he was eighteen years old.
The daughter of Luoyang, who lives opposite the door, has more than fifteen years of beauty. The beloved man rides a horse, and the maid holds a carp on a golden plate. The painted pavilions and vermilion towers face each other, with red peach and green willow hanging over the eaves. Luo Wei presented the Seven Incense Cart and the Treasure Fan welcomed him back to Jiuhua Tent. A crazy man's wealth lies in his youth, and his arrogance and extravagance make Ji Lun. Self-pitying jasper teaches dance personally, and does not hesitate to give coral to others. The dawn in the spring window extinguishes nine tiny fires, and nine tiny pieces of flying flowers fly. After the play, when Zeng was unreasonable, he just sat there wearing incense and makeup. The city is full of prosperity, and I pass by Zhao Li's house day and night. Who pities a Yue girl with a jade-like face, but a poor and lowly woman who wears her gauze at the head of the river?
Answering the wise brother with Cui Fu
Wang Wei
Gusu Ke, a talented man from Luoyang, Guiyuan is no stranger to his hometown.
Jiujiang Maple Tree It is green several times, and the five lakes in Yangzhou are white.
There are soldiers going down the river from Yangzhou, and the sound of flutes is played in front of Lanling Town.
The people who burned the night return to Fuchunguo, and the autumn wind is full of cranes. Stone City.
Zhou Lang and Lu Di were a couple, and they danced in front of the stream and sang white silk ribbons.
Qu Jishu left a small historian, and they played chess in the thatched cottage and Shanyin Villa.
< p>If you dress well and talk to foreign ministers, you will first count your husband and the treasures on the table.I even heard that the Taiwan Pavilion asked for three words, and I thought of the most romantic person.
I heard that the government troops were taking over Henan and Hebei
p>Du Fu
Suddenly there was a message outside the sword that Jibei was being collected. When I first heard about it, my clothes were filled with tears.
But seeing where his wife was worried, she was filled with poems and books filled with joy.
You have to indulge in drinking while singing in the daytime. Youth is a companion for returning home.
That is, pass through Wu Gorge from Ba Gorge, then go down to Xiangyang towards Luoyang.
Farewell to Xin Jian in Furong Tower
Chen Ziang’s The bright moon is hidden in the tall trees, the long river is not dawn, the long road to Luoyang, in what year will this meeting take place
Zhang said "The autumn wind does not treat others, but it first comes to Luoyang City"
Wangwan's "Where can the country book reach, return to Luoyang",
Everyone says that Jiangnan is good, but tourists only "He is old in the south of the Yangtze River"
Wang Changling
The cold rain and the river come to Wu at night,
In the morning, I see off the guest Chu Shangu.
Luoyang relatives and friends If you ask each other,
A piece of ice is in the jade pot
Visiting Yuan Shiyi but not meeting Meng Haoran
I visited the talented scholar Jiangling in Luoyang and heard that the plum blossoms were so early. Di Chun
There are many witches in famous cities, and young men are born in Beijing and Luo. Their swords are worth a thousand gold, and their clothes are beautiful and fresh...--Cao Zhi's "Ode to Famous Capitals"
Step up to Bei Mangban. Looking at Luoyang Mountain in the distance. Luoyang is so lonely! The palaces are all burned...--Cao Zhi's "Farewell to the Ying Family"
There is Concubine Mi in Luopu, and the snow is flying in the sky, and the clear sky is visible. Hui...--Li Bai's "Eight Poems of Inspiration"
The water in the river flows eastward, and the daughter of Luoyang is named Mochou. Mochou can weave silk at the age of thirteen, and pick mulberries on the streets of the south at the age of fourteen. .--The Yuefu of Emperor Wu of the Liang Dynasty
The flowers and trees in the north of Luo, the colorful painted boats in the south of the Yangtze River are blooming, and the orchids and grasses are blooming, and the spring enters the Phoenix Tower. >
Whose jade flute is flying quietly in the spring breeze throughout Luo City. Who can hear the broken willows in this nocturne? - Li Bai's "Hearing the Flute on a Spring Night in Luoyang"
Step Climbing Bei Mang Ban, hesitantly chatting and writing about it. The prosperous imperial palace in Wanluo is small and large... - Zheng Shiyi's "Climbing Bei Mang and Returning to Jingluo"
I was born in a war, and I don't know the joy of peace. Returning to Luoyang today, I feel the bitterness of this cloud... - Wei Yingwu's "Guangde Zhongluoyang"
When will I return to Luocheng? Old friends are becoming rare now. Don't say farewell in the snow for a while. , Finally, the clouds are chasing each other. --Liu Yuxi's "Drunk Answer to Lotte"
The flowers and willows in Luoyang are thick at this time, and the mountains and rivers are reflected in the towers. ..Song Zhiwen Yu Longmen
Luoyang Tianzi County, Jingushi Chongxiang, the color of grass invades the official road, and the flower branches grow out of the garden wall...--Zhang Ji
Recalling the past of Dong Dong in Luoyang. In Zaoqiu, I built a restaurant in the south of Tianjin Bridge; I bought gold and white jade to sing and laugh, and I was drunk for a long time. Li Bai's "Recalling the Old Travels and Send Qiao Yuan to Join the Army"
Whose family is the white jade man? Crossing Tianjin by car.
