Huang Xianglian's personal profile Huang Xianglian, female, is an actress in Gezai opera. Originally from Taiwan. Blood type: A. Height: 160cm. During this period, his maternal grandmother founded the "Guang Sai Le Ge Zai Troupe". His mother's nickname was Ah Kuai, who was adopted by his maternal grandmother. His father, Huang Mingchuan, was called "Da Sha Zai" by his friends. When Huang Xianglian was four years old, she followed her mother to perform as a guest performer in Xiao Mingming's theater troupe. After her father passed away, she began to host events and performances in various places. Later, she was discovered by Chen Chongming and entered the TV singing opera. In the 1958th year of the Republic of China, she participated in the performance of "Three Smiles Marriage" on the "China Television" TV singing opera. She changed the acting routine from an amateur to a professional and became an instant hit in the 73rd year (1984). He was recruited by Liu Zhongyuan to perform in the "China Television Gezai Troupe" and became the head of the niche and served as a producer. In 1990, he and his younger brother Huang Fuguo founded the "Huang Xianglian Gezi Drama Troupe", dedicated to passing on teaching and promoting performances. Liu Che [edit this paragraph] Representative plays "The New Seven Heroes and Five Righteousnesses" (played as Zhan Zhao), "Feng Yun Lu of the Tang Dynasty" (played as Li Shimin), "Four Talents from the South of the Yangtze River" (played as Tang Bohu), "Baby Prince, Your Daughter" (played as Li Shimin) Prince), "Luo Tong Sweeps the North" (as Luo Tong), "New Lotus Lantern" (as Agarwood), "Zheng Yuanhe and Li Yaxian" (as Zheng Yuanhe), "The Sky Is Hard to Break" (as Chen Shimei), "Three Smiles of Marriage" (played as Tang Bohu), "Fanjiang Pass" (played as Xue Dingshan), "Mengchang Jun" (played as Mengchang Jun), "Butterfly Dream in Past and Present Life" (played as Liang Shanbo), "Han Palace Grudge" (played as Ruyi), "Green Pearl Tower" (as Shi Chong), "Xiaoyao Gongzi" (as Chu Yunyan), "The Stinky Emperor" (as Zhu Hongwu), "The Romance of the Eastern Han Dynasty" (as Han Ping Emperor Liu Jizi, Han Guang Emperor Liu Xiu), " "New Hairpin Head Phoenix" (playing the role of Lu You), "Spring and Autumn of the Han Dynasty" (playing the Han Dynasty Emperor Liu Che), "Emperor Zhengde Travels to the South of the Yangtze River" (playing the role of the Zhengde Emperor Zhu Houyi), "God of Fortune" (playing the role of Qin Fuqi and Song Renzong Zhao Zhen), "The God of Wealth Breaks Through the Sky" (playing the role of the emperor's relative Fang Qi), "The Civet Cat for the Prince" (playing the role of the prince Zhao Zhen).

