Mo Yan talked about his mother's words and deeds. He told her the details and was sincere. He is a storyteller, so he didn't talk about his literary creation in a didactic way or with some ideas. But from his own experience, telling stories, let people see his views on good and evil and morality, let people see the very soft part of his heart, which is his own unique way. In my impression, Mo Yan himself has always been like this. His books rarely involve thoughts and theories, and always speak with experience. In his speech, I can see that he commented on his work. I think this is mainly because the western world may be relatively new to him, so it is necessary to explain. In addition, the most important thing is that he answered some disputes about him in China or the Chinese world in a very clever way by telling stories. He said that for a writer, the best way to speak is his works, and his truest thoughts are all in his own works. I think the answer is clever and easy to understand. Writing/Beijing News reporter Yu Lili Mo Yan stood on the Nobel Prize podium and told people all over the world a story about survival and literature. By telling stories, he expressed his understanding of himself, life, society and history, and the relationship between folk stories and modern novels. In his speech, Mo Yan presented the process of transforming realistic experience into artistic experience. His story has three sources: one is the cruel experience of reality, such as the painful memory of childhood. The second is love and mercy who transcends cruel experiences, such as maternal love and the enlightenment of oriental philosophy. Third, the colorful folk customs spread in my hometown. These elements are combined in the story structure through his personal whimsy. His story is not only a portrayal of cruel real life, but also a channel to transcend the cruelty of reality and the limitations of human nature, and it is also a refuge for existence and soul. Thereby realizing the transcendence of literature. This is the fundamental value and spiritual purpose of literature. Beijing News reporters Zhang Hong and Xu Jinlong (scholars from the Institute of Foreign Languages, China Academy of Social Sciences) cannot leave the dense land. Kenzaburo Oe is a university, and Mo Yan is a private university. His initial literary enlightenment came from his mother and folklore, and he obtained this enlightenment through his mother. His mother represents the local marginal culture, relative to the mainstream culture and the Central Plains culture, relative to the power center and cultural center. So he always has a calm observation perspective and can jump out to examine this culture. In ancient Greek mythology, there is a legend that Mo Yan's mother is the earth. As long as he stands on the earth, no one or God can hurt him. He can't live without that hot land, and if he leaves, he is not Mo Yan. His best works reflect the dense local customs. His absorption of foreign literature is only a technical thing, and it does not constitute his flesh and blood and genes. Literature is like a big river. Foreign culture can make it overflow a little, but the mainstream is always created by local culture, geography, history and folk customs in Gaomi.