Mr. qigong is good at wiping, which is what we often refer to as qigong style. Its font is upright, straight and steep.

Mr. Qi Gong's use of "point", "press" and "lift" has reached a perfect level. The contrast between strokes and the thickness of words, the rigidity and softness of words, and the alternation between words is very clever and sometimes interesting. Mr. Qi Gong has always advocated that calligraphy should be "recognized", so it is natural to appreciate elegance and vulgarity. The vertical stroke is just straight, the dotted stroke is full and steady, and the skimming stroke is like that of Tatsu Yamashiro, but the traditional "broadsword-shaped" painting is put aside.

It was once said that Mr. Qi Gong was the only master in the book circle in China since Dong Qichang, a famous scholar in Ming Dynasty.

However, I personally have a preference for Mr. Qi Gong's couplets and inscriptions on plaques. As for his long-length works, I feel that due to the restriction of his pursuit of "integrity", it seems that there are often some changes throughout.

See the link for the specific startup font, which is exactly the same as what you provided:

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