Poetry about Shaanxi History Museum 1. Poetry about museums
I present two related poems for your reference: Visit Shaanxi History Museum (2 poems). One stop, the Terracotta Warriors and Horses of Qin don't do the Six Kingdoms. Only Qin doesn't know how to intrigue, but only knows how to go forward, not to fail, and only to pursue success. Natural revolutionaries are always high-ranking men, and they are integrated into the vast team. Ma Benteng is an unstoppable smog. Standing alone in the museum is still indomitable. Fear is not an invincible god. His eyes shone aggressively. His armor is still hard after thousands of years. He came to you seriously. Behind him is the clear sky in Wan Li, the Qin Empire. Qin Shihuang propped up Qin for two thousand years. As the first peak of Han people, A Qin Terracotta Warriors and Horses are striding towards us now. Show the spirit of a man, a country and a nation that will never fall. The Shaanxi Provincial History Museum, the weather of Qin and Han Dynasties is about to break through the solid wall, but there are so few visitors. The information of Sui and Tang Dynasties is about to fill the minds of China people, and there are so few things on display. The museum shows the courage of grave robbers and the diligence of archaeologists, as well as the developed tourism industry and the painstaking efforts of scholars. Study and show the immortal memory of heroes and humble antiques, show real objects, show imagination, show the ins and outs of a country and the quiet reappearance of a nation. In fact, all history is contemporary history. In the tunnel of time, I can see myself hundreds of years ago today and thousands of years later, hiding behind a noble blue exquisite porcelain plate, without a name or even a mark, as if it had never existed.
2. sentences describing the museum
Palace of Gathered Elegance: 1, Shuangque Qingyan Cage, Penglai at the beginning of Jiucheng.
2. Clouds have strange wings, but Hua Yao has no dust roots. 3, Shuangqiao smoke cage, Penglai in the early morning of Jiucheng.
Clouds have strange wings, but Hua Yao has no dust roots. Visit Shaanxi History Museum (2) One stop Qin Terracotta Warriors and Horses don't do six countries, Qin doesn't know how to intrigue, but only knows how to go forward and succeed. Natural revolutionaries are always above a strong team. Ma Benteng is an irresistible smoke, but man is still an invincible god. His eyes are shining with force, and his armor is still hard after thousands of years. Coming to you seriously, behind you is Qin in the clear sky of Wan Li. One man propped up the first emperor propped up the Qin dynasty propped up the ruthless propping up for two thousand years. As the first peak of the Han nationality, the Terracotta Warriors and Horses in A Qin stride forward to the present, and we will show the spirit of a man, a country and a nation who will never fall. The weather of Shaanxi Provincial History Museum in Qin and Han Dynasties will break through the solid wall, and the materials of Sui and Tang Dynasties will be crowded with people. The museum shows the bravery of grave robbers and the diligence of archaeologists, the development of tourism and the painstaking research of scholars, the immortal memory of heroes and the original unremarkable antiques, the physical objects, the imagination, the context of a country and the silent reproduction of a nation. In fact, all history is contemporary history. In the tunnel of time, I can see myself hundreds of years ago today and thousands of years later, hiding behind a noble blue exquisite porcelain plate with no name or even a little bit.
3. What poems about museums have you read?
Tang 】 Yan Zhenqing's "Encouraging Learning": "Turn on the light at five in the middle of the night, just as men are reading. Black hair doesn't know how to study early, and Bai Shoufang regrets studying late. "
[Tang] "Bailudong Poetry": "I don't know that spring is deep when reading, and an inch of time is an inch of gold. It is not a Taoist who laughs, but Zhou Qing is pursuing it. "
[Tang] Du Xunhe's "Random Books": "The bamboo shadow on the window shakes the book case, and the spring sounds into the inkstone pool. Teenagers will succeed if they work hard. Don't be lazy to the light. "
[Song] Su Shi's "Song Anchun's scholar lost his solution and went to the West": "Old books are never tired of reading, and they are never tired of reading. I'm worried that he will become an official in the future. If he stays late today, he can catch up. "
[Song] Lu You's "Reading on a Winter Night": "The ancient learning is tired, and the young kung fu is old. I feel that on paper, I never know if this should be done. "
[Song] Zhu's reading experience: "When a square pond is opened for half an acre, the sky is high and the clouds are light. Ask where the canal is so clear, because there is flowing water at the source."