Looking at the flowers on the east road alarmed the people of Luoyang... Li Bai's "Luoyang Road"
Author: 221.15.80.* 2005-6-30 21:18 Reply to this statement
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9 Reply: The birthplace of Tang Dynasty poet Li Bai--Luoyang
At the foot of Cibeigu Mountain
The passenger journey is outside the green mountains and the boat is in front of the green water. The tide is flat, the banks are wide, the wind is blowing and the sail is hanging.
Hai Ri is born and the night is over, and Jiang Chun is entering the old year. Where can I get the hometown letter? Returning to Yan Luoyang
A playful reply to Yuan Zhen
Ouyang Xiu
The spring breeze does not reach the end of the world, and there are no flowers in the mountain city in February.
There are still oranges on the branches under the heavy snow, and the bamboo shoots are about to sprout due to the freezing thunder.
Hearing about the returning geese at night makes me miss my hometown, and I feel the beauty of things in the new year when I am sick.
I was once a guest of flowers in Luoyang. Although the wild fragrance is late, there is no need to complain.
Three Poems of Qianxing
I am worried today,
My brothers have different ways of doing things.
I don’t know life and death,
Not to mention the long road.
As soon as the invaders are dispersed,
Hungry and cold will always face each other.
Is there no Chaimen to return?
Be afraid of tigers and wolves.
Look up at the geese in the clouds,
The birds are also moving.
The vigorous growth is not without roots,
It drifts with the high wind.
The weather has fallen thousands of miles away,
I will never return to my hometown.
Ke Zi misses his former residence,
The doors and alleys have been empty for three years.
The hope is that there will be a war,
Guandong is full of troops and chariots.
How long can life be?
Always on the road!
When I was in Luoyang,
my relatives and friends chased each other.
See you off on Dongjiao Road,
Tour Nanshan Mountain.
Smoke and dust block the long river,
The tree feathers become thick.
Looking back at the place where I carried wine,
How can I never return it in one day?
The husband is noble and strong,
The miserable wife is not beautiful.
--Du Fu
Hate to say goodbye
Luocheng is four thousand miles apart,
Hu Qi has been driving for five or six years.
The grass and trees are decaying, and outside the sword,
the old river is blocked by war.
I feel homesick as I walk in the moonlight and stand up at night,
I recall my younger brother sleeping in the white sun while watching the clouds.
Hearing that Heyang was about to win,
Situ was anxious to defeat Youyan.
Du Fu's Journey to the End of the World
The old man has not returned to the end of the world. At dusk, he faces the river in the east and cries. There was no farming at the source of the Longyou River.
Hu cavalry and Qiang soldiers entered Bashu. The roaring waves surged into the sky, the wind uprooted the trees, and bald eagles flew in front and swans flew behind.
I sent a letter to Luoyang for nine times, but there has been no news about my flesh and blood for ten years.
Bodhisattva Man
The spring in Luoyang city is beautiful, and the talented people in Luoyang are old in a foreign country.
The willows darken the embankment of the King of Wei, and at this moment, my heart becomes confused.
Peach blossoms and green water in spring, mandarin ducks bathing on the water.
I hate Canhui, but I don’t know you.
---Weizhuang
Visited Yuan to pick up his relics but failed to find them
Visiting talented people in Luoyang, he became a refugee in Jiangling.
I heard that the plum blossoms are early, why is it so spring.
Spring in the Jade House
In front of the bottle, I was about to say the date of my return, but Chun Rong swallowed it before I could say anything. Life is full of love and infatuation, and this hatred has nothing to do with the wind and the moon.
Don’t renovate the song of departure, a song can teach you how to be tight. You have to see all the flowers in Luoyang, then it’s easy to say goodbye to the spring breeze
Introduction to Li Bai, a poet of the Tang Dynasty
Li Bai Li Bai (701～762) was a poet of the Tang Dynasty. The courtesy name is Taibai, and the name is Qinglian Jushi. He was born in Changlong, Mianzhou (now Jiangyou, Sichuan) (see the color picture of Longxiyuan, the hometown of Li Bai in Jiangyou, Sichuan). His father Li Ke's life story is unknown. When Li Baiqing was in his prime, his family was wealthy and he was fond of philanthropy. Some modern Li Bai researchers speculate that his father Li Ke became rich through business in the Western Regions, but there is no conclusive evidence.
