Question 1: What are the differences between gongbi and freehand brushwork? The difference between gongbi and freehand brushwork is: gongbi, as the name suggests, uses neat and rigorous techniques to depict objects. Meticulous brushwork is divided into two types: line drawing and heavy color painting. Line drawing is similar to modern sketching using ink lines. The difference between it and Chongcai is that it has no color.
Freehand brushwork is actually better than meticulous brushwork. Freehand brushwork pays attention to the use of pen and expresses the author's emotions in the pen and ink. The meaning is to express the spirit with form.
Gongbi painting pays more attention to the business location than freehand painting. Gongbi painting is exquisite in workmanship, the brush is neat, and the painting steps of Gongbi painting are clear. Writing
Freehand painting pays more attention to the use of brushes, and is richer in the use of brushwork. Pay more attention to the traces of "writing". Pay more attention to artistic conception.
The meticulous paintings mostly focus on ladies, flowers and birds. For example, Zhou P's "Bu Chu Tu" is a representative of meticulous painting. The characteristics of freehand painting are relatively strong
and focus on finishing in one go. For example, Qi Baishi's "Shrimp" is a representative of freehand painting. Meticulous painting is a relatively objective representation of objects.
Freehand painting is the author's subjective expression of things.
Question 2: The biggest difference between gongbi and freehand landscape painting. I am a painter of gongbi. I mainly paint flowers and birds. I have a little understanding of landscape painting. I think they are very different. They are completely two styles. , Meticulous brushwork pays attention to some details, and the lines must be natural, while freehand brushwork focuses more on the overall general idea and pays little attention to details. Freehand brushwork: as the name means, it means to write and draw the inner meaning that you want to express in your heart, so the painting The artistic conception of freehand brushwork should be at a higher level.
Gongbi is to use neat, meticulous and meticulous techniques to depict objects. Gongbi is divided into two categories: Gongbi white drawing and Gongbi heavy color. Gongbi white drawing is to depict objects entirely with ink lines, without color. Line drawing was originally used for making drafts. Song Dynasty painter Li Gonglin developed it into an independent type of painting. His line drawings are like flowing clouds and flowing water, infinitely varied and highly expressive. In his painting "Five Horses", both humans and horses are outlined with single lines, the proportions are accurate, the musculoskeletal structure is clear, and even the luster of the horse's coat color is meticulously expressed. The dynamics are extremely vivid, and it is the first-class painting in ancient times. Line drawing works. Meticulous brushwork and heavy colors refer to Chinese paintings that are neat and detailed and lay out heavy colors. In the early days of Chinese painting, meticulous brushwork and heavy color played an important role. The silk paintings found in the Mawangdui Han Tomb in Changsha, Hunan are all authentic meticulous and heavy-color paintings, especially the T-shaped "Feiyi" in the tomb of Concubine A. The composition is clever, the line drawing is fine, and the colors are gorgeous, showing that the fine brushwork and heavy colors reached a high level at that time. Achievement. Ancient paintings generally used heavy-color pigments such as cinnabar and green, so the painting was called "Danqing". This shows the important position of fine brushwork and heavy-color pigments in ancient paintings.
Freehand painting is a painting method that is opposite to meticulous painting. It requires the use of extensive and concise pen and ink to draw the shape and spirit of the object to express the author's artistic conception. It is said that during the Tang Dynasty, Emperor Xuanzong ordered painters Li Sixun and Wu Daozi to paint the landscape of the Jialing River in the Datong Hall. Li Sixun is good at meticulous brushwork and heavy colors. It took him several months to complete this mural. Wu Daozi painted more than 30,000 miles of Jialing landscape in one day. It is conceivable that he could not use the technique of meticulous brushwork and heavy color to paint, and it must be relatively extensive and concise. This shows that the paintings at that time already had the distinction between fine brushwork and freehand brushwork. In the Song Dynasty, Su Shi proposed "scholar painting", advocating that paintings should "not seek resemblance in form", but should express emotions and feelings to express the author's subjective thoughts and feelings. The only painting he left behind was "Dead Tree Picture", which depicts a dead tree and a stubborn stone, with one or two branches of bamboo exposed behind the stone and a few thin grasses under the tree. This painting expresses his politically dissatisfied thoughts and feelings, but the great calligrapher gave it a very high evaluation, saying that the branches are "unexpectedly twisted" and the stones are "weird and strange, just like the depression in his chest". After the Yuan Dynasty, freehand paintings with concise brushwork, vivid shapes, hearty and interesting styles flourished.
