1. Understand the basic common sense of couplets
Understand the basic common sense of couplets 1. Basic knowledge of couplets
Basic knowledge of couplets 1. The origin and development of couplets (1) ) Overview of couplets Couplets are commonly known as "couples", abbreviated as "pairs" and "links"; also known as "couples", "couples" and "couples"; commonly known as "couples", "couples", "posts", "couples" "Couple sentence", "coping", "counterpart", etc. are dual sentences with independent meaning.
Couplets have a long history, with a history of more than a thousand years, and are a traditional and practical style. Just like the unit of poetry is called "head" and the unit of text is called "pian", the unit of couplet is called "vice", and the ancients used "piece".
A couplet consists of two equal words and sentences. The first part is called the upper couplet, which is also called the upper branch, upper ratio, out sentence, or Dui Gong and Dui Shou. The latter part is called the second couplet, also called the lower branch, lower ratio, couplet, or duimu, duiwei.
The upper and lower sentences together are called a couplet, and both are indispensable for the whole couplet. Couplets are traditional metrical literature, which are metrical and typical.
Any work that does not meet the basic requirements of couplets should not be called couplets. The number of words in the couplet has a corresponding relationship with the "word".
The number of words is the sum of the number of words in the upper and lower couplets, half of which is "word". For example, the traditional Spring Festival couplet "One yuan begins again; all things are renewed" is an eight-character four-character couplet; the bedroom couplet "Why should the room be elegant? The fragrance of flowers is not abundant" is a cross five-character couplet; "人" is a couplet of fourteen characters and seven characters.
The most closely related couplet is Hengpi, also called "Henglian" and "Banner". The horizontal batch is posted between the two couplets, usually with four characters.
Its function is to summarize the central idea of ??the upper and lower lines, and has the function of summarizing and enlightening. (2) The Origin and Formation of Couplets Couplets and other literary genres, languages, and literary theory terms, including parallel fu, Tang poetry, Song lyrics, Yuan operas, folk rhythmic literature, etc., are mutually inclusive, infiltrating, and supporting each other. Nature has its own laws and rules.
1. The rhetorical technique of antithesis gave birth to couplets. The most significant and basic feature of couplets that distinguishes them from other literary styles is its upper and lower couplets. From the number of words, sentence structure, content, to equivalence, rhythm, etc., everything is Use duality. Therefore, to explore the origin and development of couplets, we must first involve duality.
Antithesis is one of the figures of speech in Chinese. Duality is the evolutionary synthesis of the two words "dual" and "parallel".
Antithesis is a form of duality of sentences in poems and song couplets. "Confrontation" originated from the honor guard of the ancient palace guards.
This kind of honor guard is arranged in pairs opposite each other. Its formation, number of people, costumes, flags, etc. are all arranged neatly and symmetrically, so it is called "dual battle"; the "parallel" in parallel couple refers to two horses. To keep pace with each other, "even" refers to two people joining together. The combination of "parallel couple" also means to be in pairs.
There is a difference in density between duality and antithesis, and there is a difference between leniency and severity. Avoid emphasizing emphasis on antithesis, but not doubleness. The rhetorical technique of duality has been used by people for a long time in ancient Chinese poetry. It appeared in pre-Qin literary works more than 2,000 years ago.
"If you are full, you will suffer losses, but if you are modest, you will benefit" ("Shang Shu Dayu Mo"). "In the past, when I went there, the willows lingered; now when I come to think about it, the rain and snow are falling" ("Xiaokian·Caiwei").
"Drinking magnolias in the morning are like dews, and eating autumn chrysanthemums in the evening are like falling flowers" (Qu Yuan's "Li Sao"). During the Han Dynasty, a half-poem and half-text literary genre called "Fu" developed, and the rhetorical technique of antithesis was widely and consciously used.
In the Wei and Jin Dynasties, fu-style works gradually tended to be parallel-style, giving rise to "parallel-style prose". The development and maturity of the rhetorical method of antithesis not only played a positive role in enriching and developing the art of Chinese language and writing, but it can also be said that it was this artistic technique that gave birth to the two art forms of rhymed poetry in the Tang Dynasty and later couplets.