Life: Li Bai studied a wide range of subjects in his youth. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed the books of various schools of thought and was "good at swordsmanship" ("Book of Jingzhou with Han"). He believed in the Taoism that was popular at that time very early and liked to live in seclusion in the mountains and forests, seeking immortality and learning Taoism. At the same time, he also had political ambitions to make contributions. He claimed that he wanted to "apply Guan Yan's talk, seek the emperor's skills, and develop his wisdom. He is willing to serve as an assistant and make great achievements." Huan District Dading, Hai County Qingyi" ("Dai Shoushan's reply to Meng Shaofu's transfer of documents"). On the one hand, one has to be an otherworldly hermit and immortal, and on the other hand, one has to be the monarch's assistant and minister. This creates a contradiction between being born in the world and joining the world. However, actively participating in the WTO and caring about the country were the mainstream of his life's thoughts and the ideological basis that formed the progressive content of his works. Very few of the poems written by Li Bai in Shu during his youth have survived, but poems such as "Visiting the Taoist Priests of Mount Daitian" and "Moon Song of Mount Emei" have shown outstanding talent. When Li Bai was about 25 or 26 years old, he traveled to the east of Shu. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River, and married the granddaughter of Xu Yushi, the prime minister of Emperor Gaozong of the Tang Dynasty, in Anlu (now part of Hubei), so he lived in Anlu for a long time. Later he moved to Rencheng (now Jining, Shandong). Li Bai did not want to take the imperial examination and obtain an official position like ordinary scholars at that time. Instead, he tried to cultivate his reputation and gain the appreciation of the emperor by living in seclusion in the mountains and making extensive social contacts, instead of being promoted according to the usual rules. Around the eighteenth year of Kaiyuan (730), he once arrived in Chang'an to strive for a political future, but he returned disappointed. In the first year of Tianbao (742), due to the recommendation of Princess Yuzhen and others, he was called to Chang'an by Xuanzong to serve in the Hanlin Academy. As a literary attendant, he participated in drafting documents and other work. Li Bai was excited at the beginning and wanted to make a difference. However, in the later period of Xuanzong, politics became increasingly corrupt and dark. Li Linfu took control of the power and gradually formed a decadent ruling group in the court. Talented people were repeatedly ostracized and persecuted. Li Bai was upright by nature and could not flatter the dark forces, so he was slandered and slandered. He was forced to resign and leave Beijing within less than two years of his stay in Chang'an. During this period, Li Bai's poetry creation became more mature, and famous works emerged one after another. His representative works include "Changgan Xing", "Hengjiang Ci", "Wuqi Qu", "The Road to Shu is Difficult", "Midnight Wu Song", "Ancient Style·Da" "Cars Flying Dust", "The Road Is Difficult", "Liang Yuan Yin", etc. Li Bai suffered setbacks in Chang'an and was depressed. In the next 11 years, he continued to roam in the middle and lower reaches of the Yellow River and the Yangtze River, "traveling around the world and adapting to poetry and wine" (Liu Quanbai's "Records of Li Junjie, a Hanlin Scholar in the Tang Dynasty"). He still cares about state affairs and hopes to regain his appointment in the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They traveled to some places in present-day Henan and Shandong, worked together to explore places, and wrote essays about wine. They were intimate and became a good story in the history of Chinese literature. The two broke up the following year and never saw each other again, but they both wrote deeply affectionate poems in memory of each other. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai was living in seclusion in Xuancheng (now Anhui) and Lushan. At that time, Xuanzong appointed his 16th son Yongwang Li □ as the envoy of Shannan East Road, Lingnan, Qianzhong and Jiangnan West Road and the governor of Jiangling, responsible for protecting and managing the central area of ????the Yangtze River. With the desire to eliminate the rebellion and restore national unity, Li Bai participated in the work of King Yong's shogunate, which led his troops eastward from Jiangling. Unexpectedly, Li □ disobeyed Suzong's orders and wanted to take advantage of the opportunity to expand his power. As a result, Suzong sent troops to eliminate him. Li Bai was also convicted for this and was imprisoned in Xunyang (now Jiujiang, Jiangxi), and was soon exiled to Yelang (now Tongzi, Guizhou). Fortunately, he encountered amnesty on the way and was able to return eastward at the age of 59. In his later years, he lived in the Jiangnan area. When he was 61 years old, he heard that Taiwei Li Guangbi led his army out of Linhuai to attack the Anshi rebels. He also went north to join the army to kill the enemy, but he turned back due to illness on the way. The following year, he died of illness at his residence in Li Yangbing, the county magistrate of Congshu Dangtu (now part of Anhui). The representative works of this period, before the Anshi Rebellion, include "Dream Wandering in the Heavenly Mother's Farewell", "Battle in the South of the City", "Reply to the King Drinking Alone on a Cold Night", "Ancient Style: Feathers Like Shooting Stars", "About to Enter the Wine", " "Bei Feng Xing", "Far Farewell", "Xuanzhou Xie □ Tower Farewell School Secretary Shu Yun", etc. After the Anshi Rebellion, there are "Ancient Wind: Going West to Lotus Mountain", "Yong Wang's East Patrol Song", "Lushan Ballads to Lu Shi" Yuxuzhou" and so on. Literary Creation: Many of Li Bai's poems have been lost, but more than 900 of them are still in existence today, with rich and colorful content. Li Bai cared about national affairs throughout his life, hoping to make contributions to the country, but was dissatisfied with the dark reality. His 59 "Ancient Styles" are representative works in this regard. The dark corruption of the late Tang Xuanzong politics was extensively exposed and criticized, reflecting the sorrow and indignation of the capable people who had no way out. The first of the poems begins with a clear meaning, inheriting the tradition of "elegance" in the Book of Songs, and clearly shows the creative spirit of caring about reality.
