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I saw that Deyun Society always wears a coat when they perform cross talk, so is there a hierarchy in the coats they wear?

As we all know, Deyun Club actors all wear long coats when performing crosstalk. In the early stage, there was no hierarchy, and differences were mainly based on color. After becoming popular, especially in recent years, there are indeed "three, six or nine" distinctions in large-scale performance occasions - although I have not seen the explicit rules of Deyun Club. Differences in appearance

Guo Degang and Yu Qian now often appear in dark-colored coats embroidered with dragon patterns or auspicious clouds, as do Yue Yunpeng and Sun Yue's coats. But if you look carefully, there are still differences. Guo Degang and Yu Qian's embroidered coat has patterns embroidered on the entire piece from the shoulders to the chest, mainly dragon patterns, and the colors are mostly deep and dark. As for Yue Yunpeng and Sun Yue's coat, there are small pieces of auspicious clouds embroidered on both sides of the shoulders, and a circular image of auspicious clouds is also embroidered in the middle of the chest, but they are not connected together. The color is dark but not dark - after all, he is younger. In addition to the differences in pattern style and area, the material quality must also be different, which cannot be identified by the naked eye. Embroidered coats

For now, only these four people in Deyun Society are qualified to wear embroidered coats. Others have not seen it yet. Even Guo Degang's own son Guo Qilin cannot wear it, which shows that the hierarchy is very strict. In other words, only actors who have great box office appeal and are already "smart" are eligible to wear it. There must be rules in this regard within Deyun Club - after all, Guo Degang is a very traditional person. According to Zhang Yunlei's current popularity, it is estimated that he will soon "embroider" his upper body.

Don’t look at the embroidery of these coats. They are not machine-processed. They are all hand-embroidered by Mr. Chang Shuling, the famous "Chang Ji" in the cross talk world. They are exquisite works of stitch and thread. Chang Shuling is from Tianjin. He started cutting Chinese-style coats at the age of 14. The coats he makes are "well-known trademarks" in the cross talk industry, and Deyun Club should be his "big customer." Solid color coat

In addition, other cross talk actors can only wear solid color coats. Even so, there are subtle differences. The coats of already famous actors and their partners, such as Gao Feng, Zhang Yunlei, Guo Qilin, Zhang Helun, Meng Hetang, etc., have darker coats and are mainly made of silk and satin. Others are brightly colored and have everything.

Actors are very particular about their attire when performing roles or attending events. This is true in the entertainment industry and also in the cross talk industry. Famous crosstalk actors wear dark-colored coats that look discreet without distracting the audience's attention with bright colors. It doesn't matter to young new actors. Personalized bright colors can appear unique, enhance the atmosphere, and can also be used to "cheat" in performances.

In the current cross talk world, mainstream and non-mainstream can be roughly distinguished from the attire of actors on stage. Deyun Club and other folk cross talk drama clubs basically wear long coats, while most actors in the system are The bottom is all suits (or Chinese tunic suits). Before Miao Fu entered the mainstream, he wore a coat. Since he became a clerk of the Crosstalk Art Committee of the Music Association, he immediately changed into a suit, showing a clear-cut attitude. The attire of early crosstalk artists

The older generation of crosstalk artists in the early stage (such as Hou Baolin, Ma Sanli, etc.) also wore long coats to perform on stage. It was not until Ma Ji's generation started to experience the "breaking of the four olds" during the Cultural Revolution. Slowly changed to suits, Jiang Kun's generation continued. Of course, there are also some crosstalk actors in the system who wear long coats to perform, but there are fewer of them. Summary

There is a "joking" saying on the Internet to describe the differences in the coats worn by folk crosstalk actors in the early years: "The first-class coats are made of urine, the second-class coats are shiny satin, and the third-class coats are rolled "Sleeves, fourth-class coats and legs are not acceptable." "er has more Chinese pronunciation, and northerners can better understand it. It roughly means the difference in fabric and price.