Judging from the entire history of literature and art and the development laws of language and characters, the literary and artistic form of couplets is closely related to the entire Chinese language and art. It came into being with the emergence, development and perfection of the rhetorical technique of antithesis in the art of Chinese language and writing in my country. It is an independent and unique style of writing that emerged from the rhetorical technique of antithesis.
It can be said that couplets are the product of maturation, typification and stylisticization of the rhetorical technique of antithesis. 2. The custom of Taofu directly produces couplets, and the rhetorical techniques of couplets give birth to couplets. However, couplets are not equal to couplets.
In order for a duality to be transformed into a couplet, it must also have an external form. This external form that makes the couplets independent is a national custom in ancient my country - hanging "peach charms".
Therefore, the couplets originated from the ancient "peach charms", that is, the couplets originated from the Spring Festival couplets, and the spring couplets originated from the peach charms. "Peach Talisman" is also called "Xianmu".
As early as the Qin and Han Dynasties more than 2,000 years ago, when the people of the Central Plains were saying goodbye to the old year and welcoming the new year, they used two peach boards to write the names of the two gods "Shen Tu" and "Yulei" respectively. The pictures of the two gods are painted on paper and hung, embedded or posted beside the door, with the purpose of exorcising evil spirits and praying for blessings and avoiding misfortunes. According to the mythological stories "Shan Hai Jing" and other books, it is said that there is a large peach tree in Dushuo Mountain in the East China Sea that stretches for three thousand miles. Its branches stretch all the way to the ghost gate in the northeast, through which the ghosts and gods in the cave can enter and exit.
There are two divine generals guarding under the peach tree, named Shen Tu and Yu Lei. Once they find evil spirits that are harmful to people, they tie them up with reed ropes and feed them to tigers, so that people can live and work in peace and contentment.
With the development of society and the progress of culture, this custom of hanging peach charms is also constantly changing. From the beginning of writing the names of the two gods or drawing images, later on some people wrote auspicious words to ward off misfortunes and pray for blessings on the peach board, and then developed to writing two parallel lines of poetry.
So the so-called "Peach Rune Poetry", that is, "Coupon Tie", came into being. This kind of couplets with peach symbols is the prototype of couplets.
According to historical records, the earliest couplets, the Spring Festival couplets, appeared during the Five Dynasties period. "History of the Song Dynasty: The Meng Family of Western Shu" records: In 964 AD, Meng Chang (919-965) ordered the scholar Xin Yinxun to inscribe a peach charm. Since he was not a craftsman, he wrote the following inscription: "New Year's greetings; festival number Changchun".
This couplet written by Meng Chang, the Lord of Later Shu, is currently recognized as the first couplet. At this point, the rhetorical technique of antithesis gave birth to the independent literary style of Spring Festival couplets.
By the Song Dynasty, the creation of couplets had become a common practice. Celebrities such as Su Shi, Zhu Xi, and Huang Tingjian also have many couplets handed down to the world.
The Northern Song Dynasty writer Wang Anshi (102 1-1086) described the scene of people posting Spring Festival couplets in the poem "Yuan Ri": the sound of firecrackers marks the end of the year, and the spring breeze brings warmth to Tusu. Thousands of households are always replacing old talismans with new peaches.
In the Song, Yuan, and Ming dynasties, inscriptions appeared in palaces, eunuchs, temples, and Buddhist gates.
2. Common sense you should know when writing couplets
Couplet rules
(1) The number of words in the upper and lower couplets must be equal, and repeated words cannot be used.
(2) The last sentence of the first couplet must be in oblique tone, and the last character of the next couplet must be in flat tone.
(3) The sentence patterns of the upper and lower couplets must be consistent (similar parts of speech and corresponding structures).
(4) The flat and oblique characters in the upper and lower lines must be opposite to each other. Where the upper couplet uses flat tones, the second line must use oblique tones, and vice versa (ping: flat tones; obi, oblique tones, including (a character with three tones: 上, going, and enter).