Articles such as "Farewell" and "Answer to the King Drinking Alone on Twelve Cold Nights" express his worries about the dominance of power and the danger of the national destiny. When the Anshi Rebellion broke out, he joined the Li shogunate in an attempt to kill the enemy, serve the country, and regain the two capitals. He "swore to kill the whale salamander and clarify the water in Luoyang" ("Gift to Zhang Xianghao"). "Bian" (Part 11 of "Yong Wang's Eastern Patrol Song"). This fervent patriotic feeling never fades. After returning from exile, he also "sighed four or five times in the middle of the night and was often worried about the great country" because the Anshi Rebellion was not over ("After the Rebellion, Tian Enliu Yelang recalled old travel books and presented them to Liangzai, the prefect of Jiangxia Wei"). In "Death Song", he felt very regretful that his political ambitions could not be realized, and compared himself to a roc bird "destroyed in the middle of the sky". Regarding his works, Li Yangbing called them "a lot of words and satire" ("Preface to the Thatched Cottage Collection"), and Wu Rong called them "high-spirited and high-spirited, without losing the way of praising the wind and thorns" ("Preface to the Collection of Chanyue"). Point out that his poems are concerned about national affairs and satirize dark politics. Li Bai's "Sending Congratulations to Eight Returns to Yue" Handwriting Stone Engraving Although Li Bai was eager to make contributions and serve the country, he did not envy the glory and wealth, but believed that "bells, drums, food and jade are not expensive enough" ("Jinjinjiu"). After making great achievements, he should follow the example of Lu Zhonglian, a great scholar from the Warring States Period, and retire without any reward. He could not flatter the powerful for the sake of rank and wealth, but "when he went out, he treated the princes as equals, and when he escaped, he looked down at his nest." ("Preface to "Send Yanzi Yuan to Yinxian City Mountain on a Winter Night at Mr. Ziyang's Restaurant in Suizhou") ). He declared that "pines and cypresses are lonely and upright, and it is difficult for them to be beautiful like peaches and plums" (12th chapter of "Ancient Style"), and "the princes are lightened by the moon after being drunk" ("Reminiscing about the past travels and sending Qiaojun Yuan to join the army"). He was even more contemptuous of the decadent ruling group formed in the later period of Xuanzong. In his poem, he compared Xuanzong to the comatose King Zhou of Yin (Ancient Style, Chapter 51), and denounced the arrogant and domineering eunuchs as thieves (Ancient Style). 24). He sang loudly: "An Neng is able to bend his eyebrows and bend his waist to serve the powerful, which makes me unhappy!" ("Sleepwalking Tianmu Yin Farewell") This high-pitched singing voice, like the legend that he made Gao Lishi take off his boots while drunk, has won wide popularity. recited and loved. Su Shi once borrowed the words of Xia Houzhan of the Jin Dynasty and praised Li Bai for "playing like a colleague, treating his colleagues like grass and grass, being majestic and unparalleled" ("Li Taibai's Stele Yin Ji"). This kind of ideological content is obviously influenced by Taoism, especially Zhuangzi. Zhuangzi denounced greedy and cruel rulers as thieves, and regarded the powerful and wealthy as rotten rats. His thoughts are obviously inherited from Li Bai's poems. Gong Zizhen of the Qing Dynasty said that Li Bai's poems integrate Qu Yuan and Zhuang Zhou ("The Most Recorded Collection of Li Bai"). Indeed, Li Bai not only loved the motherland, hated the dark forces, and actively cared about politics like Qu Yuan, but also despised the powerful and despised wealth like Zhuang Zhou. Many of Li Bai's poems express his concern and sympathy for people's lives. This content is often combined with criticism of the rulers. He hoped that society would be stable and that people could live a peaceful and tranquil life, so he severely criticized unjust wars that destroyed people's lives and destroyed their peaceful lives. In "Ancient Style", "Feathers are like Shooting Stars", he condemned Yang Guozhong for launching a military war against Nanzhao, which resulted in the unnecessary sacrifice of a large number of