Modern costume [edit this paragraph] Experience · At the age of four, she joined Xiao Mingming’s theater troupe with her mother · After her father passed away at the age of 53, Huang Xianglian began to perform in various places, so she was discovered by the TV Gezi Opera director Chen Congming, and she officially began to learn the singing style of Gezi Opera Figure · In 1969, he first participated in the performance of China Television's singing opera. He played Dongxiang in "Three Smiles of Marriage" starring Liu Qing and Wang Jinying, and played Yinxin in "Liang Shanbo and Zhu Yingtai". · Since 1969, He successively performed in the "China Television Opera Company" such as "Three Smiles of Marriage", "Chastity, Justice and Integrity" and "Zhu Hongwu and Liu Bowen". In 1972, he transferred to the "Taiwan Television Opera Company" to perform "The Seven Heroes and Five Righteousness", "The Seven Heroes and the Five Righteousnesses" "Xue Rengui's Conquest of the East", "The Romance of the Western Han Dynasty" and "Ten Thousand Flowers Tower". In 1980, he performed "Fenzhuang Tower", "Sanmen Street" and "Luotong Sweeping the North" in the "China Television Opera Company". In 1982, he performed in the "TTV Song Opera Troupe" such as "Love and Enmity", "The Boy in White" and "Spring Breeze". In 1984, he was recruited by Liu Zhongyuan to participate in the "China Television Song Opera Troupe" to perform "Emperor Zhengde's Journey to Jiangnan" , "The Hairpin Phoenix" and "The Romance of the Han Dynasty" and other dramas, he became the sole leader of China Television and served as a producer and held multiple positions. He once hosted TTV's lunch program "Golden Stage" and performed in TTV's eight o'clock program "Golden Stage". Yin Susu in "The Legend of Heaven and the Dragon Sword". In the early days, she and Yang Lihua went to Southeast Asia and other places to perform Gezi operas and new plays. In 1990, she and her brother Huang Fuguo established the "Huang Xianglian Gezi Drama Troupe". Since 1994, they have successively released "Zheng Yuanhe and Li Yaxian", "The Blue Sky is Difficult" "Chen Shimei and Qin Xianglian", "Butterfly Dreams of Past and Present Life" and "New Lotus Lantern" and other exquisite Gezi operas. Currently, the focus has shifted to performances in modern theaters or external cultural venues. It is also committed to the education of the legacy of Gezi opera and should Invited by the Council for Cultural Affairs and overseas Chinese from various places to perform overseas to promote the culture of Gezi Opera, important performances or works were published. In 1969, he participated in the performance of Gezi Opera on China Television for the first time, in "The Marriage of Three Smiles" starring Liu Qing and Wang Jinying. She performed in Dongxiang in China and Yinxin in "Liang Shanbo and Zhu Yingtai". Since 1969, she has performed in "Three Smiles of Marriage", "Jie Yi Lian Ming" and "Zhu Hongwu and Liu Bowen" in the "China Television Opera Company". In 1972, he transferred to the "Taiwan Television United Opera Company" to perform in plays such as "The Seven Heroes and the Five Righteousnesses", "Xue Rengui's March to the East", "The Romance of the Western Han Dynasty" and "Wanhua Tower". In 1980, he performed in the "China Television Opera Company" Performed in dramas such as "Pink House", "Sanmen Street" and "Luotong Sweeping the North". In 1982, he performed in "Taiwan Television Song Opera Troupe", "Love and Enmity", "The Boy in White" and "The Flower Moon Is in the Spring Breeze" Waiting for dramas· In 1984, Liu Zhongyuan recruited him to join the "China Television Gezai Troupe" to perform "Emperor Zhengde's Journey to the South", "The Hairpin-headed Phoenix" and "The Grudge of the Han Palace" etc.· He once hosted TTV's lunch program "Golden Stage"· Yin Susu in "The Legend of Heaven and the Dragon Slayer" at 8 o'clock on the stage. Since 1994, "Zheng Yuanhe and Li Yaxian", "The Sky Is Hard to Break - Chen Shimei and Qin Xianglian", "Butterfly Dreams of Past and Present Life" and "New Lotus Lantern" have been released successively Waiting for the exquisite singing show.