In this way, freehand painting and gongbi painting, which abides by tradition and rules, have formed two schools with completely different styles. They have long competed with each other in the painting world and been passed down from generation to generation.
If it helps, I hope you will adopt it
Question 3: What is the difference between freehand brushwork and line drawing? What is line drawing?
Line drawing is a painting method that uses lines as a means of expression. Relying on changes in the thickness, hardness and softness, squareness, roundness, clumsiness, density, etc. of the line itself to express various objects. At the same time, the lines themselves also have a certain abstract aesthetic effect. Line drawing is also an independent art in terms of the entire Chinese painting. As a meticulous line drawing, the line shape generally changes little, is thin and even, leaving room for color application.
The above information is reproduced from: arts163/...D=8054
What is freehand brushwork?
As the name suggests, freehand painting is a painting method that corresponds to meticulous painting. It requires the use of extensive and concise pen and ink to draw the shape and spirit of the object and express the author's creativity.
Freehand painting is divided into large freehand painting, small freehand painting, and part-time freehand painting. But in general painting methods are not completely separate, that is to say there is no absolute boundary between gongbi and freehand brushwork. For example, Qi Baishi's flowers and grass insects: the flowers are painted with freehand brushwork, while the grass insects are painted with meticulous brushwork.
The above information is reproduced from: arts163/...D=8025
Question 4: Compare the differences between line drawing, gongbi and freehand brushwork. Line drawing: pencil and charcoal Line drawing, brush line drawing. Generally, it is the painting of simple structural lines and contour lines.
Gongbi: Gongbi is a type of traditional Chinese painting that emphasizes delicate brushstrokes, sharp outlines, and natural colors.
Freehand brushwork: The focus is on intentional words, eclectic, strong colors, strong color layering, and no delicate outlines.
Here are some pictures
1. Line drawing peony
2. Meticulous peony
3. Freehand peony
Question 5: What is the difference between gongbi painting and freehand painting? The brushes for gongbi painting are roughly divided, and the brushes for outlining - such as wolf hair, purple hair or jianhao etc. are hard hair brushes. Colored ones are mostly hairy or both hairy. Sometimes tools such as a board brush are also used.
Search online or find a few books on meticulous painting techniques or books that specifically introduce tools, materials and common sense. Recommended brush - Shuangyang brand brush from Shanlianhu Pen Factory, double means double in traditional Chinese, please pay attention to the trademark. Go to this website and take a look first. Look for them at your local pen, ink, and paper store.
Question 6: What are the differences between Chinese freehand painting, boneless painting and meticulous painting and how much are they liked? Gongbi is the use of neat, meticulous and meticulous techniques to depict objects. Gongbi is divided into two categories: Gongbi white drawing and Gongbi heavy color. Gongbi white drawing is to depict objects entirely with ink lines, without color. Line drawing was originally used for making drafts. Song Dynasty painter Li Gonglin developed it into an independent type of painting. His line drawings are like flowing clouds and flowing water, infinitely varied and highly expressive. In his painting "Five Horses", both humans and horses are outlined with single lines, the proportions are accurate, the musculoskeletal structure is clear, and even the luster of the horse's coat color is meticulously expressed. The dynamics are extremely vivid, and it is the first-class painting in ancient times. Line drawing works. Meticulous brushwork and heavy colors refer to Chinese paintings that are neat and detailed and lay out heavy colors. In the early days of Chinese painting, meticulous brushwork and heavy color played an important role. The silk paintings found in the Mawangdui Han Tomb in Changsha, Hunan are all authentic meticulous and heavy-color paintings, especially the T-shaped "Feiyi" in the tomb of Concubine A. The composition is clever, the line drawing is fine, and the colors are gorgeous, showing that the fine brushwork and heavy colors reached a high level at that time. Achievement. Ancient paintings generally used heavy-color pigments such as cinnabar and green, so the painting was called "Danqing". This shows the important position of fine brushwork and heavy-color pigments in ancient paintings.
