1997, He Fuli presented a gift to the return of Hong Kong, and carefully made a bamboo dragon with a length of 2,465 meters and a dragon body 163 knots. When it was exhibited in Hong Kong, it caused a sensation in society. Tung Chee-hwa, the then Chief Executive of the Hong Kong Special Administrative Region, personally opened his eyes for the dragon with great excitement, and this work was listed as the best in the Guinness Book of World Records. Since then, his successful masterpieces, such as censer tripod, fisherman, seagull, ode to the wild goose, elephant, passage of time, basket of bamboo and silk flowers in the Eight Immortals, have caused a sensation in the national arts and crafts circles, and won national awards such as the gold medal in the China National Arts and Crafts Masters Exhibition. From June 5438 to February 2003, the International Bamboo and Rattan Organization and China Bamboo Industry Association awarded He Fuli the title of "China Bamboo Craftsman".
In 2005, He Fuli rushed for the exam three times, overcame the technical difficulties such as bamboo mosaic and the almost extinct "anti-spring" in China, and went to Beijing eight times to restore the most exquisite and luxurious building of the Palace Museum-the tired study of the Imperial Study of Qianlong (bamboo weaving part), which restored it to its original historical appearance. /kloc-When he was 0/5 years old, He Fuli began to learn bamboo weaving from Ma Fushi, an old weaver in Dongyang, in order to earn money to support his family. From a well-known local quilter, to the technical backbone of bamboo weaving in Dongyang Woodcarving Factory, and then to the "master of bamboo weaving technology in China", He Fuli made continuous progress on the road of bamboo weaving technology with the wisdom and efforts of a farmer's child. In the national recruitment and selection of the Forbidden City, He Fuli was selected by the Forbidden City, which seems to be a call of fate and a historical coincidence. According to the records of Dongyang City, during Jiaqing and Daoguang years of Qing Dynasty, hundreds of woodcarving artists from Dongyang went to Beijing to carve palaces. Time passes, time passes. Today, 200 years later, He Fuli shoulders the great trust of "the hometown of works of various philosophers" and once again carries out a glorious mission better than that of his predecessors. Jin Hongkui, vice president of the Palace Museum, called him "the experimenter of interior decoration in the overhaul of the Palace Museum" and thought its craft was "eye-opening". Wu Henry, vice chairman of the World Heritage Foundation, called He Fuli a "talented artist". When He Fuli built the Forbidden City, it was a sensation, and it became a much-told story, becoming one of the top ten "moving Jinhua".