This film tells the story of two brothers who grew up together, which leads to many exaggerated deeds that make people laugh. Seeing Xueyou's eldest brother and Tony Leung Chiu Wai as young as two tender grasses in the film, my heart will be filled with sighs. I am an old bird. You may delay, but time will not. Time makes people old. But in the end, Beijing and Hong Kong reconciled. Liang bought the block that Hong Kong people wanted to live in, but invited them to continue to experience the street. At the same time, he did not increase the rent casually like his predecessor, but was rent-free. This is actually a political fable. Beijing has taken back Hong Kong, but it wants Hong Kong people to manage Hong Kong by themselves. In particular, the historical metaphor of rent can better guide the nerves of Hong Kong people. As a sequel to The Seventy-Two Tenants, this Hong Kong story really cannot avoid the two key words of "return" and "Beijing". This is really a Hong Kong story. It is impossible to omit Beijing from the description of Hong Kong's self-image. The film also highlights the cultural integration of the two places, and Hong Kong people begin to learn Beijing dialect instead of the arrogance of Cantonese. Many Hong Kong people think that the future of Hong Kong lies in Beijing, so they let their children learn the orthodox Beijing dialect. Nicholas Tse said frankly that he admired Chingmy Yau children's Beijing-style Mandarin and hoped that his children would go to that school to study.