[Song] Lu Jiuyuan's Reading: "Reading is in a hurry and swimming is interesting. If you don't know, you may wish to put it down and need to think urgently. "
[Ming] Yu Qian's "Reading": "Books are as affectionate as old people, and they are sad and happy in the morning. There are three thousand words in front of you, and there is no dust on your chest. "
[Qing] Xiao Lun said that "reading has insight": "The human heart is like a good seedling, and it is our strength to raise it; Water the seedlings with spring water and nourish the heart with reason and righteousness. If you don't study for a day, you won't have good ideas. It's refreshing not to study in January. "
[Qing] method "Reading": "Reading is like a tree, and you can't seek rapid growth. Plant it in an empty mountain, and it will go away day by day. The leaves are lush and the smoke is getting thicker and thicker. " Reading in spring is interesting, grinding its inkstone and writing its flowers. Don't be lazy in reading, the world, the sun and the moon are busier than people. Yan language Ying Ge hopes to have an epiphany, while Hong Tao Li Bai writes articles. Cherish every inch of the sun and every inch of the shadow, and let go of the spring time.
Reading in summer, the days are getting longer and longer, and when you open the book, you are beaming. Sang Ma was plowing in the field, and the sound of studying under the lamp was loud and clear. The scenery near the lotus pond is good, and the climate under the banana tree is cool. There are few idle people in the countryside in April, and they are famous for their diligence.
4. Guide words of Shaanxi History Museum
Now let's visit Shaanxi History Museum.
The museum was officially opened to the public on June 20th. 199 1. It is the largest and most advanced national history museum in China.
It covers an area of about 70,000 square meters and has a building area of 56,000 square meters. The exhibition area is 1 1 ,000 square meters, and there are 370,000 pieces in the museum. This museum was built in accordance with the wishes of Premier Zhou Enlai.
That was 1973. When Premier Zhou Enlai visited Shaanxi, he felt that Shaanxi was rich in cultural relics on the ground and underground, and the existing museums were small and crude, and he put forward the instructions for building new museums in Shaanxi. Later, the State Planning Commission and the Shaanxi Provincial Government jointly invested RMB 654.38+0.44 billion to build this art hall.
The design of the museum was undertaken by Ms. Zhang Jinqiu, a close disciple of Mr. Liang Sicheng, a famous architect in China. The appearance of the building imitates the Tang style, showing the elegance of the prosperous Tang Dynasty and embodying the demeanor of modern people.
The layout draws lessons from the structural features of traditional buildings in China, such as "symmetry axis, master-slave order, central hall and heavy buildings with four corners", which highlights simplicity and dignity. It also creates an atmosphere that combines the imperial palace with traditional gardens, symbolizing the long history and splendid culture of China.
The exhibition of Shaanxi History Museum can be divided into three parts: basic exhibition, special exhibition and temporary exhibition. Today we are going to visit the basic exhibition, that is, the permanent exhibition.
For the ancient history of Shaanxi. It systematically shows the development process of Shaanxi from Lantian ape-man to Opium War, highlighting the prosperous times of feudal society such as Zhou, Qin, Han and Tang dynasties and Shaanxi's important position in the history of China.
Now we come to the preface hall. The preface here is not words, but three huge photos: the roaring Yellow River and the endless Loess Plateau, which not only has the natural environment on which ancient Shaanxi people lived, but also is the premise and foundation for the birth, emergence and continuous development of Shaanxi history and culture.
Behind these two photos is a huge photo of the tomb of Xuanyuan Emperor, the earliest ancestor of the Chinese nation, marking the beginning of ancient Shaanxi civilization and Chinese civilization. These wordless sequences composed of photos, through the broad and vigorous scenes, symbolize the profoundness and long history of Shaanxi history and culture, as well as the humanistic traditional spirit with world influence.
Now you can see the giant lion in the center of the hall, which was originally located in front of Shunling, the mother of Empress Wu Zetian Yang in the Tang Dynasty. We can see that it is beautifully carved and magnificent, and it can be called "the first lion in the East".
The ancient lion and stone lion art in China was introduced from Afghanistan. Therefore, this stone lion is not only a reflection of Shaanxi's history and culture, but also a product of the blending of eastern and western cultures.