[Edit this section] Drama Chronology 1980 Zheng Yuanhe and Li Yaxian Decorated by: Zheng Ji 1981 Love and Heartbreak Decorated by: Scholar (Qing Qingjun) 1982 Love and Enmity Decorated by: Ji Jialiang 1983.4 Wan Hua Lou Decorated by: Prince Duan 1983.5 The Daring Heroes Decorated by: Yao Shi'an 1983.9 Xue Rengui Zhengdong Decorated by: Zhou Qing 1983.11 White Boy Decorated by: Yan Changchun 1984.5 Liang Shanbo and Zhu Yingtai Decorated by: Sijiu 1984.6 Civet Cat for Prince Decorated by: Prince (Song Renzong) Decorated by Gengyao and Yu Cuiniang in 1984.11 : Yongzheng 1984.12 The Spring Breeze of Flowers and Moons Decoration: Li Yuan 1987 The Love of Gold and Stone: Li Xiaowen 1987 The Heroes of the Wild Decoration: Lin Guozhong 1988 The Han Palace Decoration: Ruyi 1988 The Beauty of the Country (Emperor Zhengde Travels to Jiangnan) Decoration: Zhengde 1989 The Spring and Autumn Period of the Han Dynasty Decoration: Han Emperor Wu 1989 The Four Talented Scholars from the South of the Yangtze River as Tang Bohu 1090 The Hairpin-headed Phoenix as Lu You 1990 The Romance of the Eastern Han Dynasty as Emperor Xiaoping and Emperor Guangwu 1990 The Green Pearl Tower as: Shi Chong 1991.6 Luo Tong Saobei as: Luo Tong 1992.12 The Record of the Tang Dynasty as: Li Shimin 1993 Lord Mengchang as: Tian Wen 1993 The Prince of Treasures as Your Daughter: Guo Qin 1994 Young Master Xiaoyao as: Chu Yunyan 1996 God of Wealth as Chuangtianguan as: Fang Qi 1997.3 God of Fortune as: Fortune, Emperor 1997 Emperor Stinky as: Zhu Yuanzhang as 1998 Straw Shoes Champion Actor: Li Yongde 1994 Zheng Yuanhe and Li Yaxian: Zheng Yuanhe 1996 Chen Shimei and Qin Xianglian: Chen Shimei 1997 Past and Present Butterfly Dreams: Liang Shanbo 1998 Three Smiles (Tang Bohu Lights the Fragrance of Autumn) Decoration: Tang Bohu 1998 Baolian Lighting: Liu Yunchang, Agarwood 2001 A Love Affair Fan Jiangguan Played by: Xue Dingshan 2001 Chasing the Phoenix Ye Qing Ye Qing Ms. Qing Yeqing was born into a family of opera and she learned Gezi opera at an early age. In 1969, Taiwan's Central Television started broadcasting the TV drama "Hua Tian Cuo". In 1982, Ye Qing transferred to "China Television" and established the "China Television Ye Qing Gezi Opera Troupe" and starred in Gezi Opera for more than 30 years. Ye Qing has performed countless performances. In the past three years, with his outstanding achievements, he was invited to New York to receive the "Asia's Most Outstanding Artist Award". In addition, he has also won the "Golden Bell Award", "Lifelong Learning Award", "China Television Award" and other awards in Taiwan. Important awards. In July 2003, he was the first person to accept CCTV's Zaixi Opera in Beijing and enter the CCTV... Now Gezi Opera (Gezi Opera) is still a Fujian opera. Gezi Opera was brought to Taiwan from southern Fujian by our ancestors. It took root and thrived in Taiwan, and developed a "TV Gezi Opera" that was different from the general local stage performances. Taiwan "inherits the wonderful songs and operas of southern Fujian. Since its first broadcast on TV in 1962, it has caused a phenomenon of "children skipping school and farmers abandoning their fields", which has affected the elderly in Taiwan to this day. Chanting a few lines of "Du Ma Diao", the younger generation still remembers the scene when the whole family had dinner and watched TV singing opera in their childhood. In the early winter of 2003, Taiwan's TV singing opera has spent 40 years. Today, we are here Beijing has welcomed the leading performer in the Taiwanese opera scene. Let's talk about the golden years of Taiwanese TV opera, as well as her ups and downs in performing and creating opera. Half-Life Acting: Ruiyi's life after the brilliance lasted for more than 30 years. The name Ye Qing has always been a representative of Taiwanese opera. However, Ye Qing, who was born in a family of opera and has been influenced by opera since she was a child, had nothing to do with opera at the beginning - she came from a filmmaking background, which is popular in Hokkien films. At the end of the decade, Ye Qing entered the film industry. Within a few years, Hokkien films began to decline. By chance, she became famous as a minor actor in the drama "Hua Tian Cuo". This appearance destined her to have a long career as a singer. Due to his family's background in opera, it was not difficult at all for Ye Qing to switch from movies to television opera.