(5) The meanings of the upper and lower couplets can be similar or opposite. They can only say one thing, or they may also say two things separately.
The antithesis between couplets and verses has a relationship of inheritance and evolution. The rhythm of verses and the principle of "one, three, and five are irrelevant, but two, four, and six are distinct" also apply to couplets. As for the number of words in each couplet, there is no limit, ranging from four, five, six, seven, eight, nine to several or hundreds of words, as long as there is something to say and it can be paired. The following examples illustrate this:
The motherland’s mountains and rivers are strong; the people’s years are new.
The last word "zhuang" in the first line and the last word "xin" in the second line are both adjectives. They are relative to each other and harmonious. The content and form are consistent with the five rules mentioned above.
In short, the phonology and harmony of couplets should be harmonious. The language is concise, consistent with the rules, and has certain content. The words are not relative to each other, the flatness and obliqueness are inconsistent, or the slogan-like sentences are divided into two lines, they cannot be regarded as couplets.
Excerpted from the editorial department of Zhonghua Book Company's "Literary and Historical Knowledge" - "How to Make Couplets"
At the same time, the contents of the upper and lower couplets must have a certain connection, but they cannot be the same or repeated. Similar pairs The sentence is commonly known as "Gasho Dui", such as "The New Year welcomes five blessings, and the Spring Festival welcomes three more blessings." Among them, "New Year" and "Spring Festival", "Ying" and "Receive" all agree. Traditionally, it is believed that such couplets are guilty of making couplets.
3. Basic knowledge about couplets
Couplets are short in form and concise in diction. They are a special form of poetry and an excellent cultural heritage. It is a highly generalized and concentrated literary and artistic form that emphasizes neat dialogue, elegant wording, profound meaning, and rigorous specifications. This is the most prominent point in the aesthetic views of the ancestors when they produced tools (made of stone tools). In terms of writing creation, this aesthetic concept is also shown. Judging from the engraved symbols on the pottery unearthed from the Banpo site in the fourth millennium BC, these symbols are often symmetrical. The appearance and connotation (from shape to quality) of the hexagrams are regular and symmetrical, which reflects the aesthetics of "symmetry" in the expression of language and characters. There is a saying in "Wen Xin Diao Long": "Creation gives shape, branches and bodies must be used by two spiritual principles, and things are not isolated. The husband's heart is born with words and words, and he is naturally paired with each other. "The rhetorical device of antithesis can be said to be the earliest rhetorical device that appeared and was used in the world. It and onomatopoeia are twin brothers. Antithesis is not just a simple matching of words and meanings, but also requires equal weight and cannot be too light or too heavy. For example, There are too many to list: "Broken bamboos are replaced by new ones, flying earth and chasing meat" ("Feng Ya Yi Chapter"); "The Qing temple is silent and the remaining sects are inherited, and hundreds of officials are solemn in the dormitories" ("The Divine Man Smoothly Cao"); "It is better to be the mouth of a chicken than the queen of an ox" ("Ancient and Modern Proverbs"); "Those who compete for fish are wet, and those who chase beasts are eager" ("Lieh Zi"); The lower part leans towards each other, the sounds harmonize each other, and the front and back follow each other. " ("Laozi"); "Look at its reason, observe its origin, and observe its peace. " ("The Analects of Confucius"); "To lure them with profit, to take them with chaos, to prepare them with actual strength, to avoid them when they are strong, to offend them when they are angry, to be humble and arrogant to them, to work for them while losing them, to get close to them and leave them; to attack them Unprepared, unexpected. " ("Sun Tzu"); Among the poets are: "Who said a bird has no horns, how can it penetrate my house? Who said you have no home, why should I be imprisoned? "("The Book of Songs"); "The name is Yu Zhengzexi, and the courtesy name is Lingjun. "("Songs of Chu"); It can be seen that the written and even spoken language in the pre-Qin period naturally used couplets. However, there was no intentional refinement in the form. Liu Xie said: "In the time of Tang and Yu, poetry was not as good as literature. ". After that, parallel-style Fu was formed. In the late