soldiers. At the end of the poem, he hopes that those in power will follow Yu Shun's example, abandon martial arts and cultivate literature, so as to bring about a peaceful situation. When the Anshi Rebellion broke out, he angrily denounced the Anshi rebel generals who slaughtered the people as jackals with tassels ("Ancient Wind" "Westward to Lotus Mountain"), and asked: "White bones are turned into hills, what is the crime of the common people?" ("Ancient Wind") After the chaos, Tianenliu Yelang recalled old travels and presented it to Liangzai, the prefect of Jiangxia Wei.) Some of his Yuefu poems inherited the tradition of ancient Yuefu in the Han, Wei and Six Dynasties, paying attention to reflecting women's lives and their pain, and focused on the memories of missing women. When thinking about Zhengren, he also wrote about the grievances of merchant wives, abandoned wives and palace maids. His "Xun Ni's House at the foot of Wusong Mountain", "Ding Duhu Song", "Qiupu Song" and "Heaven and Earth Illuminated by Fire" respectively depict the lives of farmers, boatmen and miners, and show his concern for the working people. Li Bai claimed that "it is my pleasure to travel to famous mountains all my life" ("A Ballad from Mount Lu sent to Lu Shiyu's Xu Zhou"), and he wrote many poems describing natural scenery. He loves and praises mountains and rivers. In his works, the Yellow River roaring for thousands of miles, the Yangtze River with white waves like mountains, the Sichuan Road with "nine twists and turns in a hundred steps", and the Lushan Mountain "with cliffs and peaks reaching up to the blue sky" are all majestic and majestic. His "The Road to Shu is more difficult than reaching the blue sky" ("The Road to Shu is Difficult"), "If you don't see it, the water of the Yellow River comes up from the sky and rushes to the sea and never returns" ("Jian Jin Jiu"), "The water of the Yellow River flows down three thousand "Child, it is suspected that the Milky Way has fallen into the sky" ("Wanglu Mountain Waterfall"), etc. are all famous sayings that have been passed down through the ages. This type of poem, just like some of his works singing about the roc, expresses his heroic ambition and broad-mindedness, and reflects his desire to pursue extraordinary things from the side.
Other poems, such as "Ascending Xie □ North Tower in Xuancheng in Autumn", "Sitting Alone on Jingting Mountain", and "Longing on Qingxi River", are good at depicting quiet scenery, fresh and meaningful, and their style is close to that of Wang Wei and Meng Haoran. Illustration of Li Bai's poem "Send Meng Haoran to Guangling from the Yellow Crane Tower" is selected from the Guangxu engraving of the Qing Dynasty "Manuscripts of Famous Masters" Li Bai's "Wanglu Mountain Waterfall" written by Zhu Yunming of the Ming Dynasty Li Bai also has many poems singing about love and friendship, some of which are sincere and touching. He praised the warm and pure love of "Wish to be together with dust and ashes" ("Changqianxing"). His Yuefu poems often express euphemistic and deep love from the perspective of a woman's cherishing someone. There are also a number of poems about sending gifts to and remembering his wife, such as most of the chapters in "Song of the Great Embankment" and "Twelve Poems to Send Far Away", etc., which are also quite deeply sentimental. Li Bai sent a large number of works to his friends, including many excellent articles. Some of the poems express clear political attitudes, such as "Ming Gao Ge to Send off Cen Zhengjun" and "Answer to the King Drinking Alone on a Twelve Cold Nights", the content of which is closely related to poems such as "Ancient Style". More of them express daily farewells and lovesickness, such as "Sending Meng Haoran to Guangling from Yellow Crane Tower", "Sending Du Fu to Sand Dune City", "Hearing that Wang Changling moved to the left and Longbiao was far away", "Reminiscing about old travels to Qiaojun Yuan" "Join the Army", "A Gift to Wang Lun", etc., with deep emotions, vivid images, and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, most of which promote the negative and nihilistic thoughts of life as a dream, carpe diem, drunkenness and carnival, and the religious superstitions of seeking immortality, visiting Taoism, refining