The first section of Shaanxi ancient history is prehistory, which spans about 1 15000 BC to 2 1 century BC. Every section of this period has made great discoveries, and the cultural peak is connected end to end year after year and occupies a prominent position in the country.
The first thing you see is the head of Lantian ape-man She was found in Gongwangling, Lantian County on 1964. She is a woman in her thirties.
Lantian ape-man was about 1 15000 years ago and was the earliest homo erectus in northern Asia. About 200,000 years ago, mankind had developed to the stage of Homo sapiens.
Dali people in Shaanxi are one of them. About 8000 years ago, mankind has entered the Neolithic Age. Laoguantai culture is the earliest known Neolithic cultural relic in Shaanxi Province.
There are three important signs to distinguish the Neolithic age: first, they learned to make pottery; Second, they settled down and had primitive agriculture; Third, there are grinded stone tools. Yangshao culture is a stage of Neolithic development.
This cultural relic was first discovered in 192 1 Yangshao Village, Mianchi County, Henan Province, hence the name. It is also called "painted pottery culture" because a large number of painted pottery have been found in this kind of cultural remains.
Banpo site is an important part of Yangshao culture and a prosperous stage of matriarchal clan commune. Later, with the development of social economy, men replaced women and took the leading position in society.
Mankind has entered the period of paternal society. Longshan culture is a typical culture in patriarchal commune period.
This culture was first discovered in Longshan Town, Zhangqiu County, Shandong Province in 1928, hence the name. Longshan culture is also called "gray pottery culture" or "black pottery culture" because of the discovery of a large number of gray pottery.
After the Longshan culture, the history of China entered the legendary era, that is, the period of military democracy in history. The Yellow Emperor was an outstanding leader in this period and was honored as the ancestor of the Chinese nation.
Every time we go to Tomb-Sweeping Day, Chinese people at home and abroad come to the Mausoleum of the Yellow Emperor to find their roots and ask for their ancestors, identify with Chinese culture, and patriotism sublimates here, thus generating strong cohesion and centripetal force. After the Yellow Emperor, three outstanding leaders appeared in human history, namely Yao, Shun and Yu.
Later, Qi, the son of Dayu, established the Xia Dynasty. In this way, China entered the period of slavery dynasty.
The political center of Xia Dynasty was in Henan, and the occurrence, development and prosperity of Zhou people were mainly in Shaanxi. In fact, Zhou people experienced three different stages of development: Zhou people, Zhou people and Western Zhou people.
The cultural relic we see now is called Ding, which is a bronze ware of the Western Zhou Dynasty in the heyday of the slavery dynasty. Bronze refers to the alloy of copper and tin, so it is named because of its bluish gray color.
As for the tripod, it was originally a cooker, that is, cook the meat's pot. Later, with the strengthening of the ritual and music system, Ding gradually became a symbol of power and rank. Legend has it that Yu Xia once ruled Jiuding and represented Kyushu in the world as a symbol of political power.
In the future, it will be called "Dingding" to win the world. During the Spring and Autumn Period, Chu Zhuangwang, one of the five tyrants, sent envoys to inquire about the importance of Jiuding in the Zhou Dynasty, and later "winning the championship" became synonymous with attempting to usurp political power.
The idioms we are talking about now are all related to this cultural relic. Ding Can is generally divided into dome and square roof.
Domes are usually bulging, with ears and three feet. The whole shape gives people a sense of stability and strength. So people use the lion's chest and tiger's feet to describe it.
The idiom "famous all over the world" and "three-legged" reflect its modeling characteristics on the other hand. Decorations on bronzes are an important part of bronze art research, and also an important part of China art history, which reflects people at that time to some extent.