Southern and Northern Dynasties, the use of antithetical sentences had been elaborated. After Shen Yue, who was at the same time as Liu Xie, put forward the idea of ??"four tones and eight diseases", poetry creation gradually became more rigorous in rhythm, and poetry became more and more rigorous. With the requirements of rhythm, the word "antithesis" is used in the dual sentences of rhythmic poetry. At the same time as the rhythmic poetry is formed, the words have sprouted and developed, and rhythm has been naturally introduced, and it has developed into long and short sentences. By the Northern Song Dynasty, the rhythm of poetry writing was already very sophisticated, but it was still short. In the hands of Liu Yong and Su Shi, the number of poetry styles increased sharply, the subject matter expanded greatly, and the expression methods became much richer and more diverse. The choice of language is closer to the people. Poetry, lyrics and music have a great influence on couplets. In addition to striving to be elegant, the couplets became the mainstream, and they were written in simple classical Chinese or spoken language*. **, reaching the level of elegance and popular appreciation, is due to taking root among the people. While going deep into the people, it also draws nutrition from common sayings, slang, proverbs, riddles, etc. If couplets are the essence of couplets, then It was conceived in poetry and parallel rhymes, and grew up by constantly sucking the milk of poetry, lyrics, music, and rhymes. Especially after it penetrated deeply into the folk, it merged with riddles, proverbs, slang, and common sayings, and became a supreme form. Literary works that can be used in ancestral temples, court courts, and in humble and dirty places
4. Basic knowledge of couplets
Basic introduction couplet vector __Spring Festival_Festival material couplets and They are called couplets, which are named after the couplets that were often hung in the halls and halls of houses in ancient times. They have common names such as Ouyu, Lici, couplets, and door pairings. They were called "couples" and began in the Ming Dynasty.
It is a kind of dual literature, which originated from Taofu. It is a national literary style written using the characteristics of Chinese characters. Its wonderful combination with calligraphy has become a colorful artistic creation of the Chinese nation.
[2] Spring couplets written by experts in folk calligraphy 4-Couplet Recommended video Couplets generally do not need to rhyme (only some couplets in rhymed poems need to rhyme).
It can be roughly divided into poetry couplets and prose couplets, which are strictly divided into large and small parts of speech. Traditional couplets have similar forms, connected contents, harmonious tones, and rigorous contrasts.
As a custom, couplets are an important part of the excellent traditional culture of the Chinese nation. In 2005, the State Council of China listed the custom of couplets in the first batch of national intangible cultural heritage lists.
The custom of couplets has been passed down and spread among the Chinese and even in regions around the world where Chinese is spoken and among ethnic groups with cultural origins in Chinese characters. It is of great value to the promotion of Chinese national culture. [3] The famous calligrapher Mr. Li Xiao created a video of official script couplets. Historical origins. The custom of couplets originated from the duality phenomenon in ancient Chinese. As early as before the Qin and Han Dynasties, Chinese folk had the custom of hanging peach charms during the New Year.
The so-called peach charms are the names of the legendary ghost-conquering gods "Shencha" and "Yulei", written on two peach boards respectively and hung on the left and right doors to drive away ghosts and suppress evil spirits. This custom lasted for more than a thousand years.
[4] Wedding couplet source file__PSD layered During the Western Jin Dynasty (around 290 AD), the appearance of well-regulated couplets can be regarded as an important symbol of its formation. In the historical transmission process of more than 1,700 years, couplets, parallel poems, rhymed poems and other traditional literary forms have influenced and learned from each other. Through three important development periods, namely the Northern Song Dynasty, Ming Dynasty and Qing Dynasty, the forms have become increasingly diverse and the cultural accumulation has gradually become richer.
In the Five Dynasties, people began to write couplets on peach boards. According to the "History of the Shu Family" in the Song Dynasty, Meng Chang, the leader of Shu after the Five Dynasties, "every year, he ordered the bachelor to compose a poem, inscribe a peach charm, and place it near the door of his bedroom.