elixirs and taking medicine. There are some chapters in the 59 poems of "Ancient Style" that express this kind of ideological content. His poems such as "Song of Xiangyang" and "Spring Drunk Voice", although they have a certain degree of artistry, also reveal a strong sense of decadence. A few of his poems about women and love have vulgar sentiments. The main characteristics of Li Bai's poetic art are his good use of exaggeration, vivid metaphors, rich imagination, free and liberated genres and simple and beautiful language to express his passionate thoughts and feelings. Li Bai uses a lot of exaggeration and vivid metaphors in his poems. His poems include "cutting off the water with a knife, the water will flow again, raising a cup to relieve sorrow, and the sorrow will become even worse" ("Xuanzhou Xie □ Tower Farewell School Secretary Shu Yun"), "White hair is three thousand feet long, and the fate is as long as a man" ("Qiupu Song") No. 15), depicting his profound worries after the failure of Chang'an political activities, is a widely circulated famous sentence. He was like "Reciting poems and writing poems in the north window, ten thousand words are not worth a glass of water" ("Reply to the King Drinking Alone on a Twelve Cold Nights"), writing about his unmet talents; "If you want to cross the Yellow River, it will be blocked by ice, and you will climb the snow-covered mountains of Taihang." " ("The Journey Is Difficult"), which writes about the difficulty of official career; "The Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's gift to me" ("Gift to Wang Lun"), which writes about the deep friendship between friends, etc., all of which impress readers with distinctive and prominent images. In his writing, he not only expresses his own thoughts and feelings, but also gives strong lyrical color to women, historical figures and even natural scenery. In addition to the aforementioned eulogies about the Shu Road and the Yellow River, he also wrote, "Snowflakes from Yanshan Mountain are as big as mats, blowing down Xuanyuan Terrace" ("North Wind Journey"), "The wind blows tens of thousands of miles across Yumen Pass" ("Guan Feng Xing") "Mountain and Moon"), all use exaggeration to depict ordinary scenery, and thereby set off the vast melancholy of the characters in the poem. This kind of poems can be seen everywhere in Li Bai's collection. Illustrations of Li Bai's Ci [Bodhisattva Man] "Girlfriend" at Taibai Temple in Jiangyou, Sichuan. Selected from "Poems and Paintings" inscribed in the 40th year of Wanli in the Ming Dynasty. The imagination of Li Bai's poetry is very rich and amazing. His "The strong wind blows my heart, and the Xianyang tree hangs in the west" ("Jinxiang Farewell to Wei Ba in Xijing"), "I send my sorrowful heart and the bright moon, and follow the wind until Ye Langxi" ("Hearing that Wang Changling moved to the left and Long Biaoyuan has this" "Send"), all express the nostalgia for Chang'an and poet friends with unique imagination. "Liang Fu Yin", "Ancient Style" and "Westward to Lotus Mountain" respectively use fantasy to express the slander he suffered in Chang'an and the ravage of the Central Plains by the Anshi rebels; "Far and Away" also expresses the Tang Dynasty through confusing and confusing legends. The hidden worries of the political situation in the late Xuanzong period; they all appear vivid and have profound meanings. "The Road to Shu is Difficult" and "Sleepwalking Tianmu Yin Liu Farewell" use myths and legends to construct colorful and thrilling realms. For chapters such as "The Road to Shu is Difficult" and "Far and Away", the predecessors rated it as "strange and strange" (Yin □'s "Heyue Yingling Collection"), "changing and intricate, and silent" (Hu Yinglin's "Shi Sou") ), which reveals the characteristics of his poetic imagination, rich fantasy, and vertical and horizontal changes in sentences. The rich imagination of Li Bai's poetry is particularly prominent in the longer seven-character song line, in which the influence of Qu Yuan can be clearly seen. In terms of genre, Li Bai was good at ancient poems and quatrains with relatively free forms, and did not like to write rhythmic poems with strict rhythm. The 59 poems of "Ancient Style" are his representative works of the Five Ancients.