Freehand painting is a painting method that is opposite to meticulous painting. It requires the use of extensive and concise pen and ink to draw the shape and spirit of the object to express the author's artistic conception. It is said that during the Tang Dynasty, Emperor Xuanzong ordered painters Li Sixun and Wu Daozi to paint the landscape of the Jialing River in the Datong Hall. Li Sixun is good at meticulous brushwork and heavy colors. It took him several months to complete this mural.
Wu Daozi painted more than 30,000 miles of Jialing landscape in one day. It is conceivable that he could not use the technique of meticulous brushwork and heavy color to paint, and it must be relatively extensive and concise. This shows that the paintings at that time already had the distinction between fine brushwork and freehand brushwork. In the Song Dynasty, Su Shi proposed "scholar painting", advocating that paintings should "not seek resemblance in form", but should express emotions and feelings to express the author's subjective thoughts and feelings. The only painting he left behind was "Dead Tree Picture", which depicts a dead tree and a stubborn stone, with one or two branches of bamboo exposed behind the stone and a few thin grasses under the tree. This painting expresses his politically dissatisfied thoughts and feelings, but the great calligrapher gave it a very high evaluation, saying that the branches are "unexpectedly twisted" and the stones are "weird and strange, just like the depression in his chest". After the Yuan Dynasty, freehand paintings with concise brushwork, vivid shapes, hearty and interesting styles flourished.
In this way, freehand painting and gongbi painting, which abides by tradition and rules, have formed two schools with completely different styles. They have long competed with each other in the painting world and been passed down from generation to generation.
Chinese painting emphasizes "there is an image in the environment, there is an environment outside the image, and the environment is born from the image." Both fine brushwork and freehand brushwork focus on the aesthetic thought of both form and spirit.
While gongbi emphasizes resemblance in form, freehand brushwork emphasizes resemblance in spirit!
A painting method of traditional Chinese flower (flower and bird) painting. The flowers and leaves are painted directly with color or ink, without the outline of the brush - that is, the outline drawn with ink lines. According to Guo Ruoxu's "Pictures and Knowledge" of the Song Dynasty, this painting method began with Xu Xi and Xu Chong's descendants in the Five Dynasties. In fact, it started with Huang Quan, and Xu Chongsi was just the style of Huang Quan in the suburbs. "Xuanhe Painting Book" records a piece of Huang Quan's "Boneless Flower and Branch Picture"; "Dongtian Qinglu Collection" says that Huang Quan really looks like a pile of powder, but he did not paint it. Circle lines, (note: in ancient China, pink is color), this is the boneless painting method.
Question 7: What is the difference between ink painting and freehand painting? Ink painting is a "form" of Chinese painting,
Freehand painting is a "painting method" of Chinese painting,
The two concepts are different
Problem 8: What is the difference between gongbi painting and ink painting? Gongbi painting is a Chinese painting expression that uses precise and delicate brushwork to depict scenes. It is a type of ink painting. Ink painting is divided into line drawing and freehand brushwork. There are many different kinds of the picture you mentioned, I don’t know which one it is. Generally speaking, meticulous, deep-layered, and lifelike paintings are mostly gongbi paintings.
Question 9: Explain the differences and connections between large freehand brushwork, small freehand brushwork, and gongbi freehand Chinese painting. Some people say that "Gongbi means that the spirit is dispersed but the form is not dispersed, and the focus is on the form; freehand brushwork is that the form is dispersed, the spirit is not dispersed, and the focus is on the resemblance of spirit."
Freehand Chinese painting (thick brushwork is called big freehand brushwork, thin brushwork is called small freehand brushwork) pays attention to rendering, free and easy, bold and elegant. Landscape paintings are mostly freehand brushwork; gongbi is fine work, and those with superb skills For this reason, we pay attention to charm and beauty. The pictures of ladies, flowers and birds are all in fine brushwork.
Generally speaking, meticulous and romantic, freehand and freehand, each has its own strengths, which are the ultimate in traditional Chinese painting aesthetics.