In the last years of the year (AD 9***), the bachelor was lucky enough to Yin Xun wrote the poem, saying that he was not a workman, so he wrote in his Mingbi: "New Year's Day, Happy Festival, Changchun." This is the earliest Spring Festival couplet in China.
After the Song Dynasty, hanging Spring Festival couplets during the New Year has become quite common among folk. The line in Wang Anshi’s poem, “Thousands of households always replace old talismans with new peaches” is a true portrayal of the grand occasion at that time. Since the appearance of Spring Festival couplets is closely related to Taofu, the ancients also called Spring Festival couplets "Taofu".
In the Ming Dynasty, people began to use red paper instead of peach boards, and the Spring Festival couplets seen in modern times appeared. According to the "Miscellaneous Stories of Hairpin Cloud Tower", after Emperor Taizu Zhu Yuanzhang of the Ming Dynasty established his capital in Jinling, before New Year's Eve, he ordered the ministers, officials, and common people to add a Spring Festival couplet to every door, and he personally went out incognito to watch and enjoy the couplets door to door.
Since then, all literati and bachelors have regarded it as an elegant thing to make pairs of titles and couplets. After entering the Qing Dynasty, couplets were at their peak, and many famous and famous couplets appeared.
[5] With the development of cultural exchanges between countries, couplets have also been introduced to Vietnam, North Korea, Japan, Singapore and other countries. At the beginning of the 21st century, these countries still retained the custom of posting couplets.
Main classification: Folding is divided according to purpose 1. Spring couplets: special couplets for the New Year. For example: willows are green and green; peaches and apricots compete for spring and are red in May.
2. Congratulatory couplets: used for birthdays, weddings, housewarming, childbirth, opening of businesses and other festive occasions. For example: a pair of red hearts turn to the four directions; two pairs of skillfully hand-painted new pictures.
(Xi Lian), happiness is as good as the East Sea; life is as long as the Southern Mountains. (Shou couplets) [6] 3. Elegiac couplets: used to mourn the deceased.
For example: The work lasts for a thousand years, but it will shock the world; the spirit will last for a thousand generations, and it will benefit the world again. 4. Gift couplet: used to praise or encourage others.
For example: the sound of wind, rain, and reading are heard in the ears; family affairs, national affairs, and world affairs are all concerned. 5. Self-encouragement couplet: used for self-encouragement.
For example: Read letters about your family and country often; do nothing that is not beneficial to your body and mind. 6. Industry link: for different industries to be posted on the door or in the store.
For example: If you want to know the events of the past, you must read five chariots of books. (Bookstore) Although there is no success at all, it is a top-notch effort.
(Barbershop) welcomes guests from spring, summer, autumn and winter; entertains people from the east, west, north and south. (Hotel) 7. Yan Zhilian: Used to express ambitions.
For example: I would rather be a ghost of the Zhao family than a minister of another country. Couplets are folded according to the number of words: 1. Short couplets (within a cross), 2. Medium couplets (within a hundred words), 3. Long couplets (above a hundred words), etc.
Folding is divided into techniques: 1. Dual forms: speech pairs, matter pairs, positive pairs, oppositions, work pairs, broad pairs, flowing pairs, palindrome pairs, thimble pairs, etc. 2. Rhetorical techniques: metaphor, exaggeration, rhetoric, pun, question, homophony.
3. Word usage skills: embedded words, hidden words, compound words, repeated words, radicals, word analysis, word splitting, numbers, etc. 4. Logical structure: juxtaposition, transition, choice, cause and effect.
Folding is divided according to position 1. Couplets: hung on the pillars, used in residences, institutions, temples, historic sites, etc. 2. Door couplet: affixed to the door.
3. Couplets in the central hall: Couplets with calligraphy and paintings hung in eye-catching places in the living room and bedroom. The folding is divided according to the source of the couplets: 1. Collection of sentence couplets: couplets composed entirely of ready-made sentences in ancient poems.
2. Collection of word couplets: couplets composed of words from ancient articles and calligraphy copybooks. 3. Excerpted couplets: couplets formed by directly excerpting couplets from other people’s poems.
