The "Wanzi Qushui" pattern is often used as the shading pattern of the pattern. This pattern is most widely used in clothing. In the old days, many country squires used this as the material for their robes and mandarin jackets, and the royal robes and court uniforms of monarchs and ministers were often embroidered or woven with swastikas. Common combinations Of course, most of the above three techniques can be combined with each other and used together in specific applications. Common pattern combinations at that time were: Three Duo: Buddha's hand for good fortune, peach for long life, pomegranate, grape and gourd for good fortune. Wanshou Changchun: The character ten thousand is used as the background, with the character longevity and periwinkle as the theme. Five blessings holding longevity: Five bats surround the character longevity, which usually means longevity. Bamboo brings peace: Bamboo and peace flower. Continuous birth of a child: lotus or lotus pod and boy, or peanuts. Good harvest: Grain, bee and lantern pattern. Chinese auspicious patterns began in the Zhou Dynasty more than 3,000 years ago and later became popular among the people. Today, auspicious patterns are still an indispensable part of Chinese people's lives. For example, China has a wide range of auspicious patterns. Here are some of the most common ones: The word "Double Happiness" means double happiness and good fortune. Folks often use it when doing happy events. The prefix of the word "Shou" has been processed and beautified into a symmetrical pattern, which means longevity. "Longevity and longevity" is a pattern composed of bat and longevity. "Bat" has the same pronunciation as "福", which means happiness and longevity. The symmetrical pattern composed of two characters "you" means: there is also something in the right direction, and there is also something in the reverse direction. In rural areas of China, they are often attached to grain storage utensils to represent a good harvest and prosperity. "Ruyi head" symbolizes success and success. "Baij" is also called "Pan Chang". It has no head or tail, no beginning and no end. It can be imagined as many "knots", which sounds like "baiji". As a symbol of good luck and good luck, it also means longevity and endless longevity. "Sihe Ruyi", the four Ruyi are surrounded and connected from all sides, symbolizing that everything goes as planned. Overview [Ji] means good and benefit; "Xiang" originally refers to signs of good and bad luck. The combination of the two words means happiness and auspiciousness. Since the Warring States Period, the word auspiciousness has become increasingly common. In the Tang Dynasty, Cheng Xuanying interpreted it as: "Auspicious means good fortune; auspicious means a sign of good fortune." Since then, the word "auspicious" has become a blessing for longevity, good fortune, and success in everything, pursuing the concept of auspiciousness and "good luck" It forms an important part of Chinese culture. Mascots and auspicious patterns can be said to be specific expressions of auspicious concepts. In order to express their yearning for happiness, joy and celebration, people process the inherent attributes of things or add artistic symbolic meanings, such as attaching a certain thing to a myth. Legends either take the homophony of its name and regard it as a good omen, or paint beautiful stories and festive signs into images. Mascots express the innate nature of human beings to seek good fortune and avoid evil. Putting aside the superstitious elements, we can try to savor the touching stories and artistic achievements derived from the pursuit of good luck. Even in many sports events today, "mascots" often appear. Other aspects such as architectural sculptures, wood decorations, ceramic depictions, window grilles and paper-cuts, murals and wall calendars, and even trademarks, city emblems or advertising and promotions all reflect this. A hope for life. The combined use of the two words "auspicious" is believed to have originated from "Zhuangzi: The World in the World": "An empty room produces whiteness, and auspiciousness stops." Cheng Xuanying of the Tang Dynasty had an explanation for this: "Auspicious means good things; auspicious means Jiaqing. "Signs." Let's use this explanation to explain the generation of many auspicious patterns, which are to draw beautiful stories and festive signs into images to express the concept of seeking good luck and driving away evil; it can be one's own wishes, or it can be Congratulations to each other. On the other hand, the themes and compositions of many auspicious patterns have "good fortune" and "Jiaqing campaign" as creative materials.