With a slender figure of 1.66 meters, the production team identified him as a young lady with a cool and elegant appearance, handsome appearance and unique charm. No matter he plays a prince or general, a gentleman, a scholar or a knight, or he skillfully plays the role of an emei, he has an outstanding ability. temperament. In more than 30 years of drama career, there are countless colors, no matter how free she is, she believes that it is not only necessary to understand the drama, but also to understand human nature, and the experience in life is the element that enriches her life and drama. The tunes of Gezi Opera are free, have no fixed rhythm, and are full of strong expressive power. The same tune can be sung with different emotions and rhythms, and can also express different love scenes. When performed by different people, it will have different flavors. Therefore, every time Ye Qing receives a script, he will first analyze the personality of the character, and create a new image of the character based on the different reactions in different environments. Such dedication allowed Ye Qing to strive for excellence in her artistic pursuits, and also established her unshakable position in the Gezi opera circle. Despite her reputation, Ye Qing is reserved and modest in private, and her stardom is not out of reach. When eating, she will tell you with a smile: I must eat every meal, otherwise I feel not full. It is said that she also has a "plain water philosophy", that is, after every meal, you must fill the bowl you originally ate with with plain water. After drinking this plain water, you will be full." She has never been shy about her poor background, so she said: Poverty Children who grow up in middle school can cherish every little bit. This is what the Bible says: "You should have food and clothing[1] [2] [3] [4] Next page "Du Ma Diao" Singing the World: Taiwan The Golden Years of Gezi Opera When talking about Taiwanese Gezi Opera, we cannot fail to mention the three major actors in the Gezi Opera circle. It is said that in those days, there were only three television stations in Taiwan: Taiwan Television, China Television, and China Television. These three stations were led by Ming, and were respectively led by Ye Qing, Yang Lihua, and Huang Xianglian. These "three big and small students" each organized their teams to produce "television-oriented" "The Gezi Opera is our current drama." Thanks to the cooperation between TV media and celebrity productions, Gezi Opera has reached an unprecedented level in Taiwan. The establishment of three exclusive TV drama troupes also means the "trademark assets" of television. Signboard image and advertising revenue are profitable, which is nothing less than an artistic and commercial success for opera, which has never entered the mainstream market. In the torrent of these three powers, Ye Qing did not change his steady and rigorous attitude, maintaining An exquisite traditional drama is produced every year, with three waves of improved art drama styles alternately presenting Ye Qing's graceful, generous, cold and affectionate style and charm. Since the 1980s, there has been a "Film Friends Association"; and in order to Let the audience enjoy a sense of freshness. In the 90th time, the behind-the-scenes production team and performance team, such as the collaboration with screenwriter Chen Yongming in "Chen San Wu Niang", replaced the popular text at the time with the traditional "Four Sentences" rap Taoist concept. , exuding the simple and authentic flavor of local Gezi Opera, inheritance and innovation are Ye Qing’s responsibility and feedback to Gezi Opera. In Ye Qing’s own words: “Gezai Opera has given me every “favour”, so I have a sense of mission for Gezi Opera. , I want Gezi Opera to be passed down. "Looking back, Gezi Opera and television have been working hand in hand for 40 years. As far back as the 1960s, when Taiwan's cultural industry just started, Gezi Opera used limited TV program time to conquer the city and expand its territory; in the 1970s With overwhelming momentum, they controlled the market lifeblood of the three TV stations; in the 1980s, they established their own fixed cooperation teams under the star-made model; until the 1990s, the three famous actors formed a group and called for a tripartite stand... Along the way, TV Gezi Opera has gone through its most glorious golden years. Although Gezi Opera has gradually faded out of the screen in Taiwan, the good news is that there are still fans of NTU opera in southern Fujian, and even in Singapore and Malaysia. This is what Ye Qing said: the trend is inevitable. Yes, but the type of drama will not be eliminated. No matter what type of drama, it has its audience, and the audience is its price. Previous page [1] [2] [3] [4] Next page Ran Ranhongchen Zhongren: I act, you see, they are all people who love drama. After all, Gezi opera is still opera. What TV Gezi opera adds are the elements of TV commercial production, but what is lost is the stage effect that can be experienced directly face to face with the audience. For opera performers, regardless of TV No matter how beautiful the production is, it is still difficult to give up the nostalgia and interest in the stage. Therefore, in 1992, Ye Qing participated in the first Taipei International Art Stage Gezai Opera, which was the only Taiwanese drama program in the festival to strengthen long-term TV performances. For the body language of Gezi Opera actors, Ye Qing specially hired three different consultants, hoping to enhance the body movements on stage and the unique dance beauty of traditional drama.