They inherit the tradition of Ruan Ji's "Poems of Ode to Huai" and Chen Zi'ang's "Poems of Reflection", and widely express dissatisfaction with dark politics, laments about not being able to appreciate talents, and negative thoughts about reclusive wandering immortals. Compared with the works of Ruan and Chen, the expression is more open-minded and the literary grace is richer. It has the characteristics of "competing talents and emotions and being good at catharsis" (Hu Zhenheng's "Li Shitong"). His Five Ancients in Yuefu inherits the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, paying attention to the suffering of the lower class people and women, such as "Ding Duhu Song", "Yu Zhang Xing", "Midnight Wu Song", etc., with simple and vivid writing style , and pour into the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character poems and general seven-character poems) are more creative. In addition to seven-character sentences, seven-character ancient poems can also include miscellaneous sentences of varying lengths. The form is the freest and can express rich and complex thoughts and feelings. Such as "Farewell", "The Road to Shu is Difficult", "The Journey is Difficult", "About to Drink", "Sleepwalking Tianmu Yin Farewell", "Farewell to School Secretary Shu Yun at Xie □ Tower in Xuanzhou", "Ballads from Mount Lu to Lu Shi" Famous works such as "Yu Xuzhou" describe the scenery with majestic images, majestic momentum and colorful colors, while the lyrical expressions are unrestrained and exciting, jumping away from the ups and downs and changing, with the characteristics of "wind and rain are flying, fish and dragons are changing", "white clouds are rising from the sky" , the majestic and unique artistic characteristics of "Change with the wind" ("Poetry of the Tang and Song Dynasties"). In terms of literary origins, this type of poetry was most influenced by Qu Yuan's works and Bao Zhao's "The Journey Is Difficult". Li Bai is good at quatrains. His quatrains were refined and refined based on the Yuefu folk songs of the Northern and Southern Dynasties, making them more sophisticated. The five unique works, such as "Thoughts on a Quiet Night" and "Resentment on the Jade Steps", are implicit and meaningful. There are more works in the Seven Best Works, with clear and concise language, harmonious and beautiful tones, lyrical descriptions of scenes, and simple explanations. Such as "Yellow Crane Tower Sends Meng Haoran to Guangling", "Looking at Lushan Waterfall" Part 2, "Looking at Tianmen Mountain", "Early Departure from Baidi City", "Gift to Wang Lun", etc., are all well-known masterpieces. When commenting on the seven-character quatrains of the Tang Dynasty, Li Bai and Wang Changling are considered to be the most outstanding; Li Panlong is even known as "one person of three hundred years in the Tang Dynasty" ("Preface to Selected Poems of the Tang Dynasty"). Li Bai's collection of seven rhymes is the least, with only more than ten poems, and few excellent works. There are more than 70 five-rhythm poems, some of which are very well written, such as "Farewell at Jingmen", "Farewell to Friends", "Ascend the North Tower of Xie in Xuancheng in Autumn", etc. The rhythms are neat and the scenes are blended, which shows that he can write rhyme poems. I don’t like to write much. Li Bai was good at Yuefu poetry. He studied and was familiar with the ancient Yuefu poetry of the Han, Wei and Six Dynasties, and once taught the young poet Wei Qumo the "Learning of Ancient Yuefu" (Volume 48 of "Chronicles of Tang Poetry"). There are four volumes of Yuefu poems in his collection. Although they use old Yuefu titles, they are able to come up with new ideas and write many excellent chapters. His outstanding achievements have always been recognized. For example, Wang Shizhen of the Ming Dynasty said: "The ancient Yuefu of Taibai is dark and dreamy, and changes vertically and horizontally, which is the result of extremely talented people." (Volume 4 of "Yiyuan Yanyan") Hu Zhenheng said: "Taibai is the deepest in the Yuefu. There is no inscription in the ancient times. Either use the original meaning, or revise the case and come up with new ideas. When they are combined, they seem to be separated, and when they are separated, they are actually combined. The song is full of the beauty of imitating the ancient times." (Volume 9 of "Tang Yin Gui Sign") The people of the Tang Dynasty should recommend Li Bai to write poems based on ancient Yuefu inscriptions. The most outstanding achievements. Although some of his song lines and quatrains do not use Yuefu titles, they are still full of the flavor of Yuefu poetry. Li Bai's stone carvings in Caishiji, Anhui Province, Li Bai's former residence in Jiangyou, Sichuan Li Bai opposed the style of carving seals and sentences that "carves insects to the death of innocence" (Ancient Style 35). The greatest feature of his poetic language can be said to be "hibiscus comes out of clear water, and the carvings are naturally removed" ("After the chaos, Tianenliu Yelang recalled the old travel book and presented it to Jiangxia Wei Prefecture Liangzai"), which is clear and natural. The specific performance is that the language is straightforward and natural, the syllables are harmonious and smooth, natural, not artificial, exuding the atmosphere of folk songs. This is mainly due to the study of Yuefu folk songs from the Han, Wei and Six Dynasties. But he did not just study and imitate the language of folk songs, but improved on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only clear and natural, but also famous for their vigorous and unrestrained language. Du Fu's poem "Recalling Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the distinctive features of his language style. Li Bai's poems have a profound impact on future generations. Famous poets such as Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all drew nourishment from Li Bai's poetry and were influenced by it to varying degrees. Li Bai also wrote several lyrics. "Zunqianji" contains 12 poems, and "Hua'an's Selected Poems" contains 7 poems. Three of them, "Qingping Diao", "Clouds Think of Clothes, Flowers Think of Face", are actually seven-character quatrains and were sung with music at the time. Other long and short sentences attributed to Li Bai are not very credible. Among them, "Bodhisattva Man" "Pinglin Desert Smoke is Like Weaving" and "Recalling Qin'e" "Xiao Shengyan" are the most famous. "Hua'an's Wonderful Poetry Selection" is known as "the ancestor of lyrics and music for a hundred generations".
