In the long and splendid history of China, writing is undoubtedly a towering tree in the cultural garden, and the art of calligraphy with writing is a beautiful flower. In the long and mottled years, they received the power of strokes from the palms of their predecessors again and again. Poems and long sentences about beauty on the land of the East are interpreted alternately from generation to generation, so that the light of this text can illuminate life and break the glory of ancient and modern times.
1935, Xiao mingrun was born in Yanzhou, Shandong province, a city full of historical and cultural atmosphere. Recommended by Shen Peng, honorary chairman of China Calligraphers Association, Xiao Lao's works were included as teaching materials for educating young people by China Online Education Center, and gave a very beautiful evaluation: Mingrun calligraphy was in a hurry; In the light grazing area, birds wear the forest; When you are quiet and happy, you will hold your breath like a turquoise. The pen is casual. When this concentration is long-term and gradual, it is difficult for people to stop imagining. "
After many exchanges with Mr. Xiao, the author wants to understand and interpret the art of calligraphy.
"Yesterday, the west wind withered the trees, and I was alone in the tall building, looking at the horizon."
Wang Guowei commented on the three realms of life, and it is no exaggeration to describe Mr. Xiao's calligraphy career with the Buddha who presented flowers here. Cultural transformation and cultural fault are helpless things. As for art, it is difficult to have a grand feast or a prosperous time, but the old calligrapher, who is nearly eighty years old, still insists, believes and expects. Spring songs, peace will be rare. Writing the realm of heaven and earth is also a profound understanding of inner feelings and a return to the spirit of life.
Sometimes sparse, sometimes dense, sometimes ups and downs, sometimes delicate, sometimes like light Yun Zheyue, sometimes swaying like the wind flowing back to snow ... What kind of restraint and wisdom can make the hand holding the pen reveal a beautiful and graceful beauty of Youlong? Floating in the crowd, and you are lonely and poor. In Mr. Xiao's words, we can get the blood history of calligraphy art form and the condensed history of spirit.
"I don't regret the widening of my belt, I am haggard for Iraq."
The embracing tree was born at the last minute, and the nine-story platform rose from the foundation soil. Anything extremely gorgeous has its endurance only after loneliness and accumulation, and so does Teacher Xiao. The seven wonders of the world have a porch, and you have to master it to look inside the palace wall. Books have their own skills, such as calligraphy. Tao, Tao, extraordinary Tao; Taoism is heaven, and heaven teaches nature.
And reading is divided into volumes, and writing is God. After decades of copying, the way of calligraphy is the persistence of dripping water wears away the stone, coupled with a little arrogance of rivers and seas, and perhaps a little waiting and expectation, then a little elegance and detachment of watching fish by the water and listening to the wind by the railing. Faith can move mountains. Time can always be dissolved by emotions that touch it; Time always stays in a look that crawls into its heart.
"I looked for her for thousands of Baidu, and suddenly I looked back, but that person was in the dim light."
Learn from others' strengths, prepare their essence, smelt in one furnace, and form a family of its own. Ancient scholars not only have profound common sense, but also have profound spirit. High, temples and human latitude and longitude, mountains and forests educate people. In this era, calligraphy art does have such profound cultural connotation and shoulders the great mission of opening up the future. Calligraphers cast history with vivid words, so people from all time and space can gather together to a certain extent, adhering to the spirit of the old adage and innovating their thinking. Edgar said that art is not what you see, but what you show others.
Many of Xiao Mingrun's works are based on Chairman Mao's poems and Tang Poetry and Song Poetry. The grandeur and vastness of Huazhang, coupled with the vigorous indulgence of grass, can really be said to set each other off. In this realm, pen and heart are integrated, and emotion and righteousness have long been integrated. One foot sticks to the other, and the narrow space between heaven and earth, like the trend of smoking, is really a great artistic conception to see the scenery. Bit by bit, it's all pen and ink. People who don't know the art of calligraphy can only write, no matter how beautiful the words are. "Otherwise, how can not clear? It hides an eternity between this vertical axis and expands into six rivers and eight wastes with a number. "
In this sense, Xiao Lao's calligraphy attainments can be described as an out-and-out art, and art is disturbing. Looking at the external beauty such as the form, structure and lines of calligraphy art, the social and cultural value trend it embodies and conveys is enough to shock a nation and an era!