4. Creative couplets: couplets created independently by the author himself. Divided according to artistic characteristics: Couplet and overlapping word couplet: the same word appears continuously.
Complex word couplet: the same word appears non-consecutively. Thimble couplet: The footer of the previous clause serves as the head of the following clause.
Embedded couplets: including embedded ordinal numbers, directions, solar terms, year numbers, surnames, names of people, place names, names of things (such as names of medicines), etc. Split word couplet: Split a certain combined character in the couplet into several single-character characters; some people subdivide it into "splitting words, combining words, analyzing words", etc.
Phonological couplets: including homonyms with different sounds, same characters with different sounds and overlapping rhymes. Humorous couplet: Take the meaning of humor.
Ruthless pairing: The meanings of the upper and lower couplets have nothing to do with each other, but each word contrasts neatly. Most ruthless pairs are very interesting and can be classified as humorous pairs at the same time.
Palindrome couplet: read forward or backward, the meaning is exactly the same. The longest couplet: The author is Zhong Yunfang, a scholar from Jiangjin in the late Qing Dynasty. It was written in the Chengdu prison in the 30th year of Guangxu's reign in the Qing Dynasty (1904 AD) to express his anger.
Writing format Couplet source file_Spring Festival_Poster design 1. The number of words should be equal and the sentences should be consistent. Unless the position of a certain word is intentionally left vacant to achieve a certain effect, the number of words in the upper and lower couplets must be the same, no more and no less.
2. The levels should be consistent and the tones should be harmonious. traditional habits.
5. I would like to ask about some understanding and knowledge of couplets
First, the number of words must be equal and the sentences must be consistent.
Except for intentionally leaving the position of a certain word to achieve a certain effect, the number of words in the upper and lower lines must be the same, no more, no less. Second, the parts of speech should be relative and the positions should be the same.
It is generally called "virtual versus imaginary, substantial versus substantial" (the part-of-speech classification in ancient Chinese is different from that in modern Chinese), which is equivalent to noun versus noun in modern Chinese. 3. Verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb, and relative words must be in the same position.
Fourth, the levels should be consistent and the tones should be harmonious. The traditional custom is "廄 rises and flat falls", that is, the last word of the first line is in the square tone, and the last word of the second line is in the flat tone.
Fifth, the content should be relevant and connected from top to bottom. The meanings of the upper and lower lines should be connected with each other and should not be repeated.
Sixth, the words in the corresponding positions of the upper and lower couplets should be as flat and opposite as possible, so that the couplets can be read in a rhythmic and beautiful way. 7. For anything that forms an absolute and perfect pair, such as inset characters, thimbles, palindromes, split characters, etc., only the last characters of the upper and lower couplets are required to rise and fall smoothly.
But if you want to write good couplets, this knowledge is not enough. You can memorize the Rhythm Enlightenment first.
(Original text below) 1 East The clouds are against the rain, the snow is against the wind, and the evening sun is against the clear sky. The coming hong is facing the departing swallow, and the local bird is facing the singing insect.
Three-foot sword, six-jun bow, Lingbei facing Jiangdong. The Qingshu Palace in the world is the Guanghan Palace in the sky.
The willows and willows are green in the morning smoke on both sides of the bank, and the apricot blossoms are red in the spring rain in the garden. The wind and frost on the temples are the guests who set out early on the journey; the misty rain on the raincoat is the sign of the old man fishing by the stream at night.
The old man is against the yellow child. The river wind is against the sea fog, and Muzi is against the fisherman.
Yan Lane is poor, Ruan Road is poor, and Northern Hebei faces Liaodong. There is enough water in the pool, and the wind is blowing outside the door.
The Liang Emperor gave lectures at Tongtai Temple, and the Han Emperor built the Jiuweiyang Palace. Worried about the dust, I caress the seven-stringed green silk lazily; my temples are covered with frost, and I am ashamed to look at the hundred-refined bronze.