5. Xi Murong Whole Poetry History Museum.
Attachment: Xi Murong's poem "Museum of History"-can a person's life be like a museum? At first, there were only the moon and the cave in the extremely cold and dark memory, and then you came to me with a smile. On a cool morning, the clouds dispersed. Since I'm going to see you along the road, please let's settle in a place rich in aquatic plants. I will learn to foretell bad luck on Oracle bones and burn love and faith like ripples on painted pottery. At that time, all the stories began to wade through a Xiangjiang River and thousands of hibiscus flowers. Poetry is simple, and the heart is simple. At first, the memory of extreme cold and darkness was only the moon and the cave. Then you came to me with a smile. On a cool morning, the clouds dispersed. Since I should meet you along the road, please let's settle down in a place rich in aquatic plants. I will learn to foretell bad luck on Oracle bones and burn love and faith like ripples on painted pottery. At that time, all the stories started from a fragrant river crossing the river. A thousand poems of Lotus were simple, and their hearts were simple. The sudden change of the season went down the river, and I slowly went south, found a round hand carved with wooden Guanyin, and finely carved a smiling lip of a stone Buddha of the Sui Dynasty. Then it gradually presents the dearest and most familiar outline in my heart. In the huge and cold grottoes, I am a humble craftsman, repeatedly depicting from generation to generation. But what went wrong? Why do I always miss the moment of hope in the Millennium cycle? Before the sandstorm came, I buried it so deep for you. Clue: Why do you always miss some important details after a sandstorm? I finally got home, poured you a glass of wine in tears on a moonlit night, and then pulled out my pipa to urge you to get on the horse. At that time, the once lush world had already entered the myth, leaving only withered red willows and poplars in the yellow sand of Wan Li. There always seems to be a tide calling in the dark night, and it is full of inexplicable tenderness. The spring day embroidered with colorful silk threads is getting farther and farther away from the clouds, and my mottled heart is getting thicker and thicker. Ah, wandering slowly between legend and legend, I will meet you again in this life. You are outside the cabinet. I was in the cupboard through the cold glass. I am eagerly waiting for your arrival. You seem to have heard some noises in the wrong room. Of course, you can't believe all these silks, all the tricolors and clay sculptures. All the carvings in this cabinet are my love for you. 6. In the twilight, you turn and drift away. The corridor is silent, and the gods are silent. I finally turned a stone into a stone, just like in the past, there were still thousands of hibiscus flowers in Qian Qian in the water outside the gallery, which was as white as snow, just like a nameless Song painting. In time, I slowly defiled and slowly annihilated the cave in my memory. Then you came to me with a smile, and the clouds dispersed in the cool morning. Since I should meet you along the road, please let's settle down in a place rich in aquatic plants. I will learn to foretell bad luck and burn love and faith on the Oracle Bone Inscriptions. In the water-rippled painted pottery, all the stories began to wade through a fragrant river, and 1000 lotus poems were unpretentious. Two geese and birds are flying fast. Seasonal changes go down the river, and I slowly go south, looking for the round hand carved with wooden Guanyin, and then I gradually present the dearest and most familiar outline in my heart. In the huge and cold grottoes, I am a humble and resentful craftsman, describing three things repeatedly from generation to generation. But what went wrong? Why do I always miss the moment of hope in the Millennium cycle? Before the sandstorm came, I buried a clue for you. Why do you always miss some important details after a sandstorm? I poured you a glass of wine in tears on a moonlit night, and then I pulled out my pipa to urge you to get on the horse. At that time, the once lush world had already entered the myth, leaving only withered red willows and poplars and yellow sand in Wan Li. It seems that there is always a tide calling in the dark night, and my chest is full of inexplicable tenderness. The endless spring embroidered with colorful silk threads is getting farther and farther, and the clouds are getting thicker and thicker. My mottled heart is wandering slowly between legends and legends, and I will meet you again in this life. You are outside the cabinet, and I am eagerly waiting for your arrival through the cold glass. Of course, you will never believe all these silks, all three colors and clay sculptures in this cabinet. Carving and carving are my love for you and my soul that has survived thousands of times. 6. In the twilight, you turn and drift away. The corridor was silent. The gods were silent. I finally turned to stone. Just like in my last life, there were thousands of hibiscus flowers in Qian Qian in the water, lavender and soft pink, as white as the snow painted by Anonymous Song, which slowly faded away in time.
6. Guide words of Shaanxi History Museum
Shaanxi History Museum is a national modern large-scale museum, which is a group of magnificent buildings imitating the Tang Dynasty, covering an area of about 70,000 square meters and a construction area of more than 50,000 square meters.
It brings together the essence of Shaanxi culture and shows the development process of Chinese civilization. In view of Shaanxi's position in the history of China, the state invested 1.44 million yuan to build Shaanxi History Museum, which was completed and opened in June1.99/kloc-0. Museum buildings are simple and elegant, with unique features.