Later, when the play was performed, many traditional postures were used, such as hair tossing, pacing, and domination, which were all stage work postures that were enhanced according to the development of the plot. Ye Qing recalled: When the last seven-character tune of the final act was played, I sang "...to kill the criminals for heaven's sake", stabbed Tiemuhua with a sword, and in an instant the theater applauded and I became the protagonist of the play. Li Zhijian came back to his senses, exhaled, and looked at the audience, feeling that there was a long way to go. In this world of human beings, there are many friends who have never met before, making a sound communication. If there is love in the world, Gezi Opera is the place where all my emotions are maintained. Many people may find it difficult to imagine why Ye Qing can continue to have so many fans after the decline of Gezi Opera? Among these theater fans, there are many old people with gray hair on their temples, young people from the glorious era of Gezi Opera, and even people from Hubei, Beijing, Tianjin who are thousands of miles away from Taiwan and cannot understand the southern Fujian dialect... This is opera performed by people, and if people watch it, Gezi opera can be passed down forever. To paraphrase Ye Qing's words, "Ye Qing, who was born in Gezi opera, must always perform well for friends who love Gezi opera; they are all people who love opera." , they are also my close friends.” And these people who love opera are the driving force behind Xinchuan Gezaixi. Previous page [1] [2] [3] [4] Next page Postscript: Go to the poor place and sit and watch the clouds rise. With the development of the trend of the times, Gezi Opera, which relies on traditional culture, has lost its glory. Faced with this irresistible reality, Ye Qing chose to be open-minded about this "reality". Ye Qing had been prepared for it more than ten years ago. She resolutely went into business when she was popular, and believed that using the advantages of doing business Money is used to support the production of operas, leaving aside the plight of the arts. The concept of doing business has always been with Ye Qing. From travel agencies to real estate, and now to Nuwa Stone Art Company, she has found her own career outside of Gezi Opera. In addition to her current regular job, she is also a happy "playing with stones" in her spare time. "People". After more than ten years of contact with stones, Ye Qing's concentration is getting deeper and deeper like stones. She cultivates Buddhism and says: You don't have to care too much about life. Accept and cherish the blessings that should come, and let them go. go. She is still a star now, and many people will pay attention to her when she walks on the street, but she reminds herself not to care, because one day she will retire and no one will know her when walking on the street. Perhaps it was his ability to worship the Buddha devoutly that made Ye Qing look much more relaxed and relaxed when he was walking and walking. As for Gezi opera, which she loves wholeheartedly, despite various restrictions in the environment, she does not insist on performance opportunities. Instead, she has been quietly engaged in compiling information on Gezi in the past few years, and so far she has achieved little success. Ye Xiaosheng, who dominates Taiwanese opera circles, is willing to live in the present and enjoy life in the atmosphere of Taiwanese opera after taking off the aura of a popular star.