The poor versus the rich, the fortress versus the pass, the wild old man versus the stream boy. The eyebrows are green against the white temples, and the lips are red against the white teeth.
The sky is vast, the sun is shining, the sword is facing the curved bow. Half of the stream is green, and thousands of trees have fallen flowers.
The wild swallows wear the willow rain, and the fish in the fragrant pond play with the lotus wind.
The woman has slender eyebrows, and a crescent moon appears under her forehead; the man is strong, with a rainbow emitting from his chest.
2. Winter Spring versus summer, autumn versus winter, evening drum versus morning bell. Watch the mountains and play with the water, the green bamboos and the pines.
Feng Fuhu, Ye Gonglong, dancing butterflies and singing crickets. There are two purple swallows with mud in their mouths, and several wasps with honey in their mouths.
In spring, the orioles are chirping in the garden, and in autumn, the geese are chirping outside the Great Wall. The Qinling Mountains are covered with clouds, covering a distance of eight thousand miles; the rain washes over Wushan Mountain, and the twelve dangerous peaks are high.
Light versus dark, light versus dense, wisdom versus moderation. The mirror and the dowry are opposite to the clothes, and the wild pestle is to the village pound.
The flowers are bright, the grass is velvety, nine summers versus three winters. The famous drama horse of Taigao plays the small trumpet Panlong.
Bi Zhuo holds crab claws in his hands, and Wang Gong wears a crane cloak. The Wulao Peak is high and looks like a jade pen in the sky; the Sangu Stone is big, and the sound of wind and rain is like a golden yong.
Benevolence is opposite to righteousness, yield is to respect, Yu and Shun are to Xi Nong. Snowflakes are like cloud leaves, peony is like hibiscus.
Empress Chen, Emperor Zhongzong of the Han Dynasty, embroidered tigers and carved dragons. There is a light breeze in the willow pond and a thick moonlight in the flower garden.
It’s a good time to watch butterflies in the morning in spring, and smell cicadas in the autumn night. If a soldier wants merit, he must rely on fighting to achieve bravery; if the people are comfortable with their aspirations, they must rely on poetry and wine to support their laziness.
Three Rivers The building faces the pavilion, the door faces the window, and the huge sea faces the Yangtze River. Rong Shang is opposite to Hui Zhang, and jade tree is opposite to Yin Xiao.
Green cloth curtain, green oil pillar, sword against golden vat. Be loyal to the country, and be loyal to the country.
The ancestor of the throne revitalized Yanmawu, and King Jie lost his way and killed Long Pang. The autumn rain is falling, and the paths are full of brilliant yellow flowers; the spring breeze is blowing, and the sparse green bamboos are filling the windows.
The banners are against the banners, the buildings are against the towers, the homeland is against other countries. Thousands of mountains are opposite to thousands of rivers, and nine rivers are to three rivers.
The mountains are precarious, the water is gurgling, and the drums are beating against the bells. The breeze blows in the wine house, and the white moon shines on the book window.
On the battlefield, Xin Zhou rebelled against Xin Zhou, and the sword was tied to the road and the baby descended. In the summer pond, there are pairs of gulls bathing in the waves; under the curtain of spring breeze, pairs of swallows come and go.
Baht is against two, only two, Huayue is against Xiangjiang River. Chao Chao is against forbidden drums, and Suhuo is against plug cylinder.
Green suota door, green screen window, the Han community faces the Zhou Dynasty. The sound of sheng and flute is subtle, and the sound of bells and drums is heard.
The master's name is Qiluan Youlan, and Zhizhong Zhanji's surname is Wei Pang. When Su Wu herds sheep, the snow often feeds on the North Sea; when Zhuang Zhou feeds carps, the water must depend on the Xijiang River.
Four branches: Tea to wine, Fu to poetry, Swallows to orioles. Planting flowers is the opposite of planting bamboo, and falling catkins is the opposite of hairspring.
Jie with four eyes, Kui with one foot, robin versus egret. There is half a pond of red lotus root and a rack of white tea root.
