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Contrast relationships in design

﹝一﹞Contrast of size

The relationship between size and shape is the most important of the sculptural elements and can almost determine the relationship between image and harmony. Small differences in size give people a calmer and gentler feeling. Large differences in size give people a more vivid and powerful feeling.

﹝2﹞Contrast of light and dark

Yin and Yang, positive and negative, day and night, etc. Such contrasting sentences can make people feel the light and dark in daily life. relation. Newborn babies can only distinguish light and dark visually at first. Although animals such as cattle and dogs can easily identify black and white, they cannot easily identify chroma or hue. From this, it can be seen that light and darkness (black and white) are It is the most basic element in color perception.

﹝三﹞Contrast of thickness

The thicker the font, the more masculine it is. If it represents fashion and femininity, it is usually expressed in fine characters. If the weight of thin fonts increases, the bold fonts should be reduced. This combination looks brighter.

﹝IV﹞Contrast between curves and straight lines

Curves are very soft and relaxed; straight lines are hard, sharp and very masculine. In nature, there is a proper mixture of these two. Normally we don't pay attention to this relationship, but when curves or straight lines emphasize a certain shape, we are deeply impressed and have corresponding emotions. Therefore, in order to deepen the impression of curves, we often emphasize them with some straight lines. It can also be said that a small number of straight lines will make the curves more eye-catching.

﹝Five﹞Contrast of texture

In the daily life of ordinary people, you may rarely hear the word texture, but in art, texture is a very important shaping factor. . For example, relaxation, smoothness, moistness, etc. are all used to describe texture. Therefore, texture not only expresses emotion, but is also integrated with this emotion.

When we observe the works of painters, we often pay attention to the color and composition of the pictures. In fact, texture is the main factor that determines the style of the work. Although the color or object will change, the texture as the basis , is closely related to the essence of a painter and is not easy to change. It is easy for laymen to overlook this point. In fact, this is the most important basic element and the strongest influence on emotions.

﹝Six﹞Contrast of positions

Placing certain objects on both sides of the picture can not only emphasize it, but also create contrast. There are potential power points at the top, bottom, left and right, and diagonal corners of the picture. By arranging photos, headlines, logos, marks, etc. at these power points, the hidden power can be revealed. Therefore, placing distinct sculptural elements at potential opposite positions can show contrasting relationships and produce a compact picture.

﹝Seven﹞Contrast between Master and Slave

Layout design is also the same as stage design. When the relationship between the protagonist and the supporting role is clear, the audience will calm down. Clearly indicating that the master-slave approach is a very orthodox composition method will give people a sense of security. If the relationship between the two is vague, people will be at a loss. On the contrary, if the protagonist is too strong, it will lose its dynamic and become a vulgar picture.

Everyone can know the protagonist in a drama at a glance. If the layout can also show who is the protagonist, it will help readers understand the content better. Therefore, a master-slave relationship is a basic condition for design configuration.

﹝Eight﹞Contrast between movement and stillness

The beginning of a story has a beginning, explanation, transformation and outcome. In a courtyard, there are also rockeries, pools, vegetation, waterfalls, etc. Similarly, there are intensely dynamic and quiet parts in the design configuration.

The shape of diffusion or flow is "motion". A shape that is enhanced horizontally or vertically is "quiet." Arrange these two in opposite places, and use the "moving" part to occupy a large area.

The "quiet" part occupies a small area and leaves appropriate white space around it to emphasize its independence. This kind of arrangement is generally used to place key points in the four corners of the picture. Therefore, although the "quiet" part only occupies a small area, it has a strong sense of presence.

﹝Nine﹞Various contrasts

Contrasts include curves and straight lines, vertical and horizontal, acute angles and obtuse angles, etc. If you combine the various contrasts mentioned above with these elements, you can create a richly varied picture.

﹝十﹞Origination and reception

Due to the relationship between various forces, the entire space of the layout becomes dynamic and then dominates the space.

The shape that generates dynamics and another shape that accepts this dynamics cooperate with each other to make the spatial changes more vivid.

When we build a rockery garden, we pay great attention to the outlet of running water, because the outlet of flowing water is the starting point of movement, and the entire garden will be affected by it. When it comes to layout composition, the principle is the same. The starting point and the receiving point will echo and coordinate with each other. The greater the distance between the two, the more significant the effect will be, and both ends of the screen can be used. However, special attention must be paid to the balance between the starting point and the receiving point. There must be appropriate changes in strength. If one party is too weak, it cannot cause ** *Ming.

﹝Eleven﹞Picture and Ground

When light and dark are reversed, the relationship between the picture and the ground will transform each other. Generally, printed materials are printed with Braille characters on white paper. The white paper is called the ground, and the black characters are called the map. On the contrary, sometimes the effect of reverse white characters is printed on black paper. In this case, the black background is the ground and the white characters are the pictures. This is the phenomenon of black and white conversion.