Homesickness stems from the special memory of the past. When the rain rings in our ears at night, homesickness will come to the bottom of our spirit as promised. Because every time we go back and forth, our homesickness is like a traveler going out of Yangguan in the west, full of the aesthetic feeling of looking back suddenly.
I used to think about the innocence of homesickness, but after a nursery rhyme and a story, I can only grieve for the deconstruction of homesickness. Homesickness is either getting farther and farther away from us or being transformed beyond recognition by modern things. Real life is a material battlefield, a contest between money and morality without smoke, and a refuge where homesickness can't be tolerated gradually. With the total collapse of spiritual feelings and the invincible instrumentalism, is there a back garden for human beings to rest and relax in our time?
Maybe everything that exists is reasonable. Therefore, when the strait-like homesickness is slowly obscured by modern high-rise buildings, when the blood-like homesickness is diluted by popular culture in one fell swoop, and when the mainland-like homesickness is completely defeated by sensory enjoyment, our boring hearts may have forgotten the direction of going home. Can homesickness still be homesick? Looking back, homesickness was once the spiritual connection of a dusty history, so the sound of thunder in the paper pile has spread the meaningful soul of "old friends, stories and hometown" in the long river of culture.
When the sunset takes away the memory of spring in life, can you still welcome the joy of archaeologists digging up the historical sea at dusk?
Perhaps the deconstruction of homesickness is a helpless reality. When it is not a work of art, when it is said to be an emotional luxury, when it has become an indifferent memory, the unforgettable nostalgia will not become a big lie.
In fact, we are also in a material society without homesickness. The spiritual monument that supports our mind collapsed in a disaster without a storm. We love strange cities, we linger on the streets after drinking, we enjoy fresh performances, and we cheer the wandering of youth.
how beautiful it is to be at home all over the world and wander around the world! Will homesickness only make me struggle? What makes us even more embarrassed is that the beautiful hometown in retrospect has lost its face in the wind and sand. How can we write down the truest words proudly in the latest encounter after a long separation?
After homesickness is banished by industrial civilization, the emotional substitute for consolation can only be the acquired material made on the machine assembly line, which helps the body's muscles to be strong, regardless of the warmth of the soul? The modern "homesick version" turns out to be so trendy and different: the keyboard "send it to the north on a rainy night" makes the future of homesickness come true with a glimpse of online affection; The boredom of telephone feelings leads to the unnecessary dumping of post-modern emotional garbage with the feast of words; Check remittance and credit card guarantee the world, and suck up the spiritual fat of love with the most economical and practical exchange.
Is homesickness really just an emotional shell, and its back garden is still in the depths of peach blossoms? If the outside world is wonderful, can you put aside the bitterness of homesickness and let others drink it themselves? Remembering homesickness, let the love of the world sing a little more beautifully! "It's okay to meet each other, and I don't always miss you." There are always lonely times in distant places, so it's inevitable that our writing, our singing and our meditation will overflow with the fragrance of homesickness. At that time, the hometown that I couldn't go back to was so lovely, like the nursery rhyme that my mother sang softly at her cradle when I was a child.
We will gradually understand that homesickness is a masterpiece of history, which gives us not only desert springs, but also the dew of mind for travelers on earth. May homesickness revive in the spiritual grave with the rebirth of human thinkers, and don't let us lose a few acres of dreamland again.
in the first section, the author at this time is that "leaving home when young" is for studying, and has no experience of the world, with a little feeling that "teenagers don't know the taste of sorrow" and more attachment to their mothers;
in the second section, the wife is a relative who has been together for a lifetime, and the bride is the beautiful scenery that she enjoys most in her life. When reading aloud, we should pay attention to the warmth and watery tenderness in the faint sadness;
In the third section, vibrato is used appropriately to express a kind of deep sorrow.
in the fourth section, at the end of the article, the poet sublimated from personal joys and sorrows to thoughts of home and country: at this time, it is like music reaching its climax! Therefore, it is necessary to read it with a lot of twists and turns. In particular, the last sentence should be a word at a time, the tone should rise, and the "in-that-head" should be constantly flowing, and the feeling of passion and generosity should be read.
A, four chronological words, representing the poet's four life stages. Poets compose poems with the change of time, and the four chronological words summarize the poet's whole life, that is, the deep homesickness affects the poet's life.
B, when I was young (teenager)-separation of mother and son, when I grew up (youth)-separation of husband and wife, later (middle age)-separation of mother and son, now (old age)-separation of wanderers from the mainland
C, using unique metaphors, turning abstract and difficult-to-capture parting thoughts into tangible things, which is poetry. In many classical poems, such as Li Yu's "Yu Meiren", there is "how much sorrow can you have, just like a river flowing eastward"; Li Bai's "Uncle Yun of Xie Tiao Building's Farewell School Book in Xuanzhou" contains "but since water still flows, though we cut it with our swords, raise a glass to dispel your worries and worry more". Yu Guangzhong chose four images of "stamp", "boat ticket", "grave" and "strait" from his personal life to express his feelings. This image seems ordinary, but it contains full poetry:
stamp-mother's affectionate (strong) boat ticket-husband and wife's loving (warm)
grave-where will you go (grief
Although the stamps are small, they have a long relationship with the mother and the child. Although the boat tickets are narrow, they are loaded with the feelings of husband and wife. The short graves can't hold great grief. The shallow straits hinder endless homesickness. Although the pen is small, it is full of poetry. Concentrating homesickness on four small and light objects just reflects the poet's deep homesickness.
The whole poem is composed of poems with the change of time, with the spatial barrier as the common feature of these four stages, and the poetic sentiment is promoted and sublimated layer by layer, and finally the homesickness is raised to the angle of nation and country.