It closely combines the classical palace architecture and courtyard architecture in China, with harmonious colors. To thank you? Thumb? Chen? What's the matter with you? A faded shell? br/>； The museum collects cultural relics unearthed in Shaanxi 165438+3000 pieces (groups). The exhibition room covers an area of 1 100 square meters and is divided into seven parts: prehistoric, Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Song, Yuan and Ming and Qing Dynasties. The images are displayed from 1 15 system. In the history of China, 1 1 dynasties established their capitals in Shaanxi, which lasted for more than 1000 years. It is the region with the most dynasties and the longest capital in China. Therefore, from a certain point of view, the ancient history of Shaanxi is the condensation of the history of China.
● Features: Shaanxi Provincial Museum combines the architectural styles of ancient palaces and courtyards in China. It is elegant and dignified, simple and elegant, with coordinated layout and magnificent momentum, which embodies the national style and local characteristics. The museum is equipped with central air conditioning, multifunctional lighting system, computer management system and central control system. It has a modern cultural relic warehouse and a lecture hall with multilingual simultaneous interpretation.
Jade bracelets inlaid with gold ● The architectural style of Shaanxi History Museum inherits the grand, elegant and dignified style of Tang Dynasty, and draws lessons from the layout of traditional palaces in China, that is, "symmetrical axis, orderly primary and secondary, central hall, four corners worship the building". At the same time, using modern advanced technology, the classical architectural style in the prosperous Tang Dynasty is organically combined with the functional requirements of modern museums, which not only maintains the ancient style, but also has the characteristics of modernization. The roof adopts the gray-green glazed tile prevailing in the Tang Dynasty, which looks luxurious and solemn, simple and elegant. The walls are imitation asbestos bricks, and the doors and windows are large brown glass and aluminum alloy frames. The museum is equipped with a fully enclosed central air conditioning system that can control temperature and humidity, a multifunctional lighting system, an automatic fire prevention and anti-theft system and a computer control and management system. There is a cultural relics protection science and technology center, with advanced cultural relics protection and restoration laboratories and testing technologies and means.
In order to strengthen cultural exchanges between China and foreign countries, a computer-controlled library with 300,000 books and an international academic lecture hall with simultaneous interpretation in six languages have been built. In addition, there are well-equipped cultural relics libraries, reference rooms and shopping centers.
● Collection: There are 370,000 unearthed cultural relics in Shaanxi. Visitors can enjoy the historical relics of Shaanxi from prehistoric times, from 1 1500 years ago to the Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Song, Yuan, Ming and Qing Dynasties in AD 1840. ● Structure: The exhibition hall has a total area of 1 1 ,000 square meters, which is divided into three parts: basic exhibition, special exhibition and temporary exhibition, among which Shaanxi ancient history exhibition, Shaanxi rare bronze ware exhibition, Shaanxi pottery woman essence exhibition and Tang tomb mural exhibition are the most interesting.
● Walking into the museum hall, huge photos show people the roaring Yellow River and the endless Loess Plateau. This is the geographical environment that gave birth to Shaanxi's history and culture.
The history of Shaanxi is the history of civilization in the Yellow Land. The giant lion standing in the middle of the hall with its head held high is a symbol of this civilization.
It is magnificent in shape, surging in momentum, exquisite in stone carving and magnificent in spirit, and can be called "the first lion in the East". This stone lion comes from Shunling of Yang, the mother of Wu Zetian, the only female emperor in China history.
China's ancient lion and lion sculpture art was introduced from Afghanistan. The romantic strangeness of Central Asia and the profound and perfect integration of East Asia reflect the tone of Shaanxi's history and culture. The exhibition line near 1500m consists of three parts: basic exhibition, special exhibition and temporary exhibition.
The basic exhibition located on the upper and lower floors of the museum brings together the essence of cultural relics unearthed in Shaanxi. More than 3,000 rare treasures on display were carefully selected from hundreds of thousands of cultural relics unearthed in Shaanxi. Many precious cultural relics were first made public here, divided into seven parts: prehistoric, Zhou, Qin, Han, Wei and Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Song, Yuan, Ming and Qing Dynasties. The image shows systematically from 1 150 years ago to 6500 AD. Wadang (Suzaku), the four gods of Han Dynasty, unearthed from Chang 'an site in Shaanxi Province, has a diameter of 15.8 cm and a side width of 2 cm.
Suzaku's mouth is full of pearls, which is even more majestic and sacred. Now it is in Shaanxi History Museum.
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