However, these two poems were not included in the Song version of "The Collection of Li Taibai", but first appeared in Song Dynasty people's notes. Whether they were Li Bai's works has raised questions for later generations. In the Ming Dynasty, Hu Yinglin, Hu Zhenheng and others were suspected of being false trusts by later generations. Many modern scholars do not believe it was written by Li Bai. One of the main reasons is that the literati poetry in the early Tang Dynasty was still in its infancy, and the literary system was relatively simple. However, these two poems use double tones, alternate rhymes, concise language, and descriptions. Meticulous and artistically mature. However, some scholars believe that these two poems were indeed written by Li Bai based on the fact that Cui Lingqin's "Jiaofang Ji" in the prosperous Tang Dynasty already recorded the tune names of "Bodhisattva Man". The jury is still out on this issue. There are more than 60 of Li Bai's proses in existence. There are also many couplets, and it does not break away from the parallel prose style that was popular at the time. But the language is more natural and fluent, and there are similarities with his poetic style. Among them, two texts, "Book with Han Jingzhou" and "Spring Night Banquet from Di Peach Blossom (first author "Li") Garden Preface, were selected for future generations and are widely read. This collection and the annotated version of Li Bai's collection compiled by the Tang Dynasty have not been handed down. In the middle of the Northern Song Dynasty, Song Minqiu supplemented the old Li Bai Collection and obtained nearly a thousand poems. Zeng Gong determined the order for them and indicated the writing place under some of the poem titles. Later, Yan Zhizhi corrected and published it into 30 volumes of "Collected Works of Li Taibai", which was engraved in Suzhou and is known as "Suben" in the world. Later, the Shu version was reprinted based on the Su version, which is the earliest extant collection of Li Bai. It was originally collected by a bibliophile in the Qing Dynasty. During the Kangxi period, Miao Yue made a reprint based on it, and it is known as the Miao version. The original Shu version (approximately carved in the late Northern Song Dynasty and the early Southern Song Dynasty) is now in the Jingjiatang Library in Japan, and has been photocopied by the Institute of Humanities of Kyoto University in Japan. The earliest annotator of Li Bai's Collection was Yang Qixian of the Southern Song Dynasty who wrote 25 volumes of Li Hanlin's Collection, with quite rich annotations. In the early Yuan Dynasty, Xiao Shi deleted and supplemented Yang's notes and compiled 25 volumes of "Classification and Supplementary Notes on Li Taibai Collection", which was roughly detailed, but it was still too complicated and had omissions. In the Ming Dynasty, Hu Zhenheng wrote 21 volumes of "Li Shi Tong". Generally, he did not annotate the classics and facts. He occasionally added his own opinions and refuted the errors of the old annotations. During the Qianlong period of the Qing Dynasty, Wang Qi collected old annotations, supplemented and revised them, and compiled 36 volumes of "Collected Works of Li Taibai", with rich selections and detailed annotations. Among the last six volumes, one is a chronology, and the remaining five volumes are classified and compiled with information about Li Bai's life and works. In the Ming Dynasty, Zhu Jian wrote two volumes of "Discussion on Li Poems", excerpting more than 200 poems by Li Bai and saying they were forgeries, but most of them were based on conjecture. Among Li Bai's collections, such as "Cursive Songs", "Laughing Songs", "Sad Songs", etc., after examination by later generations, it can be concluded that they are pseudo-authors, but there are only about 20 poems. In the late Qing Dynasty, Huang Xi□ added Wang Qi's old score compiled "Chronology of Li Taibai", which is more detailed than the old score. Huang also wrote a "Catalog of Li Taibai's Collected Poems", which was very diligent. Although the order was not appropriate, it was very helpful for the in-depth study of Li Bai's poems. Today, Qu Yiyuan and Zhu Jincheng compiled "Collection of Li Bai". "Annotation", based on the previous annotations from Yang Qixian to Wang Qi, we searched for relevant poems, notes, textual research materials and recent research results from the Tang and Song Dynasties, supplemented them with annotations, and corrected errors; and based on Wang Qi's annotations As a base,?/ca>