A few gusts of autumn wind can cope with it, and a plow of spring rain can be expected. If his wisdom is deep, his countrymen will swallow the charcoal of deformation; if his virtue is great, the people of the city will erect a monument of tears.
Walking versus stopping, speed versus lateness, sword dancing versus Go. The flower paper corresponds to the cursive characters, and the bamboo slips correspond to the hairy cones.
Fenshui tripod, Xianshan monument, tiger and leopard versus bear. The flowers are blooming red and beautiful, and the water is rippling with green glaze.
My wife went away to visit her neighbor’s jujube trees, and my wife left to plant sunflowers in the back garden. The rhyme of the flute is harmonious, the fairy pipe is falling from the clouds; the sound of the oar is roaring, and the fishing boat is moving into the snow.
Ge against armor, drum against flag, purple swallow against oriole. Plum blossoms are sour to plum blossoms, blue eyes are to white eyebrows.
Three plays the flute, one plays chess, the rain beats against the wind. Begonia sleeps early in spring, while willow sleeps late in the day.
Zhang Jun once wrote poems about locust trees, but Du Ling did not write poems about crabapples. Scholars in the Jin Dynasty were extraordinary, comparable to a leopard with one spot; Confucian scholars in the Tang Dynasty were knowledgeable, comparable to a tortoise among the five generals.
Five micros come and go, dense and sparse, swallows dance and orioles fly. The wind is clear against the bright moon, and the dew is heavy against the faint smoke.
The frost chrysanthemum is thin, the rain plum is fat, and the guest road is to Yuji. The sunset glows beautifully, and the morning dew is adorned with pearls.
In the summer, guests miss the stone pillow, and in the cold autumn, the woman misses sending her a piece of clothing. In spring, when the water is deep, the fishermen go to the green grass bank; when the sun sets, the shepherd boy returns to the green grassland.
Be broad-minded versus strong, right versus wrong, flatter the beautiful versus multiply. Coral versus tortoiseshell, brocade versus pearl.
The peaches are scorching, the willows are swaying, the green is dark and the red is sparse. The orioles are talking together in front of the window, and the swallows are flying outside the curtain.
The Han Dynasty gave Taiping a three-foot sword, and Zhou Zhen made a military uniform. I recited a poem about appreciating the moon, only to worry about the falling moon; I filled up the wine to send spring, but only to regret that spring would return.
Sound versus color, fullness versus hunger, tiger festival versus dragon flag. Poplar flowers versus osmanthus leaves, white slips versus red clothes.
The tuo barks, and the swallow flies, swinging to the towering sky. Spring brings sunshine, and autumn cold borrows the power of frost.
He was sent as an envoy to Zhenwei and Feng Fengshi, and he managed the people differently and waited for Yin Weng to return. Brother Yan, I chant Ditang Weiwei; I ordered General Yi to sing Yangliu Yiyi.
Six Fishes: Nothing versus existence, reality versus emptiness, make a poem versus a contemplation book.
The green window faces the bright door, and the BMW faces the fragrant car.
Bole horses, Haoran donkeys, and wild geese looking for fish. Divide the gold to Uncle Bao, and serve the jade to Lin Xiangru.
Sun Chuo's poems are written with a golden sound, and Dou Tao's calligraphy with Jin characters is palpable. Before meeting Yin Zong, Xu Mi was trapped in Fu Yan's building; when he met the Zhou Dynasty, the Taigong gave up fishing on the Weishui River.
The end is opposite to the beginning, the speed is opposite to Xu, the short brown is opposite to the Chinese train. The Six Dynasties faced the Three Kingdoms, and Tianlu faced Shiqu.
Thousand-character policy and eight-line script are similar to each other. There are no dancing butterflies among the flowers, but there are lurking fish among the dense algae.
The fallen leaves are dancing in the high wind, and the little lotus is still floating in the water. He loves to see people grow up, so he takes Xuan Ni's vacation cover; he is afraid of being stingy, but Ruan Yu actually burns his car.
The lin is opposite to the phoenix, the turtle is to the fish, and the internal history is to the middle book. The plow and the hoe are against the grass, and the furrow is against the countryside.